A squirmy, funny autopsy of a movie whose Oscar hopes died.
This episode treats Contagion as a comic autopsy of a film whose Oscar hopes never really stood a chance, and it has plenty of fun with the bat, pig, banana, and handwashing chain logic.

Prestige cinema, after the Oscar hopes died.
This Had Oscar Buzz treats failed Oscar hopefuls as lively case files. Joe Reed and Chris Feil move from Contagion to Amsterdam, The Company, and other would-be contenders with sharp film memory, awards context, and quick comic side trips.
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This Had Oscar Buzz is an awards postmortem for films that arrived with prestige signals and left with stranger reputations. It is built for the afterlife of Oscar expectation. Joe Reed and Chris Feil take one movie at a time and ask how the package looked before release: the filmmaker, the cast, the subject matter, the release strategy, the presumed acting push, the sense that a nomination path existed on paper. Then they look at what actually happened. The result is part film criticism, part awards history, and part comedy of industry manners. The show is especially good at noticing how much meaning gathers around a movie before many people have even seen it. A Soderbergh discussion can move from Contagion to The Good German, Ocean's 13, Che, and the difference between pleasing the crowd and keeping a filmmaker's thornier instincts intact. An Amsterdam conversation can turn on David O. Russell, Robert De Niro, Jennifer Lawrence, face reconstruction jokes, and the exhausting density of an ensemble prestige object. The Company opens a path into ballet, terminology, and the difficulty of joking around a specific film's texture. Used People becomes an occasion to talk about Marsha Gay Harden dressing up as Marilyn Monroe and Barbara Streisand's Oscar look. The energy is quick. The frame is precise. The hosts bring enough awards memory to make release patterns and category assumptions feel legible, but the show rarely gets solemn about the business it studies. Its best moments come from that balance: close attention to the machinery of respectability, interrupted by a joke that only works because the film references are so specific. It also has a game-night streak. Closing segments can shift into IMDb-style guessing, running scores, and actor filmographies, turning cinephile recall into a recurring sport. The appeal is not just hearing why a movie missed Oscar. It is hearing how the dream of Oscar shaped the movie's public life before the miss became the story.
Made for: For film fans who track Oscar hopes, actor careers, release strategies, and the strange reputations of almost-prestige movies. It suits listeners who enjoy knowledgeable criticism with rapid comic banter.
What sets it apart: The show focuses on the specific category of films that looked awards-bound before reality intervened. Its mix of Oscar memory, release context, actor trivia, and end-segment games gives failed prestige its own lively archive.
Every week on This Had Oscar Buzz, film and entertainment writers Joe Reid and Chris Feil are going to be talking about a different movie that once upon a time had big-time Academy Award aspirations, and for one reason or another, it all went wrong.
Based on 4 episodes we listened to · September 2026
Chris Feil and Joe Reed turn failed Oscar prospects into lively, specific arguments about performance, reception and the machinery surrounding a movie.
This Had Oscar Buzz treats an Oscar miss as the start of the conversation, then follows the movie into acting choices, contemporary reception and the awards field around it.
An Oscar autopsy where Joe Reed and Chris Feil make you mourn the nomination that never came.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A squirmy, funny autopsy of a movie whose Oscar hopes died.
This episode treats Contagion as a comic autopsy of a film whose Oscar hopes never really stood a chance, and it has plenty of fun with the bat, pig, banana, and handwashing chain logic.






Film critics Joe Reed and Chris File dissect Steven Soderbergh's 2011 pandemic thriller Contagion, examining how the film's predictions about global disease response compare to the actual COVID-19 experience.
The podcast discusses the movie Joker: Folie à Deux and its Oscar aspirations.
This Had Oscar Buzz episode 380 covers Robert Altman's 2003 film The Company, which hosts Chris Feil and Joe Reed call "minor Altman" without animus.
Joe Reed and Chris Feil discuss the movie Amsterdam on the This Had Oscar Buzz podcast, analyzing its failed Oscar aspirations.
The hosts introduce the podcast and the film 'Being Flynn', a 2012 drama that once had Oscar aspirations but failed to achieve them.
A podcast episode analyzing the film 'The Founder' about Ray Kroc and the McDonald's franchise story.
The hosts introduce the podcast and discuss a film where Marsha Gay Harden dresses as Marilyn Monroe and Barbara Streisand.
Joe Reed and Chris Feil introduce the podcast and discuss the 1997 film 'The Boxer', which had Oscar aspirations but failed to achieve them.
Joe Reed and Chris Feil introduce the podcast This Had Oscar Buzz, discussing movies that once had Oscar aspirations but failed.
Chris Feil and Joe Reed discuss the 2000 mockumentary 'Best in Show' and its lost Oscar aspirations.
Joe Reed and Chris Feil introduce the This Had Oscar Buzz podcast, discussing the film The War of the Roses and its failed Oscar aspirations.
This Had Oscar Buzz episode 347 revisits Sarah Polley's Take This Waltz, a 2011 film starring Michelle Williams, Seth Rogen, and Luke Kirby.
Ethan Hawke runs through the rain while Gwyneth Paltrow leaves for Hank Azaria, and the shot goes up to an airplane.
This Had Oscar Buzz's Harold and Maude episode follows Hal Ashby's 1971 film from Paramount's Oscar hopes to cult status, with Chris Feil, Joe Reed, and guest Katie Walsh framing the studio reaction.
Beatriz at Dinner is discussed as Miguel Arteta's 80-minute Salma Hayek vehicle, with John Lithgow and Connie Britton as the rich dinner guests who set the pressure-cooker tone.