Travolting is a filmography show with a taste for the career detour, the baffling premise, and the movie that seems minor until someone starts pulling at its loose threads. Recent episodes fall under the Bobbin for Robin run, with Jeff Sweeney and Stuart Elmore moving through Robin Williams titles such as RV, Everyone's Hero, The Night Listener, The Big White, Man of the Year, House of D, The Final Cut, and Noel. The show is funny first on the surface. Under that, it is organized around surprisingly practical criticism. The hosts want to know what the movie is trying to be, what image of a city or era it is selling, how the cast is being used, and why a tonal choice feels charming, lazy, grim, or simply strange. A conversation about Man of the Year can veer into electoral math and political satire. A discussion of Everyone's Hero can become a read on Norman Rockwell Brooklyn, Chicago, and Depression-era baseball mythmaking. RV prompts jokes about family-comedy sludge, but also a concrete assessment of situational comedy and casting. The Night Listener gets treated with more care, especially around its gay lead, its mystery premise, and the way a whole town relates to a possibly fabricated story. The Big White brings in actor context, relapse history as discussed in the episode, and the odd weight of a stacked cast that does not always translate into energy. Travolting is not polished in a public-radio sense. It is rapid, interruptive, referential, and happy to let a bit run until it proves useful. That looseness is the appeal. The hosts sound like they are discovering the shape of the argument as they talk, but the argument keeps arriving. For listeners who like obscure movie podcasts with jokes, lore, and actual standards, it has a strong, scrappy rhythm.