Cult-film arguments from the VHS trenches.
Radiodrome treats obscure and half-remembered films as living evidence, not museum pieces. The talk wanders through horror, science fiction, Fangoria films, scream queens, indie routines, and the weird afterlife of a 500-episode run.
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Radiodrome is a cult-film conversation show with a deep tolerance for odd titles, messy careers, and arguments that take the scenic route. Its territory is the neglected shelf: VHS-era exploitation, low-budget horror, science fiction disputes, Fangoria films, cyber thrillers, scream queens, indie routines, and the strange little connections that make forgotten movies worth dragging back into the room. The show is not especially polished. That is part of the texture. Josh Hadley, Cecil T. Robot, and Peter recur as a familiar, needling group, with guests brought in for subjects such as scream queens, Fangoria films, Liquid Dreams, Spookies, and independent cinema. The conversations can sound like knowledgeable friends trying to remember, correct, provoke, and entertain each other at the same time. A claim gets made. Someone pushes back. A tangent about labels, careers, audiences, or distribution opens up, and eventually the show finds its way back to the film. Radiodrome is strongest when it treats obscure cinema as a working memory bank rather than a trivia contest. Linnea Quigley can lead to defining roles, Return of the Living Dead, Night of the Demons, Savage Streets, and the complicated way cult performers become recognizable. A science fiction episode can become a fight over the word sci-fi, comic-book genre boundaries, and whether labels help or flatten the thing being discussed. The 500th episode and postmortem add another layer. They turn the show back on itself, talking openly about burnout, money, listener response, scheduling around work, creative opportunities, and what it means to end a long-running niche project without warning the audience first. The result is rowdy but sentimental. It can be crude, blunt, and impatient with mainstream taste, yet it also carries real gratitude for the people who kept listening. Radiodrome suits film fans who want dense, personality-driven talk about movies that rarely get clean prestige treatment. It is not a neutral guide. It is a lived-in argument with one foot in genre history and the other in the gutter.
Made for: For listeners who already have some affection for horror, exploitation, science fiction, VHS culture, and obscure genre performers. It especially suits people who prefer loose, personality-heavy discussion over neat review scores.
What sets it apart: Radiodrome stands apart by pairing deep cult-film recall with the visible wear and history of a 500-episode run. The show is as interested in the money, fandom, and afterlife around the conversation as it is in the movies themselves.
Join antagonistic film critic Josh Hadley and laid back film critic Cecil Trachenburg for a weekly look at the films you never heard of or simply forgot about alongside a true cine-masochist Petar Gagic. Radiodrome takes you back to a time of VHS tapes, exploitation on TV and the Adult Entertainment that mattered.
Based on 6 episodes we listened to · September 2026
Radiodrome brings detailed, argumentative criticism to overlooked genre films, performers, production choices, and the disputed boundaries of science fiction.
Radiodrome turns film criticism into a lively argument among Josh Hadley, Cecil T. Robot, and Peter. Their conversations range from science-fiction definitions to horror performers and low-budget filmmaking, with strong opinions tested through disagreement rather than polished…
This is the film argument where "sci-fi" becomes fighting words before you can name your favorite B-movie.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A surprise finale turns into a candid goodbye with real community weight.
The piece frames Radiodrome 500 as a postmortem on the surprise series finale, with the host joined by Peter and Cecil to look back at what followed once the last episode landed.
A 500th-episode farewell that turns burnout and side projects into the real finale.
Radiodrome uses its 500th episode to stare down the end of a long run, opening with a sharp Hallmark Channel joke before settling into a frank look at why long-running shows lose steam, why burnout creeps in, and why ending can feel less like a clean stop than a long exhale.
A candid cult-horror conversation about Linnea Quigley, screen-queen memory, and the roles that fixed her image.
Radiodrome frames Linnea Quigley as more than a familiar scream-queen face, using the conversation to ask how cult-horror actresses get remembered.
A loose, funny argument about science fiction's borders, genre labels, and the trouble with calling everything sci-fi.
Radiodrome treats science fiction as a fight over borders: horror, drama, action, television, cinema, and comics all press against one another, and the episode keeps asking how useful those labels are.
A relaxed horror discussion finds its edge in Skeletons' performances, meta setup, and one disputed camera choice.
Radiodrome treats Skeletons in the Closet as a relaxed horror conversation, built around its 80s-style anthology frame and the playful meta idea of characters watching other characters' films. It works best when the talk moves past the premise and into craft.
A loose, grateful postmortem on RadioDrome's surprise finale and the doors it may have opened.
RadioDrome treats its surprise series finale less like a victory lap than a chance to sort through what the show meant once episode 500 had landed.
Mike Muncer and a different guest dissect two horror films per episode, by subgenre.
Hosts Josh Hadley, Cecil Trachenburg, and Petar Gagic reflect on Radiodrome's surprise series finale after 500 episodes.
Host Josh Hadley and co-hosts Cecil Trachenburg and Petar Gagic discuss the new 80s throwback anthology film Skeletons in the Closet, with director Ben Lewandowski as a guest.
Radiodrome 500 is a postmortem.
Episode 500 opens with Hallmark Channel movies.
The episode opens with a joke about an actress making more money by taking her clothes off in movies.
Radiodrome's Josh Hadley, Peter, and Cecil debate whether science fiction depends on ideas or merely on spaceships, laser guns, aliens, and futuristic settings.
Radiodrome hosts Josh Hadley and Cecil debate whether horror authorship depends on genre labels, citing H.P.
Two film critics and a co-host banter about obscure and forgotten films, with sponsor ads for adult products and VPNs.
A weekly film review show where critics discuss obscure and forgotten movies, with a focus on exploitation and cult cinema.
The hosts introduce a cyber-themed episode, discussing a sci-fi film about NeuroVid dreams and a woman uncovering the truth about her sister's death.
The hosts introduce the show, promote sponsors, and set up a discussion of a skeevy movie, likely an obscure or exploitation film.