Old vines are treated as a farming decision first, and that is what gives the episode its force.
Dylan Grigg treats old vines as a practical question of balance and character, not a simple romance, and the episode keeps that tension in view.

Mike Best MW & Nelson Pari
20 episodes listed below
One bottle, three wine questions.
One Bottle Three Questions treats wine as agriculture, history, chemistry, and trade rather than lifestyle shorthand. Each episode uses a bottle to open longer conversations with producers, viticulturalists, winemakers, and market figures.
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One Bottle Three Questions is a wine interview show built on a restrained but useful premise. A single bottle gives the episode a center of gravity. Three questions give the conversation enough shape to travel without becoming loose. The result is detailed, expert-led audio about how wine is grown, made, positioned, protected, and understood. Recent episodes have ranged from Rustenberg Chardonnay and the discipline of selling wine in the UK market to Blank Canvas Chardonnay and the identity of Marlborough. The show is comfortable asking broad questions, then following the answer into clone selection, regional variation, sulphur dioxide, biogenic amines, or appellation work. It gives vineyard subjects real weight. Stephanie Terrizzi’s discussion of Fiano leads toward Italian varieties in the USA, organics, irrigation, and changing rainfall. Dylan Grigg’s episode on old vines refuses the easy answer, weighing age against site, vine material, disease, rootstock, and the slow accumulation of character. The technical level can be high, but the conversation usually keeps returning to cause and effect. Santorini’s Kouloura vines are not treated as scenery; they are explained as a survival system against sunlight and wind. Virginia wine becomes a lesson in site selection, downy mildew, soils, canopy work, and the strange advantages of moisture. The commercial side is taken seriously too. David Cartwright’s appearance makes selling sound less like charm and more like consistency, research, enthusiasm, and long-term trust. The show also has a strong historical instinct. Bordeaux blending, Barbaresco co-operative quality, old Italian grape varieties, and regional reputations are all handled as living systems rather than trivia. Its best episodes make wine feel less mysterious by making it more complex. It is for listeners who enjoy patient explanation and do not mind hearing a specialist think in full. The show rarely performs excitement. It earns interest through depth.
Made for: For wine students, trade professionals, collectors, growers, and curious drinkers who want the reasoning behind bottles rather than quick tasting impressions. It especially suits listeners interested in viticulture, regional identity, and the business of wine.
What sets it apart: The show uses a bottle as an entry point into technical, historical, and commercial questions, giving guests room to explain the systems behind the glass. It is unusually strong on vineyard practice and market reality, not just producer stories.
Small growers to large co-ops from all over the world.Viticulture, winemaking, sales and branding.Real-life examples.We drink one bottle. We ask three questions.
One bottle gets you from old-vine epigenetics to supermarket sales without pretending wine is merely tasting notes.
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Short reviews from the PlayNext desk, based on the episodes we processed.
Old vines are treated as a farming decision first, and that is what gives the episode its force.
Dylan Grigg treats old vines as a practical question of balance and character, not a simple romance, and the episode keeps that tension in view.
A Bordeaux blend story that ends on provenance and trust.
Thomas Duru's account of Chateau Parma stays anchored in the blind tasting from an early US trip, when a Bay Area importer set up lunch with a serious collector and three decanters of Chateau Parma wines, the vintages hidden.
A cooperative quality story built from history, grading, and vineyard selection.
One Bottle, Three Questions uses a 2021 Barbaresco tasting to make a careful case for why Produttori del Barbaresco is treated differently from the usual cooperative stereotype.
Virginia wine history and vineyard chemistry, balanced with practical growing detail and a brief technical turn.
Joshua Grainer's conversation with Mike Best and Nelson Parry casts Virginia wine as a story shaped by climate and persistence. It starts at Jamestown and the House of Burgesses' order for each male colonist to plant 20 vines, then shows how swampy Atlantic conditions, pests,…

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Everyday life, thought through together.
Sophie Parker-Thomson MW explains how her 2021 Master of Wine paper examined SO2 timing and biogenic amines as possible contributors to wine-intolerance symptoms.
One Bottle Three Questions - A Wine Podcast examines how Steffi Turizzi grows Fiano and manages vineyards in Paso Robles, California.
Viticulturalist Dylan Grigg tackles a blunt question about whether old vines make better wines.
Mike Best and Nelson Parry welcome Thomas Duru of Chateau Parma to talk about a historical 19th century wine built as a Bordeaux blend with Syrah.
Nelson Parry and Mike Best open with Aldo Vacca and the 2021 Barbaresco from Produttori del Barbaresco.
Winemaker Yannis Papaeconomou explains the traditional Kouloura basket vine training method used in Santorini to protect vines from strong sunlight and wind.
Mike Best and Nelson Parry host Joshua Grainer of RDV Vineyards in Virginia.