Okie Geek is a KOSU interview show about Oklahoma's living geek culture, told through the people building it. The scope is broad but specific. Episodes cover comics, tabletop games, video game music, superhero films, science fiction, local festivals, and film preservation. The show is less interested in ranking franchises than in tracing how creative work reaches an audience. A comic artist talks through margins, zine festivals, small press logistics, and the surreal feeling of seeing strangers flip through a first book. A convention organizer explains the local businesses, vendors, game companies, pricing choices, and space limits behind a first-year gaming event. A jazz musician describes performing Mario Kart tracks while competitive players race beside the band, with the music sometimes demanding pit-orchestra focus. That is the show's lane: fandom as labor, craft, venue, and community. Matthew Viriapa keeps the conversations plainspoken and direct, often starting with an introduction before following the guest into process. Oklahoma is not decorative here. Tulsa, Oklahoma City, Film Row, the Oklahoma Contemporary Arts Center, and northeastern Oklahoma tribal land all shape the episodes. The show can handle small local scenes and bigger pop-culture machinery in the same feed. Tim Blake Nelson connects Tulsa, superhero filmmaking, digital effects, and his book Superhero. Daniel H. Wilson connects robotics, science fiction, Cherokee identity, artificial intelligence, aliens, and military threat forecasting. Charles J. Martin frames pop culture as something that can be entertaining, nostalgic, musical, performative, and still a little more cerebral. Robert Wilson IV talks about comic art from the perspective of an artist and festival director. Cam Hunter and Bradley Nguyen bring attention to an old screening room on Oklahoma City's historic Film Row. The recurring pleasure is scale. A local bookshop merger, a first comic, a saved theater, or a ten-dollar gaming convention can sit next to Marvel, Square Enix, Halo, and New York Comic Con without losing proportion. Okie Geek works because it treats Oklahoma's fan scenes as real cultural infrastructure. It is careful, enthusiastic, and useful without sounding inflated.