Movie Reviews Podcasts

No corner is busier than horror. The shows here differ mostly in how loud the room gets. Shivers is the brisk end. New Movie Review: Hokum runs 22 minutes, and its host compares the film's ambiguous ending to Heretic's before giving the acting four and a half out of five. In New Movie Review: Backrooms its host warns that the film plays better if you already know the Backrooms subgenre, which is a useful limit to hear up front.

The Final Podcast is rowdier and more ritualised. 330 - V/H/S/2 (2013) Review explains the format: a four-word "foreplay" descriptor, commentary through the film, a score out of ten Japanese death cults, and a eulogy for the best kill. Expect crude jokes alongside the scene work.

For long sits, A Cut Above: Horror Review's E202: Mother! (2017) runs 138 minutes, and Exploding Heads Horror Movie Podcast's Exploding Heads 234: Frogman (2024) runs 118. A Cut Above's E228: Nosferatu the Vampyre (1979) is a fair test of whether you'll enjoy it: one host praises Herzog's mood but can't share Roger Ebert's four-star verdict. Exploding Heads leans toward the collector's crate. In Exploding Heads 245: Latest Slasher Watches, a host notes that a Tubi listing dated 2020 is really from 1997.

Zombie Strains is the history department, moving through zombie cinema film by film. In The Deadly Organ (1967), the hosts' first South American film becomes a lesson in making exploitation cinema under a regime that, as one host explains, had morality police on the streets.

Current releases get the widest spread of treatments. Eye of the Storm Movie Podcast is the closest thing to a disciplined film club, and its spoiler reviews focus on story and character. In Spoiler Review: How To Make A Killing the panel argues over whether the hero's final move is greed or something messier. Its Best And Worst Movies of 2025 ranks the year's reviewed films with a box office by box-office multiple, with Demon Slayer Infinity Castle at 39 times its budget.

Sarath and Chris's Movie Therapy Podcast is looser and includes hot takes. Ep. 181 Supergirl ( 2026 ) faults the film's pacing and lack of urgency. Ep. 173 Big Trouble in Little China makes a sharp case that Wang and Victor Wong, not Kurt Russell's everyman, are the real leads.

Culture Shocked brings three voices and room for nitpicks. In Spiderman: Brand New Day (Movie Review), one host's biggest complaint is that Peter orders Little Caesars in New York. Cheap Seats, from Drew and Nick, wanders furthest. The Food Pentagram, War With A Story, & what is THE CHARACTER OF RAIN? (138) settles on a pastel-animated film one host calls "the most beautiful movie I've ever seen." The Animation page picks up that thread, and the Film Reviews page is the neighbouring guide.

One strand turns the canon into assigned viewing, which suits anyone embarrassed by their own blind spots. Have You Seen?! The Movie Podcast has Joe walking Dylan through classics Dylan somehow skipped. Apollo 13 Under Pressure includes a fake sponsor bit early on, then gets to the good part: weightless scenes filmed aboard the "vomit comet" in 25-second bursts, with 612 dives yielding 54 minutes of footage.

CINEMISSES! works the same seam with a ritual: the host who hasn't seen the film says what he thinks he knows. In CINEMISSES! No Country For Old Men, Matt admits he knows less than he thought. The hosts then trade production trivia, including the sugar-free fake blood used so the drug-deal scene wouldn't swarm with ants. Press Play Action builds double features. Shutter Island (2010) & The Wolf of Wall Street (2013) Reviews! has the panel guessing a review score.

Comedy earns its place when the jokes make a film newly visible. Free With Ads, from Emily Fleming and Jordan Morris, covers movies you can stream free with ads. In Hackers (1995) the hosts marvel that the film's rebels hack free payphone calls.

I Can Fix Your Movie turns complaints into rewrites. In The Wolfman (2010) the hosts would lean into tragic gothic horror in the vein of Bram Stoker's Dracula and Sleepy Hollow, and they would give Emily Blunt's undercooked character more to do.

Cinemavino pairs films with drinks. Train Dreams | Review pours Marshall Golden Lager. First Man | Review notices how the film cuts to close shots of instrumentation where other space films would use wide vistas.

Hollywood Gold interviews the producers and filmmakers behind familiar titles. In THE HUNGER GAMES: How Jennifer Lawrence's Untouchable Audition Won Her a Career-Making Role, producer Nina Jacobson tests scripts by asking "what do I want and what do I fear?" She also recalls an idea, bringing Gale into the Capitol, that "died a natural death."

Back at the Box Office has Jack and Eric working through the MCU. Doctor Strange (2016) | Doomsday Clock starts early with a budget-guessing game and settles on a flat seven. Guardians of the Galaxy Vol. 2 (2017) | Doomsday Clock earns a 9.5 that gets rounded up to ten. The Comic Books page goes further. Code Flix reads science fiction against history, as in Eye of the Moon: Méliès, Magic, and Colonial Spectacle | Code Flix Season 3 Episode 1.