The Monster Hunters is a scripted comedy audio drama about a pair who deal with vampires, necromancers and whatever else crawls out of the fog. The pair are Roy Steel and Lorrimer Chesterfield. The show's creators, Matthew Woodcock and Peter Davis, write it and play them. Its home turf is the early 1970s, where flares get soaked and polyester itches, but the stories wander well beyond it. One strands the heroes in London in November 1891, and after a month of Victorian life one of them is angling to become the cream of London society. Another plays as a spy-film send-up. In 'The Funeral of Roy Steel', a man called Bryce Hunter is paid half up front to answer only to Roy's name, with the rest promised on completion, along with some glue for reassembly. A butler called Monsieur Knife then turns up with a speedboat and an invitation to an island that has its own volcano. When the horror arrives, it is set up with care. In 'The Vampire Tree', a narrator by the fire shows off a lithograph of a lonely spot some call the knee of the world. The heroes end up running uphill toward a burnt, lightning-struck tree whose knots look like eyes and a screaming mouth. Even there, someone protests that he is not a runologist. 'The Hell Shaped Room' follows the same pattern: a lodger named Shadwell Crake has not left his room in weeks, slugs creep across the wallpaper, and the plan to track him means asking a vampire to sniff one. Crake is more than a one-off. In 'The Eyes of Shadwell Crake', a fellowship is on the verge of restoring the necromancer in a new body when its leader stops to ask who is taking minutes. 'The Scent of Fear' announces itself as episode 4. It brings in Dr. Ladyface, a bookshelf that runs from the Demonomicon to the I Spy Book of British Beasts, and a monster with a nose for a head, which gets exactly the pun you would expect. The wordplay is cheerfully groan-inducing, and the characters are quick to complain about it themselves. The end credits name a supporting cast, composers, an engineer and editors. Not every episode is fiction. In 'Remembering Jade Allen', Woodcock and Davis set the characters aside to mark the death of a longtime friend, colleague and performer on the show, who died at the end of March 2024. They talk about early episodes recorded in a flat, take a detour into Moonraker, and point to a free live recording on the Wireless Theatre Company website. Some scripted episodes also close with out-of-character chat, which fits a show that never takes its monsters too seriously.