Stageworthy is an interview-first portrait of Canadian theatre, shaped through conversations with the people who write it, perform it, direct it, produce it, teach it, and keep it alive. Phil Rickaby’s presence is steady and inviting. He tends to start with the work in front of the guest, then lets the conversation find its way toward process, history, pressure, and meaning. That structure gives the show its lived-in feel. A discussion of puppetry can become a conversation about learning differences, art, and starting a festival. A conversation about directing an indie production can turn toward political storytelling, audience resistance, and what makes a company exciting to work with. Solo performance opens into grief and the strange ways personal material enters a play before the artist is ready for it. Creative producing becomes a question of collaboration, timing, and helping a process find its next step. The show pays attention to career paths that do not look neat. Guests speak about clown, improv, sketch, government work, theatre school networks, scholarship, chronic pain, healthcare dismissal, community care, and the administrative realities that surround art. It is warm without becoming sentimental. It is detailed without sounding closed off to non-specialists. Stageworthy’s interviews often make room for the emotional weather around theatre: the vulnerability of making work, the strain of unpaid labor, the need for audience connection, and the importance of building spaces where artists can be fully human. The result is a practical and humane record of Canadian theatre culture in motion. It gives household names and lesser-known artists the same basic courtesy: time to explain the work, the context, and the values underneath it.