Adventure OTR carries old-time radio, and its recent episodes come from American Adventure, a drama series produced and recorded by the University of North Carolina and heard on the NBC network. The series introduced itself as a study of man in the new world, asking who he is, what he believes and what he lives by. One opening goes further, calling America 'man's greatest adventure in time and space.' The ambition is large. The scenes are often small. In the pioneer story, a South Carolina planter named Eli heads for the Alabama frontier, and a long scene turns on a letter home: leaky cabins, snakes and lizards and mice, curtains hung in a house with no windows, and a worry about getting every word right at 25 cents postage. The broadcast says its letters and journals are the pioneers' own, and credits Fletcher Green's edited collection, The Lieds Go South and West. A second story follows Joseph Palmer, a Massachusetts man of 1830 who would not remove his long beard and spends nearly three months in the dark in a jail, where he tells a visiting preacher to go home. A third sets Pierre L'Enfant before commissioners who press him on the purpose and price of a cascade in his plan for Washington, D.C., and the questioning has a dry, comic edge. Not every script claims the record. The Demagogue follows a politician taking reporters and a donation aboard a train, and its closing announcement calls the story fictional, concerned with the problem rather than any real individual. Slavery surfaces more than once: a planter's night while searchers hunt for runaways, bare footprints under the eaves, and a character recalling the cargoes of a Yankee brig built in Maine. Credits name John Ely as writer, John Clayton as director and Earl Wynn as director of the university's Communications Center. The casts were students, faculty and townspeople of the University of North Carolina community. Charles Kuralt plays Eli, William Trotman plays the Doctor, and Bill Waddell plays Mr. Lear, Washington's assistant. The recordings keep their broadcast framing, including an NBC promotion for a daytime program called Weekday and sign-offs noting origination from WPTF in Raleigh. Funding credits are read on air too, naming the Educational Television and Radio Center and the National Association of Educational Broadcasters. Those details make the recordings artifacts as well as plays. A good first stop is the pioneer story, where one domestic scene carries the whole idea of the series. The L'Enfant episode shows the writing's lighter side.