A friendship-testing Phenomenon pick turns into a loose, funny argument about John Travolta's career.
Black & White Reviews turns Will's pick of Phenomenon into a friendly argument about whether a movie recommendation can put a friendship on trial.

Spoiler-heavy movie arguments with sharp elbows.
Black & White Reviews treats film talk like a table argument that got recorded before anyone could calm down. Episodes swing from The Wrath of Khan and The Running Man to Mario, Daredevil, Stranger Things, and theater economics without losing the cranky momentum.
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Black & White Reviews is a spoiler-forward film talk show with the shape of a friendly argument and the patience level of people who have already made up their minds. It is not built around quiet summaries. It starts hot. Chuck, Lee, and Will use the chosen movie as a launchpad for cast histories, sequel debates, genre memories, trailer rumors, and whatever franchise headline happens to be nearby. One episode can frame Phenomenon as a deeply divisive pick, then veer into John Travolta's screen career and the strange afterlife of his hits and misses. Another can treat The Running Man as a fully 1980s artifact, not just for its action but for its future shock, game-show cruelty, and half-remembered TV-viewing nostalgia. The Paper gives them room to talk about studio dramas, workplace storytelling, and movies that sit in the middle without becoming failures. The Wrath of Khan brings the expected Star Trek reverence, then immediately opens the door to cast substitutions, childhood memories, and who counts as essential to the ensemble. The Talking Nonsense episodes are even looser. They move through Stranger Things, Mario sequel choices, Jack Black, Spider-Man trailer hype, Daredevil continuity, Godzilla Minus One, Scary Movie, Disney, Paramount, and the future of theaters. The rhythm is quick. Someone questions a premise, someone else corrects the timeline, and the thread becomes a joke before snapping back to the subject. That looseness is the point. The show is strongest when taste, memory, and irritation collide in real time. It favors conversation over clean criticism. It also assumes listeners can keep up with dense pop-culture shorthand. The movie canon here is broad: classic sci-fi, 1980s action, studio fare, comic-book franchises, streaming series, and oddball sequels all share space. The result feels personal without turning into confession. It is a hangout show for people who like spoilers, arguments, and overstuffed references more than careful verdicts. The best entry point is any movie the listener already knows well enough to enjoy hearing picked apart.
Made for: For movie fans who enjoy fast group banter, franchise rabbit holes, and blunt disagreement about familiar titles. It especially suits listeners who already know the films and do not mind full spoilers.
What sets it apart: The show stands out by letting the conversation stay messy, reactive, and reference-stacked. Reviews often become live arguments about memory, casting, sequels, streaming, and the business around the movie.
Black & White Productions was formed by Will Jessamy and Lee Dickerson, two guys who have spent the past 25 years discussing (and ripping apart) movies, music and anything else that piques their interests. This all started as an idea to open a record store about 10 years ago. When life became.. well, Life, it was clear that smaller steps should be taken first in order to build a brand. As of now, Black & White Productions have been recording and podcasting their conversations about the movies that have made impacts on them. These are the Black and White Reviews. Just a head’s up, these are FULL OF SPOILERS. So don’t watch anything unless you want to know everything about it’s subject.
Based on 6 episodes we listened to · September 2026
Will Jessamy and Lee Dickerson connect candid screen reactions with franchise continuity, production economics, and the practical realities of making a movie.
Black & White Reviews turns screen talk into an open-ended argument among people willing to test each other's reactions. Will Jessamy and Lee Dickerson move easily from a close discussion of Speak No Evil to Godzilla budgets, Spider-Man speculation, Daredevil continuity, and the…
A horror ending gets called Hallmark, and your movie-night debate finally has backup.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A friendship-testing Phenomenon pick turns into a loose, funny argument about John Travolta's career.
Black & White Reviews turns Will's pick of Phenomenon into a friendly argument about whether a movie recommendation can put a friendship on trial.
A relaxed screen-culture chat lets Mario, Jack Black, and a late-season breakdown pull the room into lively detours.
The episode finds the panel happily off the leash, moving from an early look at animated Stranger Things Tales from 85 into a wider question of whether the franchise is being stretched too hard after a divisive ending.
A loose movie debate moves from a buried Disney sequel to Spider-Man hype and the future of theaters.
Talking Nonsense frames a movie chat as a lively test of cultural memory. The episode opens on a live-action Disney sequel tied to a film almost everyone recognizes, then turns that surprise into a wider conversation about how familiar franchises can still hide odd corners in…
A Chuck Norris riff gives way to Daredevil continuity friction, with Spider-Noir waiting near the exit.
Talking Nonsense: Episode 083 turns a fumbled opening, with buttons pressed and pictures sent to the wrong place, into a long-running Chuck Norris riff.
A loose, opinionated screen chat connects Godzilla's practical effects with Scary Movie's comic chaos.
The episode follows screen culture as one thing kicking off another: Monarch leads to Godzilla Minus One, then back to the 2014 Godzilla and its $150 million budget.
A relaxed screen conversation that moves from The Pit to funding realities and an open-ended Superman debate.
The episode works best as a candid screen conversation that lets enthusiasm, logistics, and disagreement sit side by side. It opens with warm praise for The Pit, framed through comparisons with House and ER and focused on the pleasure of its medical texture and character arcs.
A loose horror conversation tracks the thriller hidden inside Speak No Evil's polite domestic setup.
Black & White Reviews frames Speak No Evil (2024) as a domestic visit that starts with Hallmark-adjacent politeness and curdles into a thriller.

Three friends recap Daredevil, Fallout, and new releases scene by scene, in Spanish.





Slasher talk with sharp teeth.
Hosts Will and Lee discuss the medical drama 'The Pit', praising its realism, character arcs, and graphic medical scenes.
Hosts Lee and Will review the 2024 psychological thriller 'Speak No Evil,' starring James McAvoy.
Two podcast hosts engage in casual banter about celebrity deaths and movies they've watched.
A group of friends review the 1982 film Star Trek II: The Wrath of Khan, discussing the cast and sharing personal anecdotes.
Two hosts discuss the 1994 film 'The Paper', a workplace dramedy with big actors and no special effects, representing early 90s cinema.
Will and Chuck discuss the third episode of Stranger Things season 5, directed by Frank Darabont, noting its Nightmare on Elm Street influences.
The host discusses revisiting Smallville season eight, focusing on Clark and Lois's dynamic at the Daily Planet and the show's shift from a coming-of-age story to an adult narrative.
Black & White Reviews spends this episode on Phenomenon (1996), the John Travolta, Robert Duvall, Keira Sedgwick, and Forrest Whitaker drama that Will picked.
Black & White Reviews opens on Netflix's Stranger Things Tales from 85 and quickly turns that title into a complaint about franchises that keep getting stretched into new spin-offs.
Black & White Reviews spends this episode moving from Return to Oz to Spider-Man Brand New Day, with Harry Potter, Project Hail Mary, and Daredevil filling the middle.
["Talking Nonsense episode 83 opens with Chuck Norris jokes, including \"Chuck Norris doesn't sleep.
Lee and Will discuss the 1987 film The Running Man, its dystopian setting, and its place in 80s cinema.
The hosts compare Monarch with Godzilla Minus One and 2014 Godzilla, using the $15 million Toho budget and the $150 million American budget as the main contrast.