Every case here starts in Dr. Watson's study. A fire burns, Mr. Harris comes in from whatever the month has brought, and the two make small talk about May blossoms, snowdrifts, a cold November rain or the Christmas festivities. Then something sets Watson remembering. It might be a wedding announcement naming Juan Fernando Ferguson, who, Watson explains, was the victim in the case of the Sussex Vampire when he was hardly a year old. It might be a telegram from Holmes urging him to tell the radio public about his aversion to Oleracea Capitata, which turns out to mean cabbage. The aversion has nothing to do with digestion. It comes from a crate of produce and a personal tussle with Professor Moriarty, a case in which Watson says he acquitted himself with some distinction. Then the storytelling frame gives way to full drama. John Stanley plays Holmes and Alfred Shirley plays Watson, in scripts credited as dramatizations by Edith Meiser and based on the character Sir Arthur Conan Doyle created. The scenes travel far from the fireside. Holmes and Watson climb a ladder onto a great liner looming out of the fog, and Captain Brooks explains why he fears a fire on board more than a typhoon or a mutiny. Watson, desperate to get off the pitching boat below, says he would climb the Eiffel Tower on a clothesline to do it. In The Case Of The Well Staged Murder, a patient called George, touchy about his McGowan tartan bonnet, vows to get even with the superintendent, Dr. Jeffers. The Case Of The Sanguinary Spectre turns gothic, with a house that has a gory history, a Stuart room where King Charles once hid, the ghost of Lady Daphne and a visitor from Pittsburgh who has always wanted to meet a spook. Another adventure, announced as The Case of the Ever-Blooming Roses, is set up with a young woman who narrowly escaped death because a spray of yellow roses would not wither. Watson calls that story more macabre than poetic. The sponsor is never gone for long. Clipper Craft clothes for men presents the broadcasts, and a new spring outfit can become a talk about good tailoring. At one point Watson holds back his story until Mr. Harris has told listeners how to look their best. The closing lines name the next week's case, including The Mazarin Stone and Shoscombe Old Place, and tell listeners that a local Clipper Craft dealer can tell them how to get tickets to the broadcasts in New York. The study scenes are warm and polite, and the drama moves quickly once danger arrives. Each episode keeps the case, the fireside frame around it and the ads that paid for it.