Story Grid Writing Podcast

150 episodes listed below

Listen to the show on

Story structure tested against real drafts.

The gist

Story Grid Writing Podcast is a craft show built around story structure, genre, scenes, and revision. It pairs close readings of masterworks like Crazy Rich Asians and Eyewitness with candid workshop conversations about Tim Grawl’s own writing.

PRESS PLAY

Find your next episode

All episodes

About Story Grid Writing Podcast

Story Grid Writing Podcast is a craft-intensive writing show built around the question of how a story actually works. Its run combines masterwork analysis, editorial coaching, and a transparent record of one writer’s development. The show often starts with a formal lens: genre, value shift, the five commandments of storytelling, obligatory moments, heroic journey archetypes, or narrative device. Then it tests that lens against a specific story. Crazy Rich Asians becomes a case study in status, family pressure, self-respect, conformity, and the mechanics beneath a film marketed as a romantic comedy. Eyewitness becomes a model for thinking about short fiction, protagonist movement, and how a seemingly small change can shift the reader’s attention. The conversations are methodical, but they are not sterile. There are charts, scene tools, spreadsheets, and references to Story Grid classes, yet the show keeps returning to the uncomfortable process of applying those tools to a real draft. Tim Grawl’s writing is not treated as a polished exhibit. It is worked on in public. Some episodes capture progress; others capture confusion, frustration, and the moment when editor and writer are not yet speaking about the same problem. That candor gives the show much of its value. It is less a lecture series than a workshop with the scaffolding left visible. Sean Coyne brings the Story Grid methodology and an editor’s diagnostic language. Rachel Arsenault, Leslie Watts, and Daniel Kiyoski add close-reading and publishing perspectives in the episodes included here. The show rewards listeners who like precision. It asks writers to stop hiding behind vague ideas and put craft claims under pressure. Its pace can be dense, and its assumptions are demanding. For writers ready to study structure with examples in hand, it offers a rare look at analysis, revision, and editorial disagreement happening in the open.

Made for: For fiction writers, screenwriters, editors, and serious craft students who want analytical tools applied to actual stories and scenes. It especially suits listeners who prefer diagnosis, revision, and concrete examples over general writing encouragement.

What sets it apart: The show stands apart by making the editorial process visible, including confusion, disagreement, and course correction. It treats masterworks and unfinished drafts as material for the same structural investigation.

In their own words

Helping you become a better writer.Join Shawn Coyne, author of Story Grid and a top editor for 30+ years, and Tim Grahl, struggling writer, as they discuss the ins and outs of what makes a story great.More at www.StoryGrid.com.

As heard by us

Based on 6 episodes we listened to · September 2026

Detailed story analysis and candid editorial sessions make narrative structure visible as a set of choices a writer can revise.

Story Grid Writing Podcast turns finished stories and unfinished pages into working demonstrations of craft. Tim Grawl leads close analysis with editors including Rachel Arsenault and Sean Coyne, moving between the architecture of Crazy Rich Asians and detailed responses to…

Read our full review in PlayNext →

Why you'd press play

Crazy Rich Asians gets a four-week genre diagnosis; your draft may need the same appointment.

Press play if you want

  • to question whether the romance in Crazy Rich Asians is really the story's main engine
  • to see how one climactic choice can carry several story obligations at once
Read the full recommendation in PlayNext →
Story Grid methodologygenre analysisfive commandments of storytellingheroic journey archetypesprotagonist shiftsnarrative devicemasterwork-based writingeditor-writer feedback

Talks about

Podcasts like Story Grid Writing Podcast

Episodes

  1. 1

    Beat Breakdown: Analyzing Writing Line-by-Line - Part 3

    ·1h 2m
  2. 2

    What is an Editor Brain vs Writer Brain?

    ·20m
  3. 3

    How does the Story Grid Trinity apply at the Macro vs Micro levels?

    ·28m
  4. 4

    Does On-the-Surface mean External Genre?

    ·35m
  5. 5

    What is happening with The Bell Jar?

    ·37m
  6. 6

    How does the Story Grid Trinity apply to Global Internal Genres?

    ·25m
  7. 7

    Can Story Grid improve on Masterworks?

    ·25m
  8. 8

    The Final Episode

    ·35m
  9. 9

    Crazy Rich Asians: Part 4 - What Writers Can Learn

    ·1h 12m
  10. 10

    Crazy Rich Asians: Part 3 - Genre Conventions and Story Theme

    ·1h
  11. 11

    Crazy Rich Asians: Part 2 - 5 Commandments of Storytelling

    ·38m
  12. 12

    Crazy Rich Asians: Part 1 - Is this a RomCom?

    ·46m
  13. 13

    John Wick Analysis: Part 4 - What Writers Can Learn and Obligatory Moments

    ·56m
  14. 14

    John Wick Analysis: Part 3 - Genre Conventions and Five Commandments

    ·39m
  15. 15

    John Wick Analysis: Part 2 - Acts and Structure

    ·41m
  16. 16

    John Wick Analysis: Part 1 - Genre and Controlling Idea

    ·38m
  17. 17

    Line Edits: Putting the Final Touches on Eye Witness

    ·1h 2m
  18. 18

    Final Edits of a Short Story: Beat Construction and 624 Analysis

    ·1h 5m
  19. 19

    Does Tim Actually Get It Right? How to Nail the Narrative Device

    ·55m
  20. 20

    How to Connect with Characters: Finding the Motivation and Shadow in Yourself

    ·38m
  21. 21

    Writing or Just Pretending? When there is Zero Flow and Everything is $h*t

    ·1h 5m
  22. 22

    Beat Breakdown: Analyzing Writing Line-by-Line - Part 2

    ·1h 1m
  23. 23

    Conflict and Emotional Connection: Every Beat, Trope, and Scene Must Have These

    ·1h 2m
  24. 24

    Who's the Most Guilty Person in Your Story? Hero, Victim, and Villain - Part 2

    ·1h 9m
  25. 25

    Hero, Victim and Perpetrator: The Must-Have Relationships in Your Story

    ·57m
  26. 26

    The Impact of a Story Theme: An Interview with Scott Mann and Randle Surles about the book Operation Pineapple Express

    ·1h 3m
  27. 27

    Truth in Fiction: How to Write and Develop Believable Characters

    ·1h 13m
  28. 28

    Narrative Device: This Affects Every Single Word You Write

    ·59m
  29. 29

    Telling the Truth About Writing: Is this Podcast Worth Doing?

    ·1h 18m
  30. 30

    Writing Emotional Pain: How to Care About Your Protagonist

    ·1h 8m
  31. 31

    Two Factor Problems: The Must-Have for Writing Captivating Stories

    ·1h 10m
  32. 32

    624 Break Down: The Surprising Mistake in Tim's First Draft

    ·1h 5m
  33. 33

    First Draft Feedback: 3 Editors Give Honest Writing Analysis - Part 2

    ·1h
  34. 34

    First Draft Feedback: 3 Editors Give Honest Writing Analysis - Part 1

    ·1h 2m
  35. 35

    How to Plan a Short Story Based on a Masterwork

    ·1h 13m
  36. 36

    Story Tropes: Building Blocks of Scenes

    ·56m
  37. 37

    How Does a Writer Use Active Beats to Generate Words?

    ·29m
  38. 38

    Beat Breakdown: Analyzing Writing Line-by-Line - Part 1

    ·1h 3m
  39. 39

    624 Review + Trope and Beat Introduction

    ·1h 10m
  40. 40

    Five Commandments of Storytelling - Part 3

    ·1h 2m
  41. 41

    Five Commandments of Storytelling - Part 2

    ·45m
  42. 42

    Five Commandments of Storytelling - Part 1

    ·46m
  43. 43

    What is happening in your story? (Part 2)

    ·49m
  44. 44

    What is happening in your story? (Part 1)

    ·58m
  45. 45

    Point of View: It's WAY more than 1st, 2nd, and 3rd

    ·1h 6m
  46. 46

    Narrative Device: 3 Questions to Nail the Point of View for Your Story

    ·1h 16m
  47. 47

    The "What If" for Your Story

    ·1h 4m
  48. 48

    The Genre Five Leaf Clover: The In-depth Process for Understanding Genre in Your Story

    ·1h 11m
  49. 49

    Two Sides to Every Story

    ·27m
  50. 50

    The History of the Story Grid Universe

    ·24m
  51. 51

    The Artist's Wants, Needs, and Desires

    ·23m
  52. 52

    Backstory and an Avatar's Wants, Needs, and Desires

    ·19m
  53. 53

    Crafting Story with Wants, Needs, and Desires

    ·21m
  54. 54

    What are Objects of Desire?

    ·26m
  55. 55

    How does a writer use Expository Beats to generate words?

    ·28m
  56. 56

    How does a writer use Passive Beats to generate words?

    ·35m
  57. 57

    What defines a Masterwork?

    ·16m
  58. 58

    How to Write Dialogue (for Introverts)

    ·10m
  59. 59

    Story Grid Trinity for Nonfiction

    ·22m
  60. 60

    Quadrant 4 of the Heroic Journey 2.0

    ·30m
  61. 61

    Story Grid Trinity - Beyond the Surface

    ·28m
  62. 62

    Story Grid Trinity - Above the Surface

    ·30m
  63. 63

    Story Grid Trinity - On the Surface

    ·30m
  64. 64

    Story Grid Trinity

    ·31m
  65. 65

    Quadrant 3 of the Hero's Journey 2.0

    ·48m
  66. 66

    Worldbuilding in Hero's Journey 2.0

    ·42m
  67. 67

    First Two Steps in the Hero's Journey 2.0

    ·1h 2m
  68. 68

    Introducing Heroic Journey 2.0

    ·50m
  69. 69

    Finishing the First Draft

    ·53m
  70. 70

    Interview with Author Michael McClellan - Part 3

    ·33m
  71. 71

    Interview with Author Michael McClellan - Part 2

    ·32m
  72. 72

    Interview with Author Michael McClellan - Part 1

    ·26m
  73. 73

    Chapter 24 - The Wonderful Wizard of Oz Masterwork Analysis

    ·7m
  74. 74

    Chapter 23 - The Wonderful Wizard of Oz Masterwork Analysis

    ·14m
  75. 75

    Chapter 22 - The Wonderful Wizard of Oz Masterwork Analysis

    ·12m
  76. 76

    Chapter 21 - The Wonderful Wizard of Oz Masterwork Analysis

    ·12m
  77. 77

    Chapter 20 - The Wonderful Wizard of Oz Masterwork Analysis

    ·15m
  78. 78

    Chapter 19 - The Wonderful Wizard of Oz Masterwork Analysis

    ·12m
  79. 79

    Chapter 18 - The Wonderful Wizard of Oz Masterwork Analysis

    ·13m
  80. 80

    Chapter 17 - The Wonderful Wizard of Oz Masterwork Analysis

    ·13m
  81. 81

    Chapter 16 - The Wonderful Wizard of Oz Masterwork Analysis

    ·12m
  82. 82

    Chapter 15 - The Wonderful Wizard of Oz Masterwork Analysis

    ·22m
  83. 83

    Chapter 14 - The Wonderful Wizard of Oz Masterwork Analysis

    ·17m
  84. 84

    Chapter 13 - The Wonderful Wizard of Oz Masterwork Analysis

    ·13m
  85. 85

    Chapter 12 - The Wonderful Wizard of Oz Masterwork Analysis

    ·27m
  86. 86

    Chapter 11 - The Wonderful Wizard of Oz Masterwork Analysis

    ·27m
  87. 87

    Chapter 10 - The Wonderful Wizard of Oz Masterwork Analysis

    ·17m
  88. 88

    Chapter 9 - The Wonderful Wizard of Oz Masterwork Analysis

    ·15m
  89. 89

    Chapter 8 - The Wonderful Wizard of Oz Masterwork Analysis

    ·17m
  90. 90

    Chapter 7 - The Wonderful Wizard of Oz Masterwork Analysis

    ·16m
  91. 91

    Chapter 6 - The Wonderful Wizard of Oz Masterwork Analysis

    ·15m
  92. 92

    Chapter 5 - The Wonderful Wizard of Oz Masterwork Analysis

    ·17m
  93. 93

    Chapter 4 - The Wonderful Wizard of Oz Masterwork Analysis

    ·15m
  94. 94

    Chapter 3 - The Wonderful Wizard of Oz Masterwork Analysis

    ·18m
  95. 95

    Chapter 2 - The Wonderful Wizard of Oz Masterwork Analysis

    ·20m
  96. 96

    Chapter 1 - The Wonderful Wizard of Oz Masterwork Analysis

    ·14m
  97. 97

    Intro - The Wonderful Wizard of Oz Masterwork Analysis

    ·11m
  98. 98

    Multiple Storylines in One Book

    ·39m
  99. 99

    Scene 1, Book 2

    ·40m
  100. 100

    Getting the Protagonist Right: When and How to Switch the Main Character

    The hosts discuss the origins of the Story Grid methodology and analyze the story structure of Ed McBain's 'Eyewitness'.

    ·1h 24m
  101. 101

    The Final Episode

    Hidden gem

    Tim Grawl marks episode 292 of StoryGrid Writing Podcast as a pause point, tied to the first episode on October 14, 2015 and the book journey that followed.

    May 25, 2023·35m·2 clips
  102. 102

    Crazy Rich Asians: Part 4 - What Writers Can Learn

    Hidden gem

    The double factor problem asks when Rachel should conform and when she should stand in her difference.

    May 11, 2023·1h 12m·2 clips
  103. 103

    Crazy Rich Asians: Part 3 - Genre Conventions and Story Theme

    Hidden gem

    Eleanor's private investigation exposes Rachel's mother, and Rachel will never see her family the same way again.

    May 4, 2023·1h·2 clips
  104. 104

    Crazy Rich Asians: Part 2 - 5 Commandments of Storytelling

    Hidden gem

    Tim Grawl and Rachel Arsenault use the StoryGrid method to map Crazy Rich Asians, a 2018 film based on Kevin Kwan’s 2013 novel.

    Apr 20, 2023·38m·2 clips
  105. 105

    Crazy Rich Asians: Part 1 - Is this a RomCom?

    Hidden gem

    Tim Grawl and Rachel Arsenault use StoryGrid’s five-leaf genre clover to analyze Crazy Rich Asians, the 2018 film based on Kevin Kwan’s 2013 novel and its $238 million box office success.

    Apr 13, 2023·46m·2 clips
  106. 106

    John Wick Analysis: Part 4 - What Writers Can Learn and Obligatory Moments

    Apr 6, 2023·56m
  107. 107

    John Wick Analysis: Part 3 - Genre Conventions and Five Commandments

    Mar 30, 2023·39m
  108. 108

    John Wick Analysis: Part 2 - Acts and Structure

    Mar 23, 2023·41m
  109. 109

    John Wick Analysis: Part 1 - Genre and Controlling Idea

    Mar 16, 2023·38m
  110. 110

    Line Edits: Putting the Final Touches on Eye Witness

    Nov 3, 2022·1h 2m
  111. 111

    Final Edits of a Short Story: Beat Construction and 624 Analysis

    Oct 27, 2022·1h 5m
  112. 112

    Does Tim Actually Get It Right? How to Nail the Narrative Device

    Hidden gem

    Tim Grawl brings a revised draft of Ed McBain’s "Eyewitness" to Sean Coyne, Leslie Watts, and Daniel Kiyosaki, after turning 10 drafts into a police-report style scene.

    Oct 20, 2022·55m·2 clips
  113. 113

    How to Connect with Characters: Finding the Motivation and Shadow in Yourself

    Oct 6, 2022·38m
  114. 114

    Writing or Just Pretending? When there is Zero Flow and Everything is $h*t

    Sep 29, 2022·1h 5m
  115. 115

    Conflict and Emotional Connection: Every Beat, Trope, and Scene Must Have These

    Sep 24, 2022·1h 2m
  116. 116

    Who's the Most Guilty Person in Your Story? Hero, Victim, and Villain - Part 2

    Sep 15, 2022·1h 9m
  117. 117

    Hero, Victim and Perpetrator: The Must-Have Relationships in Your Story

    Sep 8, 2022·57m
  118. 118

    The Impact of a Story Theme: An Interview with Scott Mann and Randle Surles about the book Operation Pineapple Express

    Sep 6, 2022·1h 3m
  119. 119

    Truth in Fiction: How to Write and Develop Believable Characters

    Sep 1, 2022·1h 13m
  120. 120

    Narrative Device: This Affects Every Single Word You Write

    Aug 25, 2022·59m
  121. 121

    Telling the Truth About Writing: Is this Podcast Worth Doing?

    Aug 18, 2022·1h 18m
  122. 122

    Writing Emotional Pain: How to Care About Your Protagonist

    Aug 11, 2022·1h 8m
  123. 123

    Getting the Protagonist Right: When and How to Switch the Main Character

    Host Tim Grahl introduces a series analyzing the story 'Eyewitness' using the Story Grid methodology, discussing the origins of their analytical tools.

    Aug 4, 2022·1h 24m
  124. 124

    Two Factor Problems: The Must-Have for Writing Captivating Stories

    Jul 21, 2022·1h 10m
  125. 125

    624 Break Down: The Surprising Mistake in Tim's First Draft

    Jul 14, 2022·1h 5m
  126. 126

    First Draft Feedback: 3 Editors Give Honest Writing Analysis - Part 2

    Jul 7, 2022·1h
  127. 127

    First Draft Feedback: 3 Editors Give Honest Writing Analysis - Part 1

    Jun 30, 2022·1h 2m
  128. 128

    How to Plan a Short Story Based on a Masterwork

    The hosts discuss the challenges of writer-editor collaboration and the importance of applying writing principles to actual scenes.

    Jun 23, 2022·1h 13m
  129. 129

    Story Tropes: Building Blocks of Scenes

    Jun 16, 2022·56m
  130. 130

    Beat Breakdown: Analyzing Writing Line-by-Line - Part 3

    Jun 9, 2022·1h 2m
  131. 131

    Beat Breakdown: Analyzing Writing Line-by-Line - Part 2

    Jun 2, 2022·1h 1m
  132. 132

    Beat Breakdown: Analyzing Writing Line-by-Line - Part 1

    May 26, 2022·1h 3m
  133. 133

    624 Review + Trope and Beat Introduction

    The hosts review a 624 analysis of a short story and introduce tropes and beat analysis to help writers improve their craft.

    May 19, 2022·1h 10m
  134. 134

    Five Commandments of Storytelling - Part 3

    May 12, 2022·1h 2m
  135. 135

    Five Commandments of Storytelling - Part 2

    May 5, 2022·45m
  136. 136

    Five Commandments of Storytelling - Part 1

    Apr 28, 2022·46m
  137. 137

    What is happening in your story? (Part 2)

    Apr 21, 2022·49m
  138. 138

    What is happening in your story? (Part 1)

    Apr 14, 2022·58m
  139. 139

    Point of View: It's WAY more than 1st, 2nd, and 3rd

    Apr 7, 2022·1h 6m
  140. 140

    Narrative Device: 3 Questions to Nail the Point of View for Your Story

    Mar 31, 2022·1h 16m
  141. 141

    The "What If" for Your Story

    Mar 24, 2022·1h 4m
  142. 142

    The Genre Five Leaf Clover: The In-depth Process for Understanding Genre in Your Story

    Mar 16, 2022·1h 11m
  143. 143

    Two Sides to Every Story

    Feb 10, 2022·27m
  144. 144

    The History of the Story Grid Universe

    Feb 3, 2022·24m
  145. 145

    The Artist's Wants, Needs, and Desires

    Jan 27, 2022·23m
  146. 146

    Backstory and an Avatar's Wants, Needs, and Desires

    Jan 20, 2022·19m
  147. 147

    Crafting Story with Wants, Needs, and Desires

    Jan 13, 2022·21m
  148. 148

    What are Objects of Desire?

    Jan 6, 2022·26m
  149. 149

    How does a writer use Expository Beats to generate words?

    Nov 18, 2021·28m
  150. 150

    How does a writer use Passive Beats to generate words?

    Nov 11, 2021·35m