The Good, The Bad And The Classics Podcast
111 episodes listed below
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Movie reviews discussing whether a film meets our criteria of good, bad or a classic.
Based on 6 episodes we listened to · September 2026
Personal viewing histories and close scene discussion turn familiar films into lively, good-humored arguments about performance, craft, and lasting value.
The Good, The Bad And The Classics turns each film into a sustained group argument, starting with the hosts' viewing histories before moving through the plot and toward a final classification.
The wheel lands on Blade Runner; you can hear John make his case for "classic."
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Short reviews from the PlayNext desk, based on the episodes we processed.
A blunt, spoiler-heavy chat that moves between admiration, nitpicks, and steady horror-film unease.
The Good, The Bad, and The Classics offers a spoiler-heavy look at The Silence of the Lambs, with three hosts bringing first-time reactions, long familiarity, and the sort of friendly nitpicking that keeps the talk moving.
A spoiler-heavy Grease chat that is funny, blunt, and sharper than it first sounds.
The Good, The Bad And The Classics takes Grease as a spoiler-heavy conversation, starting with the hosts' usual background memories before settling into the songs, the ensemble energy, and the film's mean streak.
A lively Inside Man review that works best when the hosts stay conversational.
This Inside Man (2006) review stays grounded and conversational. It moves from first memories and spoiler talk into cast discussion, sequel plans, and production trivia without losing the film's easygoing feel.
A spoiler-forward heist chat that stays scrappy, conversational, and cast-aware.
Inside Man gets treated as a spoiler-forward heist conversation built around Spike Lee's 2006 film and its large cast. John and Elle move through the plot with real memory, quick corrections, and enough cast appreciation to keep the talk grounded.
A Reign of Fire conversation that balances nostalgia, first impressions, and a memorable McConaughey entrance.
The Good, The Bad and The Classics spends this round on Reign of Fire from 2002, with one host revisiting a film they used to watch a lot and the other coming to it fresh.
Blunt, funny first impressions of Spielberg's UFO oddity, with enough memory and mess to stay lively.
Close Encounters of the Third Kind comes through here as a lively set of first reactions, with one host already carrying the film in memory while others meet it fresh. That contrast gives the discussion its best energy.
A blunt, funny Frankenstein chat that argues with the film while keeping a loose, conversational rhythm.
The episode takes on Guillermo del Toro's 2025 Frankenstein through the show’s familiar good, bad, or classic frame, moving from first reactions into the parts that count.
A festive finale that treats Violent Night as scrappy, easy entertainment and lets the banter carry the conversation.
The Good, the Bad and the Classics closes its Christmas retrospective with Violent Night, and the talk settles on the film's blend of Die Hard, Home Alone, and Evil Dead echoes.
Mike Muncer and a different guest dissect two horror films per episode, by subgenre.
Love Actually gets the Christmas retrospective slot, and the panel runs it through their good, bad, or classic test.
Blade Runner gets the wheel-of-film-tune slot.
The hosts introduce a movie review podcast and begin discussing the 2017 film I, Tonya, sharing their backgrounds with the film.
The hosts review the 2016 film Swiss Army Man, discussing its bizarre premise and whether it qualifies as good, bad, or a classic.
A first watch meets a twenty-time rewatch.
Labyrinth gets the panel cheerfully baffled almost immediately.
Grease gets hauled through the show's criteria.
2001 gets the good-bad-classic treatment.
The hosts review Spike Lee's 2006 heist film Inside Man, praising its stellar cast, tight script, and clever twists.
The Good, The Bad And The Classics reviews Inside Man (2006), directed by Spike Lee and starring Denzel Washington, Clive Owen, Jodie Foster, Christopher Plummer, Chiwetel Ejiofor, and Willem Dafoe.
The hosts review the 2002 film Reign of Fire, discussing its plot, performances by Christian Bale and Matthew McConaughey, special effects, and logical inconsistencies.
Peak intensity and revelation
The hosts review 'Close Encounters of the Third Kind,' debating its slow pace, ambiguous ending, and character flaws, with one calling it frustrating and another defending its mystery.
Headlines: man's hotel breakfast disappointment, woman nearly dies on live air chocolate challenge, post office revelation blows mind.
The hosts and guest Neil review the 1997 Australian comedy The Castle, debating its status as a classic, analyzing its humor and cultural impact, and sharing personal connections to the film.
The hosts review Last Night in Soho, discussing its plot, characters, and Edgar Wright's direction.
The Good, The Bad And The Classics reviews The Mummy (1999) as the next film in its monster run after Frankenstein, with Stephen Sommers, Brendan Fraser, Rachel Weisz, John Hanna, Arnold Vosloo, Jonathan Hyde, and Kevin O’Connor all named up front.
The Good, The Bad and The Classics sits down with Guillermo del Toro’s *Frankenstein* and treats it as a spoiler-heavy film review.
The Good, The Bad And The Classics closes its Christmas retrospective with a discussion of Violent Night (2022), directed by Tommy Wirkola and starring David Harbour, John Leguizamo, Alex Hassell, Alexis Lauda, and Beverly D'Angelo.
What if the entire story is them living it over and over again in a snow globe because she's trapped by Krampus?
The Good, The Bad And The Classics covers Scrooged (1988), directed by Richard Donner and starring Bill Murray, Carol Kane, Karen Allen, Alfre Woodard, John Forsythe, David Johansson, and Lee Majors.
The hosts review the 1988 film Big, discussing its themes of innocence versus adulthood, Tom Hanks' performance, and the differences between the theatrical and extended cuts.
The Good, The Bad And The Classics lands on The Social Network.
The Good, The Bad And The Classics review Mr.
The hosts review Paranormal Activity (2009), discussing its found footage style, character dynamics, and effective horror scenes.
The hosts review 'Good Will Hunting', discussing its acclaimed screenplay by Matt Damon and Ben Affleck, Robin Williams' Oscar-winning performance, and themes of trauma, intelligence, and class.
The Good, The Bad and The Classics opens its Anyone But You review by naming Will Gluck, Sidney Sweeney, Glenn Powell, Alexandra Shipp, Diavonte Ganta, Hadley Robinson, and Dermot Maloney, then confirming the show will discuss spoilers.
Host Ben announces the birth of his daughter and explains that the podcast will take a break, delaying upcoming episodes.
The hosts announce a break due to the birth of a child, explaining they are behind on editing and need time off.
The Good, The Bad, and The Classics covers Batman The Dark Knight Returns Part 2, and the hosts quickly say they expected a Joker story but got Superman instead.
The hosts introduce an episode reviewing the animated film Batman: The Dark Knight Returns Part 1, discussing its underrated status and their rating system.
The hosts introduce a listener-requested episode reviewing the 1987 cult classic film 'Withnail and I', sharing their backgrounds with the movie.
The hosts discuss The Blair Witch Project, its marketing as a true story, and the director's tactics to maintain the illusion.
The hosts discuss their backgrounds with the 1974 film Young Frankenstein, sharing first impressions and comparing it to other Mel Brooks films.
The hosts review Mad Max Fury Road, sharing their evolving opinions on the film and connecting it to the prequel Furiosa.
The hosts review the 2024 film Deadpool and Wolverine, sharing their initial reactions and spoiler-filled discussion.