Like a Bigfoot is an outdoor-sports interview show with a strong bias toward people who keep saying yes to long, strange, difficult days. Chris Ward hosts conversations with ultra runners, triathletes, cyclists, bikepackers, filmmakers, parents, and friends who have stories from races, trails, expeditions, and ordinary life around training. The show is casual, but it is not vague. It starts with specifics: Ironman New Zealand, the Speed Project from LA to Vegas, the Arizona Monster 300, the Stagecoach 400, the Congo Nile Trail, weather on winter runs, or the small logistical choice that made a hard event harder. That concreteness gives the interviews their shape. Guests talk through crowded swims, elevation mistakes, chip seal roads, crew strategy, filming in wild places near major cities, and the confidence that comes from doing miserable training before race day. Then the conversation widens. A race story can turn into a discussion of resilience, parenting, coaching, rediscovering health, environmental work, creative work, or why an old fantasy story still matters to someone who loves the outdoors. The show’s warmth comes from familiarity, not polish. Ward often knows the guests, admires them, or has followed their work closely, and that gives the episodes a comfortable looseness. There is plenty of affirmation and joking around, but the interviews still carry useful detail for runners, crews, and adventure-minded listeners. Practical advice sits next to digressions. Race planning can share space with filmmaking, weather, family schedules, or a trail-side mistake that becomes funny after the fact. The result is less like a formal sports program and more like a knowledgeable friend pulling up a chair after a long run. It is especially good when a guest explains how they handled discomfort in the moment. Like a Bigfoot treats endurance as a way into perspective rather than as a scoreboard. The show respects big efforts, but it is more interested in what people learn while doing them.