This Is Horror Podcast is a long-running interview show for people who read horror closely and care how it is built. Its center of gravity is craft. The conversations are friendly and loose, but they keep circling back to concrete creative decisions: outlining, routine, structure, influence, character dynamics, dread, violence, grief, shame, and the uncertain path from idea to finished book. Guests are given room. That matters here, because the best moments often come after an answer has had time to wander through memory, process, and hesitation. Kylie Lee Baker’s episodes move through Japanese Gothic, Bat Eater and Other Names for Cora Zeng, unreliable memory, chapter outlines, COVID horror, and the practical economics of becoming a full-time writer. Eric LaRocca’s appearances turn Wretch into a discussion of grief horror, ritual, shame, and endings that change during composition. Ronald Malfi’s conversation about Small Town Horror lingers on family dynamics, Peter Straub, and the way a story can keep standing even if the supernatural element is removed. Stephen Graham Jones brings a more playful spark to violence, slashers, prank-gone-wrong energy, and the question of when brutality earns its place on the page. Film coverage is part of the mix too. The Touch Me episode shifts into a three-guest conversation with Justin Benson, Aaron Moorhead, and Addison Hyman, focused on a psychosexual horror comedy about codependent friendship. The show is especially good at letting horror stay messy without making the conversation feel chaotic. A bleak subject can lead into a joke, then back into a precise question about method. It is not a polished lecture series. It feels more like sitting near a serious horror table where writers are generous about what worked, what changed, and what still unsettles them.