A label story that turns scene memory into sharp, lived-in criticism.
Bloodshot Records and co-founder Rob Miller anchor an episode that tracks how insurgent country earned its name and how that label soon began to box itself in.

Music criticism with shelves, memory, and nerve.
Sound Opinions treats music criticism like an ongoing conversation between people with deep shelves and strong memories. Recent episodes move from Bloodshot Records and buried new artists to Miles Davis, Al Green, Lester Bangs, and late-career creative rebounds.
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Sound Opinions is a long-running music criticism show with the feel of two experienced listeners pulling records from the shelf and making a case for why they still matter. It is direct. It is also digressive in the useful way music people get digressive, where a single song can open into a discussion of scenes, labels, critics, cities, and the strange afterlife of genres. Recent episodes show the range clearly. A conversation with Rob Miller turns Bloodshot Records into a story about alternative country, insurgent country, Chicago coverage, punk rule books, and how underground music gets packaged by the press. A Desert Island Jukebox pick can become a serious reconsideration of Miles Davis, On the Corner, jazz fusion, funk, and records that arrived before listeners knew what to do with them. The show is comfortable with canon. It is just as interested in the stubborn pleasures of overlooked music. Its buried treasures segments spotlight new artists outside the algorithmic glare, while tribute episodes use figures like James Gadson, Willie Colón, and Lester Bangs as gateways into influence, memory, and critical standards. The tone stays conversational, but the opinions land firmly. Jim DeRogatis and Greg Cott do not flatten everything into taste. They explain how a record works, what world it came from, and why the argument around it may have been wrong the first time. That makes the show especially good for listeners who like recommendations with evidence attached. It can praise a groove, parse production choices, or connect Al Green and Willie Mitchell through restraint, tension, and feel. The Chicago presence is constant, from sponsors and listener stories to the way local music history keeps appearing in the margins. Sound Opinions is not background chatter for passive playlisting. It is for people who still want criticism to have memory, standards, and a little table-pounder conviction.
Made for: Best for music fans who want more than release chatter: album arguments, scene history, critic memory, and serious recommendations from outside the obvious feed.
What sets it apart: Sound Opinions stands out by treating songs as artifacts with lineage, not just content drops. Its strongest episodes connect records to labels, cities, critics, musicians, and the arguments that shaped how people heard them.
Take two nationally respected rock critics, the latest music news, personal commentary, and exclusive interviews and performances, add a huge pile of records old and new, and the result is Sound Opinions, where people who love music can come together.
Based on 5 episodes we listened to · September 2026
Jim DeRogatis and Greg Kott connect record reviews, artist conversations, production detail, and underground discoveries through alert, opinionated criticism.
Sound Opinions turns criticism into a working conversation, with Jim DeRogatis and Greg Kott testing their tastes against new records, label histories, underground discoveries, and older albums.
Jim DeRogatis and Greg Kott turn record-nerd arguments into your next listening assignment.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A label story that turns scene memory into sharp, lived-in criticism.
Bloodshot Records and co-founder Rob Miller anchor an episode that tracks how insurgent country earned its name and how that label soon began to box itself in.
A buried-treasures episode focused on new, little-known artists outside the algorithms.
Sound Opinions frames its buried-treasures hunt as a search for new, little-known artists that are not playing to the algorithms. Jim DeRogatis and Greg Cott keep the segment pointed toward discovery, while Andrew Gill's pick adds another turn and keeps the conversation from…
A compact studio-history discussion that shows why Al Green and Willie Mitchell fit together so well.
Sound Opinions opens with Mitski, then settles into Al Green's The Bell Album, and that is where the conversation really clicks. Jim DeRogatis and Greg Kot trace how Willie Mitchell's strict, minimal hand at High and Royal Studios gives the record its tension, while Al Green…
A compact radio-life conversation about taste, rule-breaking, and station lore.
Sound Opinions begins with a Lucinda Williams music review, then settles into a conversation with longtime friend and radio DJ Mary Lucia about her memoir.
A Buried Treasures pick that goes all in on a 40-minute space-rock sprawl.
Sound Opinions uses its Buried Treasures slot to put an underground track in front of listeners, and Jim DeRogatis sounds genuinely sold on the 40-minute space-rock opera he brings in.

Chicago critics DeRogatis and Kot pair new-album reviews with deep dives into records like Rumours.


Billboard's Keith Caulfield and Katie Atkinson break down the week's Hot 100 and 200 charts.

Ben Brock Johnson and Amory Sivertson trace viral internet stories from Reddit threads to courtrooms.

Chris Black and Jason Stewart riff on fashion, food, and celebrity culture three times weekly.
This bonus episode of Sound Opinions features a tribute to drummer James Gadson, including a story from Kelly Hogan about working with him.
Bloodshot Records gets a sharp table read.
Sound Opinions hosts Jim DeRogatis and Greg Cott dedicate this bonus episode to Miles Davis's 1972 album On the Corner, one of the worst-selling records of Davis's career.
Sound Opinions’ Springtime Buried Treasures round-up moves from Tim Kaine’s two-volume solo project Love and Tim to Brian Gerald Bolger’s EP Thank God I’m Far From Heaven, with both picks framed by personal history and unusual collaborations.
Sound Opinions bonus episode opens with Greg Cott and Jim DeRogatis joking about being “shipwrecked together” and teasing a Desert Island Jukebox pick.
Al Green works best under pressure.
This bonus episode of Sound Opinions features a Desert Island Jukebox segment where the hosts discuss Bad Bunny's Super Bowl halftime show and play a track from an artist who influenced him, likely Willie Colón.
This episode of Sound Opinions discusses artists who have produced great work later in their careers, featuring a Chicago-themed sponsor segment with a listener story about scoring Cubs tickets.
This bonus episode of Sound Opinions features Jim DeRogatis adding a song from a 1970s UK punk band to the Desert Island Jukebox, with a focus on the dark side of organ donation.
Sound Opinions hosts Jim DeRogatis and Greg Kot review Peaches's seventh album, No Lube, So Rude, and Danny Brown's sixth studio album, Stardust.
Two rock critics discuss protest songs and an underrated protest singer, with music news and listener engagement.
This episode features an interview and live performance with Beach Bunny's Lili Trifilio, plus a review of Charli XCX's new album.
Two rock critics discuss music news, play a song from their Desert Island jukebox, and preview a segment on a favorite band.
This episode revisits a conversation with author Peter Ames Carlin about the legacy and complicated history of the band R.E.M., interspersed with Chicago-themed listener stories.
Two rock critics discuss music news, play a song from an 80s Indiana band's newly released debut album, and promote their Patreon.
This episode of Sound Opinions explores new protest music that reacts to current world events, featuring hosts Jim DeRogatis and Greg Cott.
Two rock critics discuss music news, listener contributions, and preview a Desert Island Jukebox pick from a film praised by Courtney Love.
Mary Lucia breaks the rules, but not blindly.
Two rock critics discuss music news, play songs, and preview a Halloween-themed segment.
Buried Treasures heads straight for the good part: new underground music.
Two rock critics discuss music news, play songs, and preview a holiday-themed segment for their Desert Island Jukebox.