Soundplay showcases audio stories made by students at Salem State University in Massachusetts. Each episode is built around a theme, and Abby Rue introduces them. The format is simple. Rue names the theme and the students whose work fills the episode, plays their pieces, and comes back in between with reactions and small stories from daily life. The themes cover a lot of ground. 'BOO! Did I Scare You?' is given over to fictional horror, with stories from Josie Kinghorn and Rachel. Kinghorn contributes a double feature framed as a night at a drive-in theater. Another story follows a lonely narrator who meets a man named Arthur at a Barnes and Noble and decides to keep him a secret from friends. 'The Only Way Out is Through' collects stories about getting through hard times. Presley Shares contributes a story about a life-altering moment and her attachment to volleyball, one of the things she holds dearest. Shannon Adams interviews Helen Hatch, an ice skating coach in Reading, Massachusetts, about a tragic incident involving her own coach when she was younger. 'A World of Culture' pairs two views of heritage. One is a piece by Rosanna Wu, in which J.D. Scrimgeour is heard, about embracing a new culture and its art. The other is Morelia Morel-Diaz's piece, grounded in Baní, her hometown in the Dominican Republic. 'Everyone Has a Place in This World' is about belonging and includes work by Melanie Zimmick. It also has a piece in which a speaker named Alexandria explains bohok, a pungent fermented fish paste central to Khmer cooking, and touches on the traditions Cambodia lost to genocide. 'The Human Condition' turns to loss and family, with pieces from Atia and Kate. One recalls a cousin who went through chemotherapy and whose wish before he died was to meet the rapper T.I. 'The Power of Music' collects pieces that put music at their center, including a profile of Lauren, a performer about to graduate with a music technology minor who was disqualified first after a performance she was proud of. Rue's commentary holds all of this together. The asides are personal and specific: taking photos and working on a gifted paint-by-number to stay present, and hoping to pick up Spanish again after graduation. The response to the students' work is generous, though Rue also says plainly that taking criticism is part of growing. Episodes close by thanking the contributors and with a brief send-off. What a listener gets is range: horror, grief, food, heritage and performance, all made by students and framed by a host who treats the work as worth sitting with.