A loose, funny look at early-2000s movies and Sam Rockwell's career.
Emily St. James and co-host keep the discussion light on its feet, with Jason Bailey joining in for a mini series that moves through Spike Jonze and Charlie Kaufman's 2000s films.

Aughts movies, argued with affection.
Podcast Like It's ... works through aughts film one title or mini-series at a time, with hosts and guests circling performances, production lore, awards history, and first-viewing memories. The mood is loose but informed: funny, reference-heavy, and comfortable letting a tangent become the point.
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Podcast Like It's ... is a movie discussion show that looks back at 2000s film with the distance of 2025 and 2026, but not with museum glass around the work. The episodes feel alive at the table. A title like Confessions of a Dangerous Mind becomes a way to talk through Sam Rockwell's elastic career, Charlie Kaufman's preoccupations, onscreen chemistry, and the odd shape of early-aughts movie stardom. Adaptation opens into casting roads not taken, production history, Tom Hanks hypotheticals, Chris Cooper, John Turturro, and the strange intelligence of a movie about failing to adapt a book. The analysis is specific. It is also messy in the useful way. The show lets memory count as evidence, so when Best in Show or Up comes up, the conversation includes formative viewing, awards lineups, Disney and Pixar reputation, and what seemed minor then but feels major now. Mini-series give the feed structure, with runs on Christopher Guest's 2000s films, Pixar, Spike Jonze, Charlie Kaufman, and other corners of aughts culture. Guests bring taste, but the tone stays conversational: quick jokes, quick corrections, generous disagreement, and plenty of references to other movies. It can get serious, especially around bodies, alienation, or art about being trapped inside one's own head. Then it will pivot back to a bit. That elasticity is the point. Podcast Like It's ... is not trying to deliver definitive capsules. It is more interested in how movies accumulate meaning through performance, reception, age, genre, awards, and the people watching them years later. For listeners who want film talk that can handle both Oscar minutiae and a goofy opening riff, it has a strong groove.
Made for: For film fans who like conversational criticism, 2000s nostalgia, actor career talk, and smart tangents that still find their way back to the movie.
What sets it apart: Its strength is the panel chemistry: criticism arrives through banter, memory, disagreement, guest taste, and side roads into film history rather than polished monologue.
Through Podcast Like It's... writers Phillip Iscove (Co-Creator of FOX's Sleepy Hollow), Kenny Neibart (Entourage, Hindsight) and now Emily St. James explore some of the best years in film, music and television. It all started in 1999, then 1989, then 2009 and now 1992! Follow Phil, Kenny and Emily as they dive into some of your favorite movies, TV shows and musicians! Hosted on Acast. See acast.com/privacy for more information.
Based on 6 episodes we listened to · September 2026
Film discussions gain texture here through production history, performance analysis and lively arguments about how a movie fits into a larger body of work.
Podcast Like It's ... treats a movie as the start of an argument rather than an object awaiting a verdict. Phillip Iscove and Emily St. James move through films including Up, Adaptation, Human Nature, Confessions of a Dangerous Mind and My Blueberry Nights with guests, using…
An Up conversation becomes the Toy Story versus Pocahontas Oscar grievance you didn't know you needed.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A loose, funny look at early-2000s movies and Sam Rockwell's career.
Emily St. James and co-host keep the discussion light on its feet, with Jason Bailey joining in for a mini series that moves through Spike Jonze and Charlie Kaufman's 2000s films.
A casting-rabbit-hole episode that turns production history into the main event.
Adaptation becomes less a fixed critical reading than a winding tour through production history and casting what-ifs. It follows the book's long path to screen, from Fox 2000 buying it in 1994 and Demi being attached early to the later Tom Hanks possibility, while also keeping…
A careful discussion connects Kaufman's inner prisons with gender dysmorphia and egg cinema.
Charlie Kaufman's work is framed here as a way into characters who feel locked inside their own minds. The episode links that recurring inner confinement to possible gender dysmorphia, while keeping the reading broad enough to include a person who simply cannot bear being…
Up gets a lively Pixar-era reckoning through theater memories, Oscar history, and the animated films around it.
Up closes Podcast Like It's the 2000s' Pixar miniseries with a conversation that keeps one foot in moviegoing memory and the other in awards-season context.
A measured rewatch debate on neon mood, Cat Power, and the Jude-and-Nora stretch that gives the movie its strongest footing.
Podcast Like It's the 2000s treats a Wong Kar-wai film as a tug-of-war between ravishing surface and emotional payoff. Phyllis Gove, Emily St.
A film adaptation comes into focus through casting hunches, shifting attachments, and Orlean's long path from article to movie.
Adaptation treats the making of a film as a trail of hunches, stalled attachments, and choices that only seem obvious once the movie exists. The review follows the project from Fox 2000's interest in 1994 through Susan Orlean's decision not to sell just the article while she was…
A loose, funny rewatch finds the film's comic surfaces opening into genuine unease.
Death Becomes Her gets a 1992-minded rewatch built around a shifting score: Emily St. James says she once might have placed it at 55, now has it in the low 60s, and suspects the conversation may pull her higher.





Loose, lore-heavy Star Wars conversation.

This episode discusses the 2007 film 'Lions for Lambs' as part of a miniseries on Tom Cruise's 2000s films, featuring film critic Jason Bailey.
This episode reviews the 2005 film adaptation of Oliver Twist directed by Roman Polanski, discussing its merits and controversies.
The hosts discuss the film Valkyrie and share a personal story about a grandmother who grew up in Nazi Germany, exploring different perspectives on World War II.
This episode features Jamelle Bouie discussing the film 'War of the Worlds' from the 2000s, exploring its themes and cultural significance from a 2020 perspective.
The hosts discuss the 2000s film 'Sky Captain and the World of Tomorrow' as their annual chaos pick with guest Emma Stefansky.
Hosts Phil Iscove and Beverly St.
Hosts Phyllis Goh and Emily St.
Jason Bailey joins the hosts.
The episode spends its time on Adaptation, focusing on the film's long development history: Fox 2000 bought the book in 1994, Demi was attached early, and Susan Orlean wanted to finish the book before selling the article.
Felisco and Emily St.
This episode features an interview with author Kerry Corrigan discussing Christopher Guest's 2003 mockumentary film 'A Mighty Wind' as part of a miniseries on his 2000s films.
This episode kicks off a miniseries on Christopher Guest's 2000s films with critic Kathryn VanArendonk discussing the formative impact of Best in Show.
Podcast Like It's the 2000s closes its Pixar 2000s run with Up, the 2009 film about Carl Fredricksen, Russell, and a balloon house headed for South America.
Phyllis Gove and Emily St.