The Joe Show treats English royal history as something to retell out loud, and it does so in two sharply different registers. The calmer of the two is 'The Lost Treasure of King John', a narrated serial numbered in parts and running to at least a fifth. The narration is conversational and wry, with plenty of asides and the occasional mild curse. Part 2 covers John's parents, Henry and Eleanor of Aquitaine, and stops to correct any impression that Eleanor's earlier marriage to the King of France was brief. It lingers on royal excess. A hand mirror owned by Eleanor is likened to something Liberace would own, and the gutted castles people see now are pictured as they once were, full of tapestries, carpets and paintings. At twelve, John is sent to live with Ranulf de Glanville, whose treatise on English law the narrator deadpans as a real page turner. Part 5 finds John back in England, touring with a caravan of wagons loaded with his goods and treasure, having lost the French territories he taxed heavily to fight for. The narrator explains why that stung the earls and dukes who were then the only landholders. Then comes the Magna Carta: clause one, read in full from an English translation of the medieval Latin, so its size and tone come across. The charter is framed as an attempt to go back rather than a starting point for something new. The other strand is much louder. Episodes branded Royal Gossip Podcast, several labeled Patreon classics and another a Patreon sneak peek, take on 'The Wives of King Henry VIII'. Katie is one of the named voices, and one speaker jokes that Joe is the professional in the room. Cold opens wander wherever they like: dogs relieving themselves in protest, chips eaten mid-recording, a day spa and a cover story, underpants worn on a head. When the history arrives, it is gossip in the literal sense. Catherine Parr is sized up as a stepmother keeping a blended family harmonious, spared the pressure to produce an heir because a son already existed. With Catherine Howard, the conversation weighs how the uncertain age of her music teacher turns the story from romantic to creepy. Anne Boleyn's miscarriage is set against a nation asking whether she was pregnant yet, and Henry is described telling friends he was seduced by sortilege, glossed as a French term for deception or a witch's spell. Even Meghan Markle gets pulled into the comparison. The language is profane and the humor frequently crude, so this strand is not a clean listen. A listener after narrated history can take the King John parts in order; one after royal scandal with the brakes off should head for the Henry VIII wives episodes. Both keep returning to the lavish, petty and human side of monarchy.