Mike Bennett
279 episodes listed below
Gothic bloodlines, told one chapter at a time.
Underwood and Flinch follows a sprawling vampire saga through chaptered narration, returning threads, and heavily connected consequences. Recent episodes move between Henry Verlaine's jet, London murder explanations, Aldwych escape routes, and the careful retelling needed to keep the mythology legible.
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Underwood and Flinch is serialized vampire fiction presented with the density and continuity of a long audiobook. It moves carefully. Recent episodes in season seven, The Devil of Claverton, repeatedly step back to explain how earlier events fit the present action, then return to the scene with a clearer sense of danger. That rhythm is central to the appeal. The show is not built for casual drop-in listening so much as for following a widening gothic plot over time. Its world contains old enemies, blood obligations, private jets, hidden stations, police stories, and people trying to control what others are allowed to know. Underwood and David remain bound to a larger conflict involving Henry Verlaine, Underwood's old pirate nemesis from when he was human. Claire Redmond listens, calculates, and survives near the center of several dangerous explanations. Rose and Damo move through the London side of the story, where escape routes, underground spaces, and violent aftermaths keep tightening the net. The recent chapters also spend considerable time on cover stories around the London vampire murders. That material gives the saga a procedural edge. Coleridge's invented version of events turns supernatural violence into something that can be filed, briefed, and fed to the world as criminal pathology. The show is at its strongest when that practical machinery rubs against the impossible truth underneath it. It can be bloody and grave, but its pacing is controlled rather than frantic. Recaps are not filler here; they are part of the architecture. They remind the listener who Miguel, Damo, Rose, Verlaine, David, and Claire are in relation to one another before the next turn of the story lands. The narration also leaves room for dry humor in its introductions and production notes, especially around Patreon, YouTube, and the changing shape of season seven. Those moments do not break the fiction so much as frame it as an evolving work in progress. Underwood and Flinch suits listeners who like gothic horror with continuity, not just atmosphere. It rewards attention, because the pleasure comes from watching a complicated saga keep accounting for itself.
Made for: Best for listeners who enjoy serialized audio fiction with dense continuity, vampire mythology, and patient narrative recaps. It suits people who prefer long-running story machinery over standalone anthology scares.
What sets it apart: Its strength is the combination of gothic vampire saga and procedural explanation: murders, cover stories, secret routes, and old grudges are all narrated with unusual clarity. The show makes recap feel like part of the storytelling engine.
“If you think vampire tales are a worn-out genre, Underwood and Flinch will shock and delight you.” — Examiner.com Blood. Legacy. Loyalty. For centuries, the Flinch family has served as guardians to a vampire lord - whether they wanted to or not. Now it’s David Flinch’s turn, and he wants nothing to do with it. But when he’s summoned to the family estate in Spain, he discovers that the ancient evil beneath their home is about to rise again... and tradition demands a sacrifice. Underwood and Flinch is a three-time Parsec Award-winning vampire saga by Mike Bennett - praised by...
Based on 5 episodes we listened to · September 2026
A character-rich vampire serial where old loyalties, new predators and carefully manufactured explanations keep tightening the same knot.
Underwood and Flinch: A Vampire Saga builds its serial through divided loyalties, concealed violence and the practical problems of keeping vampires hidden.
Police cover stories make vampirism messier, and you get the pleasure of tracking every lie.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A slow chapter where cover stories, false histories, and hidden rooms carry the tension.
Underwood and Flinch 7 stays with concealment. It opens with a rueful note about the show's slow, uneven YouTube rollout, then circles back to Coleridge's effort to make vampire murders look like ordinary vice and organized crime.
A recap-heavy hour that turns the vampire case into grim, readable police work.
This episode patiently reassembles the vampire case, with Beck walking Toomey back through the London murders, the failed move on Claire, the Hoban Station chase, and the Serbian traffickers tied to the Surrey Street flat.
A measured, sunlit confrontation that keeps its tension under careful control.
The chapter moves from earlier dread into a bright, unnerving exchange, and the calm only makes the tension sharper. Lydia's remote audience with Cloak unfolds in full sunlight on the deck of a motor yacht, with the master absent and the time zones making an in-person meeting…
Lydia returns to the center as the episode settles into a careful, practical plan for containing her.
Underwood and Flinch puts Lydia back at the center, and the opening remarks about the monthly release rhythm and the character's long place in the creator's mind give the episode a clear frame.
A careful reset that keeps the vampire tension and the logistics equally clear.
Season 5 opens by doing two jobs at once: it gives the Underwood and Flinch world a quick reset, then drops back into the uneasy exchange between David and Lord Underwood.
Four McElroys narrate a wizard battle-royale tournament across elimination trials on Octave Ziggurat.
A continuous Fabula Ultima actual-play campaign following one party through the world of Perpetua.
An ensemble cast plays teen superheroes through Masks: A New Generation campaigns and guest one-shots.
A recurring cast plays full Pathfinder 2E, Shadowdark, and Pendragon campaigns session by session.
A Dungeon World actual-play campaign following three comedians battling villain Callum Blackhammer.
Underwood and Flinch Season 7, Episode 7 is told from the perspective of Coleridge, the OCU's detective-controller who serves vampire lord Verlaine.
Beck lays out the case.
This episode continues the story of Underwood and his companions on a private jet to Henry Valaine, with a recap of Underwood's 1719 origin story and Claire Redmond eavesdropping on conversations.
This episode continues the Underwood and Flinch saga as Rose and her companions flee from OCU mercenaries in England, picking up from the end of season 6.
This episode continues the Underwood & Flinch saga as David, freshly showered and dressed in casual attire, rejoins Underwood on Henry Verlaine's Gulfstream jet.
The host introduces a spin-off episode from the main Underwood and Flinch vampire saga, explaining its origin and why it was integrated into season 7.
The host introduces season seven of a vampire saga podcast, explaining its evolution and recapping the previous episode.
In the season six finale, David Flinch and allies flee from the Malleus through a secret passage, with a recap of previous events.
David Flinch carries Claire to safety while recalling past events to understand the enemy threat.
In this episode, the narrator recaps previous events and sets up Claire Redmond's story as she escapes a murder attempt and uncovers a conspiracy involving the police.
The host apologizes for a late episode, shares a holiday story, and announces Patreon billing changes before discussing the show's TV project.
The episode recaps previous events and sets up the characters' investigation into a vampire-related murder and a clue pointing to Aldwych Underground Station.
The episode discusses a copyright dispute over the show's theme music, which led to the host being blocked from sharing episodes.
A vampire saga about the Flinch family's duty to serve an ancient vampire lord, with David Flinch reluctantly drawn into the legacy.
The author announces that the TV option for his vampire saga was not renewed, reflecting on the industry changes.
David Flinch is summoned to Spain to confront an ancient vampire lord, continuing a family tradition of guardianship.
A vampire saga about the Flinch family's duty to serve a vampire lord, with David Flinch summoned to face an ancient evil.
The episode starts with the host apologizing for a mid-episode ad break and explaining why it has to be there, then turns to Lydia’s laptop conversation.
The episode opens on the show’s new monthly rhythm and the return of Lydia Flinch.
The 100th episode of a fictional vampire saga podcast, featuring a host monologue and listener comments.
Season 5 opens by gently reorienting the listener.
This episode features an interview with Australian author and podcaster Mike Bartlett, discussing their shared history in podcasting fiction audiobooks starting in the mid-2000s on platforms like Podiobooks.com.
The host discusses his allergies and provides an update on the stalled TV adaptation of his vampire saga due to strikes.
The host discusses listener questions about favorite horror and announces a new way to access the show's fiction content via Spotify and Patreon.
This is the season finale of Underwood and Flinch season four, featuring a recap of previous events where David escapes a sect house and meets journalist Ronnie Bishop, while being followed by various operatives.
In this penultimate episode of Season 4, Detective Clare Redmond is drawn into a vampire conspiracy after being fascinated by Lydia Flinch.
This episode continues the narrative story of Underwood and Flinch, picking up where the previous episode left off with characters like Damo, David, and others in a tense situation at Hoban Underground Station.
This is a bonus episode originally released on Patreon in 2017, featuring a cutscene from season 4 episode 14 of Underwood and Flinch, with additional commentary from the host.
This episode continues the dramatic story of Underwood and Flinch, focusing on the fallout from Keith's murder confession, threats, and Underwood's promise to change his feeding habits.
David Flinch attempts to kill the vampire Underwood but fails, leading to a confrontation and the discovery of a murdered victim.
David Flinch confronts his family's dark legacy as a vampire lord's guardian, vowing to stop the killings.
This episode continues the serialized vampire saga as David Flinch is drawn into his family's dark legacy.