
Story structure tested against real drafts.
The gist
Story Grid Writing Podcast is a craft show built around story structure, genre, scenes, and revision. It pairs close readings of masterworks like Crazy Rich Asians and Eyewitness with candid workshop conversations about Tim Grawl’s own writing.
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About Story Grid Writing Podcast
Story Grid Writing Podcast is a craft-intensive writing show built around the question of how a story actually works. Its run combines masterwork analysis, editorial coaching, and a transparent record of one writer’s development. The show often starts with a formal lens: genre, value shift, the five commandments of storytelling, obligatory moments, heroic journey archetypes, or narrative device. Then it tests that lens against a specific story. Crazy Rich Asians becomes a case study in status, family pressure, self-respect, conformity, and the mechanics beneath a film marketed as a romantic comedy. Eyewitness becomes a model for thinking about short fiction, protagonist movement, and how a seemingly small change can shift the reader’s attention. The conversations are methodical, but they are not sterile. There are charts, scene tools, spreadsheets, and references to Story Grid classes, yet the show keeps returning to the uncomfortable process of applying those tools to a real draft. Tim Grawl’s writing is not treated as a polished exhibit. It is worked on in public. Some episodes capture progress; others capture confusion, frustration, and the moment when editor and writer are not yet speaking about the same problem. That candor gives the show much of its value. It is less a lecture series than a workshop with the scaffolding left visible. Sean Coyne brings the Story Grid methodology and an editor’s diagnostic language. Rachel Arsenault, Leslie Watts, and Daniel Kiyoski add close-reading and publishing perspectives in the episodes included here. The show rewards listeners who like precision. It asks writers to stop hiding behind vague ideas and put craft claims under pressure. Its pace can be dense, and its assumptions are demanding. For writers ready to study structure with examples in hand, it offers a rare look at analysis, revision, and editorial disagreement happening in the open.
Made for: For fiction writers, screenwriters, editors, and serious craft students who want analytical tools applied to actual stories and scenes. It especially suits listeners who prefer diagnosis, revision, and concrete examples over general writing encouragement.
What sets it apart: The show stands apart by making the editorial process visible, including confusion, disagreement, and course correction. It treats masterworks and unfinished drafts as material for the same structural investigation.
In their own words
Helping you become a better writer.Join Shawn Coyne, author of Story Grid and a top editor for 30+ years, and Tim Grahl, struggling writer, as they discuss the ins and outs of what makes a story great.More at www.StoryGrid.com.
As heard by us
Based on 6 episodes we listened to · September 2026
Detailed story analysis and candid editorial sessions make narrative structure visible as a set of choices a writer can revise.
Story Grid Writing Podcast turns finished stories and unfinished pages into working demonstrations of craft. Tim Grawl leads close analysis with editors including Rachel Arsenault and Sean Coyne, moving between the architecture of Crazy Rich Asians and detailed responses to…
Why you'd press play
Crazy Rich Asians gets a four-week genre diagnosis; your draft may need the same appointment.
Press play if you want
- to question whether the romance in Crazy Rich Asians is really the story's main engine
- to see how one climactic choice can carry several story obligations at once
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Episodes
- 1
Beat Breakdown: Analyzing Writing Line-by-Line - Part 3
·1h 2m - 2
What is an Editor Brain vs Writer Brain?
·20m - 3
How does the Story Grid Trinity apply at the Macro vs Micro levels?
·28m - 4
Does On-the-Surface mean External Genre?
·35m - 5
What is happening with The Bell Jar?
·37m - 6
How does the Story Grid Trinity apply to Global Internal Genres?
·25m - 7
Can Story Grid improve on Masterworks?
·25m - 8
The Final Episode
·35m - 9
Crazy Rich Asians: Part 4 - What Writers Can Learn
·1h 12m - 10
Crazy Rich Asians: Part 3 - Genre Conventions and Story Theme
·1h - 11
Crazy Rich Asians: Part 2 - 5 Commandments of Storytelling
·38m - 12
Crazy Rich Asians: Part 1 - Is this a RomCom?
·46m - 13
John Wick Analysis: Part 4 - What Writers Can Learn and Obligatory Moments
·56m - 14
John Wick Analysis: Part 3 - Genre Conventions and Five Commandments
·39m - 15
John Wick Analysis: Part 2 - Acts and Structure
·41m - 16
John Wick Analysis: Part 1 - Genre and Controlling Idea
·38m - 17
Line Edits: Putting the Final Touches on Eye Witness
·1h 2m - 18
Final Edits of a Short Story: Beat Construction and 624 Analysis
·1h 5m - 19
Does Tim Actually Get It Right? How to Nail the Narrative Device
·55m - 20
How to Connect with Characters: Finding the Motivation and Shadow in Yourself
·38m - 21
Writing or Just Pretending? When there is Zero Flow and Everything is $h*t
·1h 5m - 22
Beat Breakdown: Analyzing Writing Line-by-Line - Part 2
·1h 1m - 23
Conflict and Emotional Connection: Every Beat, Trope, and Scene Must Have These
·1h 2m - 24
Who's the Most Guilty Person in Your Story? Hero, Victim, and Villain - Part 2
·1h 9m - 25
Hero, Victim and Perpetrator: The Must-Have Relationships in Your Story
·57m - 26
The Impact of a Story Theme: An Interview with Scott Mann and Randle Surles about the book Operation Pineapple Express
·1h 3m - 27
Truth in Fiction: How to Write and Develop Believable Characters
·1h 13m - 28
Narrative Device: This Affects Every Single Word You Write
·59m - 29
Telling the Truth About Writing: Is this Podcast Worth Doing?
·1h 18m - 30
Writing Emotional Pain: How to Care About Your Protagonist
·1h 8m - 31
Two Factor Problems: The Must-Have for Writing Captivating Stories
·1h 10m - 32
624 Break Down: The Surprising Mistake in Tim's First Draft
·1h 5m - 33
First Draft Feedback: 3 Editors Give Honest Writing Analysis - Part 2
·1h - 34
First Draft Feedback: 3 Editors Give Honest Writing Analysis - Part 1
·1h 2m - 35
How to Plan a Short Story Based on a Masterwork
·1h 13m - 36
Story Tropes: Building Blocks of Scenes
·56m - 37
How Does a Writer Use Active Beats to Generate Words?
·29m - 38
Beat Breakdown: Analyzing Writing Line-by-Line - Part 1
·1h 3m - 39
624 Review + Trope and Beat Introduction
·1h 10m - 40
Five Commandments of Storytelling - Part 3
·1h 2m - 41
Five Commandments of Storytelling - Part 2
·45m - 42
Five Commandments of Storytelling - Part 1
·46m - 43
What is happening in your story? (Part 2)
·49m - 44
What is happening in your story? (Part 1)
·58m - 45
Point of View: It's WAY more than 1st, 2nd, and 3rd
·1h 6m - 46
Narrative Device: 3 Questions to Nail the Point of View for Your Story
·1h 16m - 47
The "What If" for Your Story
·1h 4m - 48
The Genre Five Leaf Clover: The In-depth Process for Understanding Genre in Your Story
·1h 11m - 49
Two Sides to Every Story
·27m - 50
The History of the Story Grid Universe
·24m - 51
The Artist's Wants, Needs, and Desires
·23m - 52
Backstory and an Avatar's Wants, Needs, and Desires
·19m - 53
Crafting Story with Wants, Needs, and Desires
·21m - 54
What are Objects of Desire?
·26m - 55
How does a writer use Expository Beats to generate words?
·28m - 56
How does a writer use Passive Beats to generate words?
·35m - 57
What defines a Masterwork?
·16m - 58
How to Write Dialogue (for Introverts)
·10m - 59
Story Grid Trinity for Nonfiction
·22m - 60
Quadrant 4 of the Heroic Journey 2.0
·30m - 61
Story Grid Trinity - Beyond the Surface
·28m - 62
Story Grid Trinity - Above the Surface
·30m - 63
Story Grid Trinity - On the Surface
·30m - 64
Story Grid Trinity
·31m - 65
Quadrant 3 of the Hero's Journey 2.0
·48m - 66
Worldbuilding in Hero's Journey 2.0
·42m - 67
First Two Steps in the Hero's Journey 2.0
·1h 2m - 68
Introducing Heroic Journey 2.0
·50m - 69
Finishing the First Draft
·53m - 70
Interview with Author Michael McClellan - Part 3
·33m - 71
Interview with Author Michael McClellan - Part 2
·32m - 72
Interview with Author Michael McClellan - Part 1
·26m - 73
Chapter 24 - The Wonderful Wizard of Oz Masterwork Analysis
·7m - 74
Chapter 23 - The Wonderful Wizard of Oz Masterwork Analysis
·14m - 75
Chapter 22 - The Wonderful Wizard of Oz Masterwork Analysis
·12m - 76
Chapter 21 - The Wonderful Wizard of Oz Masterwork Analysis
·12m - 77
Chapter 20 - The Wonderful Wizard of Oz Masterwork Analysis
·15m - 78
Chapter 19 - The Wonderful Wizard of Oz Masterwork Analysis
·12m - 79
Chapter 18 - The Wonderful Wizard of Oz Masterwork Analysis
·13m - 80
Chapter 17 - The Wonderful Wizard of Oz Masterwork Analysis
·13m - 81
Chapter 16 - The Wonderful Wizard of Oz Masterwork Analysis
·12m - 82
Chapter 15 - The Wonderful Wizard of Oz Masterwork Analysis
·22m - 83
Chapter 14 - The Wonderful Wizard of Oz Masterwork Analysis
·17m - 84
Chapter 13 - The Wonderful Wizard of Oz Masterwork Analysis
·13m - 85
Chapter 12 - The Wonderful Wizard of Oz Masterwork Analysis
·27m - 86
Chapter 11 - The Wonderful Wizard of Oz Masterwork Analysis
·27m - 87
Chapter 10 - The Wonderful Wizard of Oz Masterwork Analysis
·17m - 88
Chapter 9 - The Wonderful Wizard of Oz Masterwork Analysis
·15m - 89
Chapter 8 - The Wonderful Wizard of Oz Masterwork Analysis
·17m - 90
Chapter 7 - The Wonderful Wizard of Oz Masterwork Analysis
·16m - 91
Chapter 6 - The Wonderful Wizard of Oz Masterwork Analysis
·15m - 92
Chapter 5 - The Wonderful Wizard of Oz Masterwork Analysis
·17m - 93
Chapter 4 - The Wonderful Wizard of Oz Masterwork Analysis
·15m - 94
Chapter 3 - The Wonderful Wizard of Oz Masterwork Analysis
·18m - 95
Chapter 2 - The Wonderful Wizard of Oz Masterwork Analysis
·20m - 96
Chapter 1 - The Wonderful Wizard of Oz Masterwork Analysis
·14m - 97
Intro - The Wonderful Wizard of Oz Masterwork Analysis
·11m - 98
Multiple Storylines in One Book
·39m - 99
Scene 1, Book 2
·40m - 100
Getting the Protagonist Right: When and How to Switch the Main Character
The hosts discuss the origins of the Story Grid methodology and analyze the story structure of Ed McBain's 'Eyewitness'.
·1h 24m - 101
The Final Episode
Hidden gemTim Grawl marks episode 292 of StoryGrid Writing Podcast as a pause point, tied to the first episode on October 14, 2015 and the book journey that followed.
May 25, 2023·35m·2 clips - 102
Crazy Rich Asians: Part 4 - What Writers Can Learn
Hidden gemThe double factor problem asks when Rachel should conform and when she should stand in her difference.
May 11, 2023·1h 12m·2 clips - 103
Crazy Rich Asians: Part 3 - Genre Conventions and Story Theme
Hidden gemEleanor's private investigation exposes Rachel's mother, and Rachel will never see her family the same way again.
May 4, 2023·1h·2 clips - 104
Crazy Rich Asians: Part 2 - 5 Commandments of Storytelling
Hidden gemTim Grawl and Rachel Arsenault use the StoryGrid method to map Crazy Rich Asians, a 2018 film based on Kevin Kwan’s 2013 novel.
Apr 20, 2023·38m·2 clips - 105
Crazy Rich Asians: Part 1 - Is this a RomCom?
Hidden gemTim Grawl and Rachel Arsenault use StoryGrid’s five-leaf genre clover to analyze Crazy Rich Asians, the 2018 film based on Kevin Kwan’s 2013 novel and its $238 million box office success.
Apr 13, 2023·46m·2 clips - 106
John Wick Analysis: Part 4 - What Writers Can Learn and Obligatory Moments
Apr 6, 2023·56m - 107
John Wick Analysis: Part 3 - Genre Conventions and Five Commandments
Mar 30, 2023·39m - 108
John Wick Analysis: Part 2 - Acts and Structure
Mar 23, 2023·41m - 109
John Wick Analysis: Part 1 - Genre and Controlling Idea
Mar 16, 2023·38m - 110
Line Edits: Putting the Final Touches on Eye Witness
Nov 3, 2022·1h 2m - 111
Final Edits of a Short Story: Beat Construction and 624 Analysis
Oct 27, 2022·1h 5m - 112
Does Tim Actually Get It Right? How to Nail the Narrative Device
Hidden gemTim Grawl brings a revised draft of Ed McBain’s "Eyewitness" to Sean Coyne, Leslie Watts, and Daniel Kiyosaki, after turning 10 drafts into a police-report style scene.
Oct 20, 2022·55m·2 clips - 113
How to Connect with Characters: Finding the Motivation and Shadow in Yourself
Oct 6, 2022·38m - 114
Writing or Just Pretending? When there is Zero Flow and Everything is $h*t
Sep 29, 2022·1h 5m - 115
Conflict and Emotional Connection: Every Beat, Trope, and Scene Must Have These
Sep 24, 2022·1h 2m - 116
Who's the Most Guilty Person in Your Story? Hero, Victim, and Villain - Part 2
Sep 15, 2022·1h 9m - 117
Hero, Victim and Perpetrator: The Must-Have Relationships in Your Story
Sep 8, 2022·57m - 118
The Impact of a Story Theme: An Interview with Scott Mann and Randle Surles about the book Operation Pineapple Express
Sep 6, 2022·1h 3m - 119
Truth in Fiction: How to Write and Develop Believable Characters
Sep 1, 2022·1h 13m - 120
Narrative Device: This Affects Every Single Word You Write
Aug 25, 2022·59m - 121
Telling the Truth About Writing: Is this Podcast Worth Doing?
Aug 18, 2022·1h 18m - 122
Writing Emotional Pain: How to Care About Your Protagonist
Aug 11, 2022·1h 8m - 123
Getting the Protagonist Right: When and How to Switch the Main Character
Host Tim Grahl introduces a series analyzing the story 'Eyewitness' using the Story Grid methodology, discussing the origins of their analytical tools.
Aug 4, 2022·1h 24m - 124
Two Factor Problems: The Must-Have for Writing Captivating Stories
Jul 21, 2022·1h 10m - 125
624 Break Down: The Surprising Mistake in Tim's First Draft
Jul 14, 2022·1h 5m - 126
First Draft Feedback: 3 Editors Give Honest Writing Analysis - Part 2
Jul 7, 2022·1h - 127
First Draft Feedback: 3 Editors Give Honest Writing Analysis - Part 1
Jun 30, 2022·1h 2m - 128
How to Plan a Short Story Based on a Masterwork
The hosts discuss the challenges of writer-editor collaboration and the importance of applying writing principles to actual scenes.
Jun 23, 2022·1h 13m - 129
Story Tropes: Building Blocks of Scenes
Jun 16, 2022·56m - 130
Beat Breakdown: Analyzing Writing Line-by-Line - Part 3
Jun 9, 2022·1h 2m - 131
Beat Breakdown: Analyzing Writing Line-by-Line - Part 2
Jun 2, 2022·1h 1m - 132
Beat Breakdown: Analyzing Writing Line-by-Line - Part 1
May 26, 2022·1h 3m - 133
624 Review + Trope and Beat Introduction
The hosts review a 624 analysis of a short story and introduce tropes and beat analysis to help writers improve their craft.
May 19, 2022·1h 10m - 134
Five Commandments of Storytelling - Part 3
May 12, 2022·1h 2m - 135
Five Commandments of Storytelling - Part 2
May 5, 2022·45m - 136
Five Commandments of Storytelling - Part 1
Apr 28, 2022·46m - 137
What is happening in your story? (Part 2)
Apr 21, 2022·49m - 138
What is happening in your story? (Part 1)
Apr 14, 2022·58m - 139
Point of View: It's WAY more than 1st, 2nd, and 3rd
Apr 7, 2022·1h 6m - 140
Narrative Device: 3 Questions to Nail the Point of View for Your Story
Mar 31, 2022·1h 16m - 141
The "What If" for Your Story
Mar 24, 2022·1h 4m - 142
The Genre Five Leaf Clover: The In-depth Process for Understanding Genre in Your Story
Mar 16, 2022·1h 11m - 143
Two Sides to Every Story
Feb 10, 2022·27m - 144
The History of the Story Grid Universe
Feb 3, 2022·24m - 145
The Artist's Wants, Needs, and Desires
Jan 27, 2022·23m - 146
Backstory and an Avatar's Wants, Needs, and Desires
Jan 20, 2022·19m - 147
Crafting Story with Wants, Needs, and Desires
Jan 13, 2022·21m - 148
What are Objects of Desire?
Jan 6, 2022·26m - 149
How does a writer use Expository Beats to generate words?
Nov 18, 2021·28m - 150
How does a writer use Passive Beats to generate words?
Nov 11, 2021·35m