The LaFresian Chronicles is a serialized fantasy audio drama that plays like a novel performed by a cast. Narrated passages describe the ground shaking, the blood and the lifeboats on the water. Voiced scenes carry the arguments, jokes and battle cries in between. Recent episodes open with a spoken content advisory. The closing credits name the voice cast and the sound design and editing team, and credit the music to John Bartman. Aurelie is the thread running through it all, but the story often shifts to other characters' points of view. The recent episodes carry two named arcs: Song of Shadows, whose episode numbers pass twenty, and the two-part Dawn of Decay. The Song of Shadows episodes build to a fight in a throne room of volcanic rock. The enemy is a creature one of the heroes accuses of stealing memories, lives and a song. Its weapon is fear. In 'Song of Shadows 19: Fear', fighters are trapped in private nightmares, one of them built around an open casket, until an arrow breaks the creature's hold. Shelby tells it plainly that she was never afraid of it. The aftermath gets as much room as the battle. In 'Song of Shadows 20: When Tomorrow Comes', the fallen are laid in lifeboats and lowered into the water, and each name is answered with the refrain 'Tonight we sing again.' Before the boats go down, Aurelie leaves a folded note from her journal in a friend's hands. Then the mood lifts. 'Song of Shadows 21: Objections' opens with a wedding-day diary entry from someone marrying into the monarchy. The ceremony scenes are full of teasing between brothers, two newly promoted co-ambassadors who have been fighting for weeks, and a guest who came for the king's liquor. Dawn of Decay is the darker half. Characters admit they have not felt peace in two months. Dominic walks away from a graveside and from a white-haired stranger who hands him a book and asks him to meet her at midnight. He has told Aurelie that he blames her for everyone they have lost, and she brings that hurt to Galen. In Part Two the violence turns close and cruel: Calvora cuts a fallen enemy's wings, fills a vial with her blood, pulls a plant out by its roots and says a swift death would be too easy. Between the battles, the writing keeps returning to what loss does to friendships. For a quick sample, 'Song of Shadows 19: Fear' shows the action side and 'Song of Shadows 21: Objections' shows the court side. The numbered chapters mark it as a continuous serial.