Million Bazillion, hosted by Ryan Perez and Bridget Bodnar, is a Marketplace podcast that takes the money questions kids ask and answers them inside small comic productions. Its titles read like a list of things a curious kid wants to know: 'What is inflation?', 'What is the national debt?', 'Why do we have $2 bills if nobody uses them?'. The answers are not lectures. They are scenes. For inflation, a gentle merry-go-round stands for the healthy kind of price rise, where paychecks grow along with prices, until the ride speeds up and becomes a 'scary go-round'. A time-travel gag drops the characters back in 2022, where everyone is staring at their phones and looking stressed. Copyright, trademark and royalties get a karaoke night and a joke about Disney's lawyers. Under that joke is a clear account of fair use, covering comment, criticism, reporting, teaching and research, with a judge deciding the close calls. The same episode explains why Beethoven's music is no longer under copyright. The national debt starts with a mock warning that the episode is extremely scary, and the real worry turns out to be less about missed payments than about bond buyers losing trust. Stocks bring a visit to Ms. Gilson, whose traders get cranky after their nap, and a reminder that anyone investing first has to decide how much to risk. Bridget wants something safe-ish. The other voice in the scene would rather shoot for the moon. A follow-up, 'How do stocks make money? (Part 2)', turns to a real family. A listener named Joshua, from California, describes investing with his parents' guidance, and his dad, Michael, turns out to be the 'bank of dad', a pretend bank that offered a guaranteed amount of interest at the end of the year. The story treats risk and reward as a choice a kid actually got to make, and the show is firm that investing always needs a trusted adult. The $2 bill episode keeps the numbers concrete, setting more than 14 billion $1 bills against a little under two billion $2 bills and noting that bills above $500 are no longer printed but would still be honored. A lot of the comedy comes from small household chaos: a squabble over used-up crafting supplies, suspenders that will not stay clipped, a character sulking about a party invitation that never came. Listeners are greeted as million bazillionaires, and closing notes speak to the grown-ups, hoping the kids in their lives are having good conversations about money. What comes through is a real answer to a real question, with enough silliness to keep it light.