Role To Cast is a tabletop roleplaying show that changes its game with each season. The seasons named in its feed cover a lot of ground: Cyberpunk 2020 and Cyberpunk Red, Vampire The Masquerade in 'Adelaide By Night', Pulp Cthulhu, Kids On Bikes, The Witcher RPG, Avatar Legends, Starfinder, DIE RPG and Dune. That spread is the main reason to seek it out. A listener who has always wondered how Starfinder or DIE RPG plays can hear a full season of one, then move on to something that works completely differently. Alongside the seasons sit multi-part live recordings, and these show a noisier side of the table. The Eat The Reich show, released in parts titled 'Drink Hitler's Blood - Eat The Reich Live Show', is led by Ellen Graham, who introduces themself as host, MC and game master. The player characters are vampires loose in a Europe stripped bare by looting. One gets teeth snapped off by a rifle butt mid-bite. Another, a cowboy, draws a pair of guns named Betsy and Maurice. In Paris, the vampires watch soldiers throw paintings onto a bonfire, and the table takes on the job of rescuing the art. The trail leads to Hitler's Zeppelin, an absurdly lavish airship stuffed with stolen marble, silk, gold and mahogany and hung with portraits of the man, described as having no artistic merit. Hitler himself is given no dignity at all. The Star Trek Adventures show, 'These Violent Delights - Star Trek Adventures Live Show', runs on a different engine. It starts with a check that the front row can see over an unusually large GM screen, thanks to the crowd for giving up a hot Saturday evening, and a warning that there will be swearing. Then come the transporter room, a Ferengi character pitching a book during a counselling session, and a party heading for a blow-up. What ties the two live shows together is how openly the rules get played. Players ask how a focus works, count successes aloud and weigh whether to spend momentum, and in the Eat The Reich show, drinks handed to the game master get traded into the objective and threat tallies. At one point a stray die lands on 20, only for the rest of the handful to knock it down to a 2, and the table groans. The audience takes part as well: asked who should go next, the crowd shouts for the cowboy. The episodes carry a mature-audiences warning, and it is earned, with strong language, gruesome violence played for laughs and plenty of bawdy jokes. Part I of either live show is a good entry point for the show at its loudest, and anyone after a particular system can go straight to that season.