Station Arcadia is an anthology audio drama set in a world that is running out of road. An empire fights a war its people cannot remember living without, across blood-soaked battlefields, radiation-filled wastes and high walled cities. West across the sea lie the whirring cities of Hardison. On the Ganon Islands the worry is food: empty family tables, soup kitchens running dry and food pills packed with more appetite suppressant than nutrition. Elsewhere, guards with laser guns arrest trespassers on Arachne property. Episodes are identified by region, an Empire episode here and a Ganon Islands episode there, so the world is assembled piece by piece. Its worldbuilding and characters are credited to a long roster of contributors. Resistance is the connecting thread. There is a revolution headquarters, a scheme to evict a poor neighborhood and replace it with a mine and a company town, and Axel, who would rather be fishing but makes her gambit anyway. In one set of scenes she considers getting close to an old friend, Asphodel, partly to reach classified information, and gets called out for it. The narration does not soften how badly things can go. 'Hundreds of stories end poorly,' one passage says. The same passage then turns to an island that was not there before and will be gone by morning, a second chance for the few who reach it. The show sits in that tension between despair and stubborn hope. Station Arcadia was cancelled partway through season two, and the bonus material is unusually candid about the process. 'Gannon Cutaway Segments - s2e14' and 'Talsorian Cutaway Segments - s2e11' hold scenes written for season two episodes that were never completed. In 'Revenge Is Best Served For Supper', producer Eli Allen reads the part of Kass from the last finished script while J.R. Steele speaks the sound directions aloud. In 'What We Had Planned', Eli Allen talks through beats that never got made, such as Peaches opening Jebediah's mail to confirm his plans. 'Voice Acting Struggle Compilation' collects bloopers first posted to Patreon: flubbed words, a fly in the room, a microphone that keeps peaking. 'Was It Worth It?' answers the question in its title plainly: 'Yes. Duh.' The work is released under a Creative Commons non-commercial share-alike license, and transcripts are posted on the show's website. It suits a listener who wants a large shared dystopia and doesn't mind seeing how it was put together.