Caesar's blocked gladiators become a lesson in spectacle as political leverage.
David Potter's Master of Rome, A Life of Julius Caesar is treated here as a study of wealth, spectacle, and public favor turned into political leverage.

One author, one new book, Italy from ancient Rome to today.
Each episode of New Books in Italian Studies pairs the author of a new scholarly book with a host, and the questions stay close to the book's evidence. The range runs from Julius Caesar's gladiator politics and the diets of poor Romans to the papal chapel's last castrati and far-right parties in Italy and France.
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New Books in Italian Studies is one channel of the New Books Network, and its format rarely bends: a host, an author, and a single new book. The talk is courteous and led by questions. Hosts read closely enough to press on specifics, such as whether Moreschi really was the last castrato. Several conversations close by restating the book's title and publisher, and the final minutes often turn to what the author is working on next. Different hosts lead different episodes. Morteza Hajizadeh interviews David Potter, Jessica Clarke and Kim Bowes, while Miranda Melcher talks with Martha Feldman and Camilla Locatelli, who introduces herself as a host for the network's European Politics section, talks with Marta Lorimer. One episode opens under the New Books in Late Antiquity name, a sign that this feed shares conversations with neighbouring channels. Rome is the ground these titles keep returning to. The host presents Potter's 'Master of Rome: A Life of Julius Caesar' as relevant to the present, and the discussion arrives at Caesar as aedile in the year 65, promising the largest gladiatorial show anyone had seen, being blocked by people who distrusted him, and still banking the goodwill while his opponents took the blame. Potter calls it a tactic Caesar would use often. Kim Bowes brings the view down to street level. Discussing 'Surviving Rome: The Economic Lives of the Ninety Percent', she explains that imported luxuries like black pepper and citrus rarely reached poor households, that seafood shows up where it was assumed absent, and that countryside diets were narrower for rich and poor alike, drawing partly on evidence recovered from a sewer. Jessica Clarke is asked why the slave and the cook became signature faces of the comic stage, and she answers through the stock masks that let a historian identify characters in surviving images. The conversation around Jake Nabel's 'The Arsacids of Rome: Misunderstanding in Roman-Parthian Relations' turns to fosterage: children raised in the households of subordinate rulers, sometimes never returned, sometimes closer to their foster parents than to their own fathers. The Italian frame does not stop at antiquity. Martha Feldman, discussing 'Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome', explains that the papal chapel still had nine castrati in 1900 and needed at least eight to staff its choir. Papal documents from the late 1890s, she says, show officials unsure how to fill the soprano parts as boy singers began stepping in. Marta Lorimer brings the frame into party politics, comparing the Italian Social Movement, founded in 1946, with the National Rally, founded in 1972, and setting out the line between the extreme and the radical right. The best starting point depends on the listener. Bowes is the entry for ordinary Roman lives, Feldman for music history, and Lorimer for European politics. In every case the author gets room to lay out the evidence.
Made for: Suits a listener who wants scholars to explain their own new books in plain conversation, and who likes Italian history approached through diet, stage masks, papal choirs and party politics as well as Caesar.
What sets it apart: Each episode is anchored to one newly published book and the author who wrote it, not to a narrator's retelling. The Italian frame lets the feed move from Caesar's gladiator politics and Roman-Parthian fosterage to the last castrati and far-right parties in Italy and France.
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
A Roman sewer can change what you think you know about dinner in the ancient world.
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Short reviews from the PlayNext desk, based on the episodes we processed.
Caesar's blocked gladiators become a lesson in spectacle as political leverage.
David Potter's Master of Rome, A Life of Julius Caesar is treated here as a study of wealth, spectacle, and public favor turned into political leverage.
A clear, comparative discussion of how far-right parties in France and Italy used Europe to bolster political legitimacy.
Marta Lorimer's Europe as an Ideological Resource looks at how far-right parties in France and Italy turned Europe into a way to legitimize their own ideological projects.
Moreschi's career is read through the papal chapel's uneasy move away from castrati.
Martha Feldman's discussion of Castrato Phantoms frames Moreschi less as an isolated curiosity than as a figure caught in the papal chapel's changing practical needs.
Hostage-taking becomes a study of how political bargains could create family ties that complicated the loyalties they were meant to secure.
Jake Nabel's The Arsacids of Rome: Misunderstanding in Roman-Parthian Relations uses hostage-taking to think about family, fosterage, and the difficult question of return.
Jessica Clark shows how Roman comedy's masks and recurring characters can serve as evidence for a changing Italian society.
Roman theater comes through as a culture reconstructed from what survived: buildings, masks, figurines, mosaics, and frescoes. Jessica Clark treats these traces as more than decoration, showing how repeated visual types can help identify stock figures from Roman comedy and…

Overlooked lives, read from the sources, talked through warmly.




History, remembered by witnesses.

Pop culture with the historical wiring exposed.
Hosts discuss a new book on Muslim Sicily's history and legacy with authors Nuha Alshaar and Shainool Jiwa.
["Morteza Hajizadeh interviews David Potter of the University of Michigan about Master of Rome: A Life of Julius Caesar, published by Oxford University Press in 2025.", "Potter says he wrote the book to read Caesar through Caesar's own Gallic War and Civil War instead of only through Cicero.", "He connects Caesar's family myth, the Social War, and his education under Antonius Knipho and Strabo to a political style built on oratory, leverage, and disciplined self-presentation.", "The conversation centers on the Catiline crisis, the Pompey-Crassus alliance, the Gallic Wars, and Potter's claim that Roman institutional failure made Caesar possible."]
["A neo-fascist song in Sardinia led Marta Lorimer toward a PhD on the far right's relationship with Europe, not just its rejection.", "Camilla Locatelli, host for the New Books Network's European Politics section and a researcher at the Max Planck Institute for the Studies of Societies, interviews Marta Lorimer, a Cardiff University lecturer in politics and co-editor of the Journal of Political Research and Exchange.", "Lorimer argues that the Italian MSI, Alleanza Nazionale, Front National, and Rassemblement National repeatedly used Europe as identity, civilization, liberty, and sovereignty while distinguishing it from the European Union.", "She links that history to Meloni's European positioning, the weakening of the cordon sanitaire in the European Parliament, and the book's archival analysis of documents from France and Italy."]
Martha Feldman says Alessandro Moreschi is the only recorded castrato voice, and her book Castrato Phantoms traces that sound through Roman opera, the Sistine Chapel, and family memory.
["New Books in Late Antiquity hosts Mike Montilla and Jake Nabel on The Arsacids of Rome, Misunderstanding in Roman-Parthian Relations, published by University of California Press in 2025.", "Nabel, the Tom Brose Early Career Professor of Classical Studies and assistant professor at Penn State, argues that Roman and Parthian elites used royal children as diplomatic leverage rather than dungeon hostages.", "He contrasts the Latin obsides and Roman triumphs with Parthian fosterage, where a dayag could raise a ruler's child inside another aristocratic household.", "The discussion moves from the Battle of Carrhae in 53 BCE and Nero's Armenian settlement in 63 CE to Babylonian diaries, Greek inscriptions from Iberia, and Iranian sources that complicate a Roman-only reading."]
Jessica Clark argues from about 90 theater buildings and roughly 928 artifacts that early Italian theater cannot be read through Roman plays alone.
Kim Bowes’s Surviving Rome examines the economic lives of the Roman world’s neglected 90 percent through everyday writing, archaeological evidence, and economic calculations.
Rhys Edmonds explains how Rome’s elected Republic, in which citizens voted on laws and magistrates held fixed terms, gave way to Augustus’ personal rule.
Caleb Zacharin interviews David Frankfurter, editor of The Brill Guide to the Study of Ancient Magic and professor of religion at Boston University.
Maureen Miller and Neslihan Şenocak explain how urbanization, city-states, and local archives made medieval Italy unusually rich for studying ordinary people’s religious lives between 1050 and 1300.
Luca Cottini, a Villanova University professor of Italian Studies, explains how Americanism developed through Italian immigration, American industrial exports, and competing ideas of national identity between 1888 and 1919.
This episode begins with a survey request for listeners, then transitions into an interview with Professor Anna Sergi about her book on recognizing the mafia abroad.
An interview with Cam Gray about his book 'Living with Risk in the Late Roman World', exploring how late ancient societies perceived and managed various risks.