A L Katz
31 episodes listed below
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Now in our FOURTH SEASON! Join us for a deep, inside baseball, nuts-n-bolts dive into the creative process. Guests include actors like MALCOLM MCDOWELL and BRANDON ROUTH, writers LARRY WILSON (BEETLEJUICE) and CY VORIS & ETHAN REIFF (DEMON KNIGHT) and everyone I know who's ever collaborated to create content. We talk a lot about TALES FROM THE CRYPT and why, in so many ways, that epitomized the creative process at its best... and why Bordello Of Blood was its antithesis. Talk about how NEVER to make a movie! Hosted on Acast. See acast.com/privacy for more information.
Based on 6 episodes we listened to · June 2026
Screen work becomes practical creative memory, especially for listeners interested in how productions, careers, and deals actually happen.
The How NOT To Make A Movie Podcast fits Arts as film production oral history. Alan Katz steers long conversations with directors, managers, creative performers, and collaborators toward the choices that make screen work possible, expensive, awkward, or worth doing.
You want Hollywood war stories where Joel Silver keeps reappearing like a production curse.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A reflective farewell that folds podcasting pride into a bruising Tales from the Crypt and Bordello of Blood reckoning.
The episode reads as a creator looking back after four years and 160-plus episodes, with a weekly rhythm that has clearly become part of life.
A clear look at the deals and habits that shape show business.
Alan Katz uses this visit with longtime friend and former agent Nick Mechanic to trace what show business tends to reward and what it tends to punish.
A backstage magic story that cares as much about the grind as the trick.
The episode leans into backstage magic with a clear eye for the odd little machinery around the Penn and Teller Fool Us chance, the friend who sends the tip, and the awkward business of proving a trick without ruining it.
A radio-life story about control, compromise, and community.
The episode centers on a memory of show-business bargaining: a hard refusal, a station that keeps coming back, and the moment a bluff turns into a job.
A birthday chat that turns unfinished movie business into an affectionate, rueful memory.
The episode starts with a birthday check-in and settles into an easy, wandering conversation about scripts that never got made, casting memories, and what it means to stay remembered by people who once worked together.
A sharp, funny pass through industry memory that keeps its edge.
Alan Katz turns a loose conversation with Coleman Decay into something with a clear pulse, letting old encounters, working relationships, and show biz memory pile up without losing the thread.
A candid look at casting, set dynamics, and horror-movie production.
It is strongest when it stays on the practical work of making a movie: casting, judgment calls, and the small breaks of luck that keep a production on track.
A casting-room autopsy that turns a deal point into the saga's original sin.
Casting sits at the center of this Bordello of Blood chapter, and Alan Katz makes a strong case for how the wrong people can bend a movie before anyone has a chance to correct course.
Horror talk with strange-case static.
Entertainment stories with the polish left off.
Criterion completism with sharp, messy charm.
Indie filmmakers, festival stories, real movie talk.
Alan Katz opens with a prism metaphor for creativity and introduces Paul Trammell as a nomadic author who lives on a sailboat and has written or co-written 12 books.
Alan Katz frames S4E5, 'Endings Are NEVER Pretty,' around the unfinished Bordello of Blood shoot in Vancouver and the collapse of his long creative relationship with Gil Adler.
Jeff Field describes a Hollywood career that moved from the William Morris mailroom to agent, manager, and producer, with the host framing him as someone who has held all three jobs.
Alan Katz sits down with paranormal investigator Kyle Yates and opens the conversation from a skeptic's angle.
Alan Katz frames S4E4 of The How NOT To Make A Movie Podcast as the “special effects” chapter of Bordello of Blood, where fake blood, a mechanical tongue gag, and a local Vancouver effects team all become production problems.
The host opens by marking a milestone: four years, more than 160 episodes, and a podcasting life that has become a mission.
Alan Katz opens with a monkey joke and a nudge to like and share the show.
In-depth conversation between How Not to Make a Movie podcast host Alan Katz and magician Wes Eisley about the craft of stage magic, not mysticism.
It starts with a sprawling promo stretch, then settles into a radio-memory story about control, negotiation, and the kind of stubbornness that can boomerang.
The episode opens as a birthday hangout between Alan Katz and Gil Adler.
Alan Katz opens by saying Coleman Decay knows everyone, and the episode spends its time making that feel completely true.
The How NOT To Make A Movie Podcast explores location selection as a core filmmaking decision, discussing how setting functions as a character that shapes scene meaning and audience perception.
Casting is the first fault line.
Alan Katz kicks off Season 4 by reflecting on the podcast's origins from a Tales from the Crypt fan group and delves into the making of Bordello of Blood as a case study in filmmaking failures.
Legendary makeup artist and director Bill Malone recounts his five-decade career in Hollywood, from creating the Michael Myers mask for Halloween (sourced from a William Shatner life cast) to his work on Tales from the Crypt.