New Books in Science, Technology, and Society is built around long-form conversations with authors of recent scholarly books. The format is plain and deliberate. Episodes often begin by naming the book, placing it in context, and asking the guest to explain the path that led to the research. From there, the conversation tends to widen. A book on Russia's hybrid warfare becomes a discussion of cybercrime, ransomware, sanctions, social media narratives, Ukraine, and the difficult boundary between criminal groups and state strategy. A book on AI and robotics becomes a way to think about work, inequality, erratic creativity in large language models, science fiction, and the guardrails humans may need around automation. The channel is comfortable with specialized language, but it usually slows down enough to define the terms that matter. It also has a strong sense of example. Science fiction planets lead into real astronomy, from Mars myths and Percival Lowell to water molecules, icy moons, and the possibility of ocean worlds. Historical art techniques become a route into recipes for inks, paints, and dyes before modern supply chains made materials easy to buy. Online teaching is treated not as software logistics alone, but as a question of emotional tone, student connection, and the texture of asynchronous classrooms. Episodes on innovation, the dot-com era, and games add management history and cultural theory to the mix. The show is not trying to entertain through speed. Its value is accumulation: patient questions, long answers, and enough room for an argument to change shape as it meets evidence. The channel's breadth can feel eclectic, but the through-line is clear. Science and technology are presented as social facts, embedded in institutions, stories, classrooms, markets, art materials, and everyday judgment.