Dirtybird Radio

Dirtybird Radio functions like a weekly dispatch from the Dirtybird Records orbit. The format is direct. Victoria Rollins opens with a few fresh selections, places them inside release calendars or scene context, and then passes the hour to a featured guest. The guest mix is the center of gravity. Around it, the show makes room for new singles, remix contest winners, album samplers, compilations, festival build-up, and label-adjacent artists moving through club circuits. Modern Lover arrives with originals after winning a remix contest tied to Energy. Sasha Robadi uses the show to present tracks from I, Robadi, with collaborators including DJ Rap, Black Cat, Syrita, Perry Farrell, and Eric D. Clark appearing in the surrounding episode context. Wet Velvet brings a Bay Area thread after coming from Chicago. Julian Sacelli returns around a Dirtybird release with Mike Kerrigan. Greta Levska represents an Ibiza link, while Neda Waite brings fresh IDs ahead of Northern Nights and Dirtybird Campout. The show’s energy is upbeat, but it is not disposable. Some episodes stop to honor departed figures, including DJ Dan and DJ Funk, and those moments place the music inside a longer club history. California matters here. So do Chicago roots, underground warehouse parties, desert raves, funk-driven house, acid, techno, and the connective tissue between local scenes and global dance floors. Dirtybird Radio is not an interview show in the usual sense. It is a handoff show: a brief, enthusiastic frame, then the music does the work. That makes it useful for listeners who want to discover records through DJ context rather than playlist anonymity. It also gives Dirtybird fans a recurring place to hear what is new around the label without losing the feeling of a live set. The pacing stays lean. The vocabulary stays close to club culture. The recurring promise is simple: fresh tracks first, guest decks next, and a clear line back to the communities that shaped the sound.