Bad media, carefully exhumed.
Stay Doomed treats pop-culture dead ends as artifacts worth examining, from 2001 reality specials to Disney Plus fantasy competitions. The tone is sharp, conversational, and cheerfully exasperated, with affection for bad media and little patience for lazy choices.
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Stay Doomed turns the failures, false starts, and baffling leftovers of television and film into lively critical evidence. Its home turf is the Television Graveyard, where short-lived shows, one-off specials, reality experiments, reboots, and Razzie-season movies are treated as cases to be examined. The premise sounds narrow. The range is not. Episodes move from Who Wants to Be a Princess? at the MGM Grand to Who's Your Daddy?, from The Quest on Disney Plus to a Muppets Thanksgiving parade special, then over to Snow White and War of the Worlds during Razzie Month. The hosts follow the actual viewing experience closely, which gives the comedy a useful spine. A bad line is not just mocked; it is placed in its scene, its format, and its weird cultural moment. A confused reality-show challenge becomes a clue to how the whole production thinks. A stock-footage-heavy disaster movie becomes a conversation about screens, data, and cheap spectacle. The show has a theatrical vocabulary of graves, necromancy, mausoleums, and doomed media, but the appeal is practical: Laura Crane and Noah Houlihan watch the thing, remember the thing, and argue with the thing. The pacing is chatty and quick. A joke can run sideways for a minute, then snap back into recap. They are openly irritated when a show wastes a promising setup, especially with The Quest, yet the frustration comes from attention rather than laziness. Razzie Month adds a separate lane for movies, including the hosts' own history with bad-film watching and award-season grievance. Stay Doomed also has a community texture, with Discord suggestions and recurring seasonal bits appearing in the excerpts. The result is not detached film-school criticism. It is more like sitting near two sharp viewers who have been keeping receipts since the era of homework movies and forgotten television specials. The best fit is a listener who likes affectionate contempt, detailed recap, and media archaeology with jokes sharp enough to leave marks.
Made for: For listeners who enjoy bad-movie podcasts, short-lived-TV history, reality-show oddities, Disney misfires, and conversational criticism with sharp jokes. It especially fits people who like deep attention paid to entertainment most viewers forgot.
What sets it apart: Stay Doomed stands out by treating disposable media as worth close, funny, episode-level analysis. Its graveyard framing, seasonal Razzie detours, and recurring resurrection-or-burial question give the criticism a clear ritual without making it stiff.
A look at shows that ran one season or less.
The television graveyard turns Jackass into the ethics hearing you did not know you wanted.
Press play if you want
Short reviews from the PlayNext desk, based on the episodes we processed.
A sharply amused autopsy of a one-off reality oddity.
Stay Doomed treats Who's Your Daddy? as the sort of one-off TV curio the show was made to dig up, with Mar Prince and Noah Houlihan following a woman trying to identify her father through dance, awkward dates, and a very 2005 instant-messenger conversation.
A Las Vegas pageant special gets a sharp, uneasy reality-TV autopsy.
Stay Doomed treats Who Wants to Be a Princess? like a bit of television archaeology, with Laura Crane and Noah Houlihan tracing a 2001 Las Vegas reality special at the MGM Grand through Pat Bullard's very odd framing.
A fondness for bad movies turns into a sharp look at who gets to decide what deserves a Razzie.
Stay Doomed uses Razzie Month to look at what the awards mean to its hosts, starting from their own affection for bad movies and the habit of watching whatever happened to be on at 3:30.
Film lists with rules, vetoes, and taste.
Oscar history from the almost-winners' side.
Boston repertory listings with critic-banter momentum.
Oscar math meets cinephile argument.
Long conversations about the movies worth finding.
Fan-literate pop culture, argued out loud.
The hosts celebrate the 250th episode of their podcast by discussing what might be the worst episode of The Simpsons.
The hosts discuss the closure of the Muppetvision 3D ride at Disney World's Hollywood Studios, expressing nostalgia and humor while reflecting on its impact.
The hosts reflect on season seven of their podcast, discussing its content, their feelings about the show, and plans for the future.
Hosts Laura Crane and Noah Houlihan analyze 'Who Wants to Be a Princess?', a 2001 reality special that aired on Fox.
Hosts Lara and Noah announce they are ending their annual Razzie Month tradition on Stay Doomed.
Stay Doomed hosts Laura Prince and Noah Houlihan review Jackass Best and Last while announcing that Stay Doomed is entering its final six subjects.
Laura Prince and Noah Woolahan examine The Mitch Hedberg Project, a 2001 MTV pilot recovered by Doug Stanhope from an attic VHS.
Stay Doomed hosts Laura Crane and Noah Houlihan examine Who Wants to Be a Princess?, a 2001 Fox reality special filmed at the MGM Grand in Las Vegas.
Stay Doomed hosts Lara Crane and Noah Houlihan examine their long-running Razzie Month tradition and explain why they are breaking up with the Razzies.
The hosts discuss the 2025 Snow White film adaptation, comparing it to the original Disney version and sharing personal anecdotes about the classic fairy tale.
The hosts introduce their Razzie Month series by analyzing Ice Cube's film adaptation of War of the Worlds, discussing its format and context as a poorly-received movie.
This episode analyzes episodes 7 and 8 of the TV show 'The Quest', discussing its flaws and whether it should be resurrected.
This episode continues a three-part analysis of Disney Plus's fantasy series 'The Quest', covering episodes 4-6 and discussing plot details like the Paladins' gem storyline.
Stay Doomed 261 covers Fox's 2005 reality show 'Who's Your Daddy?', where TJ, adopted at six weeks old, has to identify her biological father from eight men for a $100,000 prize.
The hosts analyze a 1978 Muppets television special called 'Hip Hip Parade' that aired around Thanksgiving, discussing its history and context as part of their podcast examining short-lived or unique TV shows.