A loose werewolf episode that favors momentum over structure.
American Werewolf in Paris gets the main squeeze here, and Sean is clear that he had so much to say it turned into the meatier half of the episode.

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Horror talk with the guardrails kicked loose.
The Horror Show: A Horror Movie Podcast treats horror movies like messy group therapy with punchlines. Recent episodes move from werewolf double features and movie rewatches to guest interviews, festival talk, and grief-soaked catch-up episodes.
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The Horror Show: A Horror Movie Podcast is a horror hangout built around momentum, interruption, and whatever emotional weather walks into the room. It covers movies, but it does not behave like a tidy review program. Recent episodes use werewolf films, franchise sequels, festival chatter, and guest interviews as starting points for a much looser kind of genre conversation. The film still matters. The detours matter too. American Werewolf in Paris becomes a place to talk through plot logic, suicide imagery, manic energy, bad decisions, and why lycanthropes apparently need defending. Wolf opens the door to Jack Nicholson, old publishing workflows, physical film editing, hand-cranked cameras, and the absurdity of obsolete tools. A main-feed return episode folds in grief over Rafa, movie rewatches, celebrity veneers, dental dread, and plans for Oscar commentary. The show’s emotional register is unusually elastic. It can be silly, wounded, annoyed, grateful, and sincere without changing into a different product. That roughness is central to its appeal. The listener is not handed a polished thesis; the listener gets the process, including the false starts, late corrections, and sideways jokes that eventually become the point. The guest episodes add useful range. Stephen Cognetti talks about Hell House LLC Lineage and theatrical sound. Wayne Byrne discusses writing You Can't Kill the Boogeyman and approaching the Halloween franchise with new research. Craig Perry reflects on Final Destination, Bloodlines, streaming discovery, studio fear, and the strange stickiness of the franchise’s premise. DJ Intel brings festival energy and horror-community texture through the Brood coffee shop connection in Chicago. Around all of that, Patreon updates and feed changes keep showing how informal and in-progress the operation feels. It is not clean, distant criticism. It is horror fandom as a running conversation: opinionated, personal, funny, occasionally raw, and much more interested in honest reaction than critical posture.
Made for: For horror fans who like messy, personal movie conversation more than polished criticism. It especially suits listeners who enjoy werewolf oddities, franchise talk, movie tangents, and candid interviews.
What sets it apart: The show lets life intrude on the movie talk instead of editing it out. Grief, bad screenings, Patreon housekeeping, guests, and absurd side riffs all become part of the review texture.
Two childhood friends get together to dissect, mutilate, dismember & butcher all of your favorite and NOT so favorite horror movies and other cult classic films. Every week Joe and Sean will visit horror from the past and present with their own unique comedic style.
Based on 6 episodes we listened to · September 2026
Horror movies become lively arguments about plot logic, memorable details, franchise history and the pleasures of taking ridiculous material seriously.
The Horror Show: A Horror Movie Podcast treats horror films as material to be argued over, laughed at and examined scene by scene. Its discussions of Wolf and American Werewolf in Paris keep returning to character decisions, plot mechanics and the strange details that make a…
A werewolf movie becomes your excuse to litigate plot holes, old cameras, and push mowers.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A loose werewolf episode that favors momentum over structure.
American Werewolf in Paris gets the main squeeze here, and Sean is clear that he had so much to say it turned into the meatier half of the episode.
A shaggy werewolf hangout that wanders a bit, but the riffs and movie history keep it moving.
This werewolf double feature starts off with a plan and then gets a little loose, which seems to fit the show just fine. Bad Moon was meant to be the short half, but it ran long and ended up on Patreon, leaving Wolf on the free-feed side of the conversation.
A loose, funny return that folds grief, Oscars talk, and movie chatter into the main feed.
The episode settles back into the main feed with an Oscars recap that also catches up on Patreon and the long stretch since the last main-feed drop. Grief sits under the conversation, but it never takes over the room.
Craig Perry traces Final Destination's run from its March 2000 debut to Bloodlines' meme-fueled comeback.
Craig Perry's overview gives Final Destination a durable, almost stubborn kind of afterlife, from its March 2000 launch through Bloodlines and into the franchise's current surge.
A shaggy werewolf pairing that works best when it drifts a little.
The episode pairs American Werewolf in Paris with Teen Wolf, with the latter pushed to Patreon and framed as the more off-the-rails half. The contrast is the draw: Sean keeps the main show centered on the Paris material while letting the discussion wander into jokes and side…


Reddit nightmares, cleanly narrated and sharply turned.




Hosts Sean and Joe analyze American Werewolf in Paris in this episode, part one of a 'Howl-yweird' series.
The Horror Show hosts Joe and Sean interview Craig Perry, producer of the Final Destination franchise.
Sean and his co-host split this episode between American Werewolf in Paris and Teen Wolf, with Teen Wolf moving to Patreon and an April 21, 5 p.m.
["The Horror Show: A Horror Movie Podcast's Hollyweird #051 splits a two-hour werewolf double feature into Bad Moon on Patreon and Wolf on the main feed, while Sean also plugs an April 21, 5pm panel at Central Connecticut State University.", "Sean says he saw the Wolf trailer at age nine and was already hooked on Jack Nicholson and Michelle Pfeiffer from Batman, then argues that Wolf is closer to a relationship movie than a straight werewolf film.", "Sean and Lexi place Wolf in the 1994 horror wave that follows Bram Stoker's Dracula and includes Interview with a Vampire and Mary Shelley's Frankenstein, then compare it with the crowded Oscar field of Forrest Gump, Pulp Fiction, Four Weddings and a Funeral, Quiz Show, and The Shawshank Redemption.", "The conversation also runs through Mike Nichols's Egot career, Rick Baker's effects work, James Spader's betrayal, digital-looking cinematography, and childhood horror-viewing memories."]
The Horror Show returns to the main feed after a long gap, with the hosts saying the last main-feed episode was January 6th and noting that most recent catch-up happened on Patreon.
The Horror Show: A Horror Movie Podcast traces Halloween from the Gaelic festival Samhain, held around 2,000 years ago across Ireland, Scotland, and the Isle of Man, to modern celebrations.
DJ Intel, co-owner of Chicago’s horror-themed coffee shop The Brood, joins The Horror Show: A Horror Movie Podcast to discuss Fantastic Fest, Panic Fest, Chicago International, and Music Box of Horrors.
Stephen Cognetti discusses the upcoming theatrical release of Hell House LLC Lineage and the experience of hearing his film in 5.1 surround sound.
Interview with Wayne Byrne about his book on the Halloween franchise, discussing its research and creation.