Open Curtain is a measured interview series about photography, art, and the practical life around creative work. Its conversations rarely rush toward a thesis. They begin with origin stories: what a guest wanted to be as a child, when a camera first felt useful, or how an early darkroom, class, city, job, book, or family circumstance redirected a life. From there, the episodes widen. Carolyn Drake reflects on editorial work, living abroad, returning to the United States, and making images in Water Valley, Mississippi, where craft traditions shaped the making of Knit Club. Janet Delaney moves from childhood dreams of architecture to street photography, South of Market, gentrification, Central America, and politically engaged work. Mimi Plumb remembers moving from the frustration of poetry into the physical pleasure of black-and-white photography. Kim Holtermand connects architectural image-making, Instagram curation, black-and-white nostalgia, and his work as a fingerprint expert in the Danish police. Bryan Schutmaat talks about photography, books, print sales, assignments, poetry, and the detective-like act of finding something charged in the world. Efrem Zelony-Mindell brings a curator, writer, and artist’s view of the art world, jobs, relationships, and book editing. Rahim Fortune’s episode reaches into family illness, grief, therapy, magazine work, West Texas, the El Paso and Juarez border, and immigration. The show’s strength is its willingness to let guests think in real time. It listens for process, but also for pressure. Money matters here. So do place, politics, family, technology, and the strange emotional residue of making pictures from real life. Open Curtain is best for listeners who already care about images and want the human scaffolding behind them: the hesitations, detours, influences, and compromises that sit behind a finished body of work.