A fortified road race turns into a quiet reckoning with Willie's identity.
A cross-country road race becomes a strange test of who Willie really is, with speed, violence, and public spectacle pressing in from every side.

Michael Hanson
500 episodes listed below
Speculative fiction, read under a colder light.
Mind Webs - Bedtime Radio is built from narrated science fiction and horror-tinged short stories, usually moving with patience rather than spectacle. Its episodes favor strange premises that tighten slowly: a dying star, a human zoo, a restricted meadow, a record that may contain history itself.
PRESS PLAY
Mind Webs - Bedtime Radio offers speculative short fiction in a composed radio reading style, where the strangest events are made more troubling by how plainly they are told. The show is measured. It gives space to stories that might otherwise be reduced to a premise: a man lying in a sunstruck field and thinking himself into nature, scientists quarrelling at the edge of a dying star, humans preserved as specimens after a planetary killing, or townsmen hearing testimony about a discovery that may have summoned destruction. The narration trusts the listener to sit with odd names, technical detail, social customs, and delayed explanations. It does not hurry toward the twist. A scene may begin with a port looking out on flowers, a rural court, a business negotiation over land, or a family drive across rough roads, and only gradually disclose the larger disturbance. The show’s fiction is fascinated by thresholds: the border between human and alien, nature and intellect, specimen and observer, paradise and trap, myth and evidence. Science appears often, but seldom as comfort. It becomes a means of measuring a death star, decoding a mysterious record, classifying nature without understanding awe, or rationalizing contact with people whose lives are not waiting to be corrected. The emotional register is restrained, even when the material is severe. That restraint gives the stories their weight. Violence, extinction, captivity, and social menace are often presented in calm voices, which makes the implications feel colder rather than louder. Mind Webs - Bedtime Radio is especially strong when it lets dialogue do the revealing: a dispute over data becomes hatred, a polite explanation becomes imprisonment, a casual question exposes political danger. Its appeal lies in that pressure. The show belongs to listeners drawn to literary science fiction, philosophical horror, and old-fashioned narrative craft, especially when a story can leave a room feeling subtly less safe than it was before.
Made for: Best for listeners who like classic speculative short stories, radio readings, and science fiction that turns on mood, implication, and moral pressure rather than constant action.
What sets it apart: The show’s strength is its formal, unhurried delivery of uncanny material. It lets cosmic ideas, alien contact, social reversal, and private dread gather through narration and dialogue instead of explanatory chatter.
A surreal sci-fi series exploring speculative concepts, dreams, and philosophical what-ifs. Each episode is a cerebral journey into the mind’s deepest questions.
Based on 4 episodes we listened to · September 2026
Its narrated stories make alien encounters, runaway intelligence, and social conformity feel like variations on the same human unease.
Mind Webs - Bedtime Radio makes speculative short fiction feel immediate through direct, controlled readings rather than explanatory chatter. Michael Hanson introduces credited stories and lets their premises unfold: laboratory mice develop unnerving abilities in "The Maze,"…
A knock at the door and a mountain-sized spaceship make your bedtime considerably less responsible.
Press play if you want
Short reviews from the PlayNext desk, based on the episodes we processed.
A fortified road race turns into a quiet reckoning with Willie's identity.
A cross-country road race becomes a strange test of who Willie really is, with speed, violence, and public spectacle pressing in from every side.
A small premise becomes a cold, courteous piece of cosmic horror.
MindWebs gives Frederick Brown's "Knock" a hush that suits it. The story moves through a last-man-on-earth setup as a slow tightening of explanation, courtesy, and the wrong kind of company, keeping the pressure focused on one man trying to make sense of the Xan, their…
Old-radio science fiction that builds dread through testimony and ends in panic.
At Burt Wilson's coroner's hearing, with a corncob pipe standing in for a gavel, Gordon Kemp is pushed to explain Alessandro Sykes and the wire that would not stay cut.
A clinical lab nightmare where the maze is only one piece of a larger experiment.
MindWebs centers on a maze, but the sharper focus is the lab around it: a woman in a starched gown and surgeon's mask moving past rats, dogs, baboons, and pipes while a scientist pushes ahead with a plan to expand intelligence through mutation and altered DNA.
A riverfront rescue opens into a hard-edged speech about mobs, sameness, and violence.
A riverfront rescue opens into a hard-edged speech about mobs, sameness, and the violence people excuse when they feel threatened by difference. Fritz Reis and Alma bring a beaten man home, and that small act of care becomes the hinge for the story's harsher argument.


Classic stories, patiently brought into the room.


Queer Filipino desire, told close to the skin.

Compact stories with craft beneath the surface.

Crime fiction from the magazine's back issues, read aloud.
Mind Webs - Bedtime Radio presents Ed Melkier’s 1956 story “The Racer,” in which Willie Connors drives a diesel car called the Bull in a New York-to-Los Angeles race offering $100,000 to the winner.
This episode features a speculative fiction short story titled 'Nature Boy' by Josephine Saxton from the anthology Quark 3, edited by Samuel Delaney and Marilyn Hacker.
This episode presents Robert Silverberg's science fiction story 'To the Dark Star', following a diverse group including a microcephalon alien and a genetically adapted girl as they arrive at a dark star.
Michael Hanson starts with a famous two-sentence horror setup.
This episode introduces the Nebula Award-winning short story 'When It Changed' by Joanna Russ, featured in a collection edited by Harlan Ellison, while also promoting a mental health fundraising event.
This episode features a reading of the science fiction short story 'Restricted Area' by Robert Sheckley, where Captain Killpepper and biologist Simmons discuss a seemingly idyllic but restricted alien landscape.
A personal injury lawyer advertisement urging listeners to call the Texas Hammers for legal help after car or truck accidents.
A reading of Paul Anderson's sci-fi story 'My Object All Sublime' from Galaxy magazine.
Burt Wilson presides over a coroner’s hearing with a corncob pipe and a roomful of dirt farmers and prospectors.
A surreal sci-fi series exploring speculative concepts, dreams, and philosophical what-ifs through cerebral journeys.
A surreal sci-fi audio drama exploring speculative concepts and philosophical questions through a narrated short story.
Michael Hansen introduces Stuart Dybeck's story in a plain, steady frame.
A reading of Ursula Le Guin's short story 'The End' from the anthology Orbit 6.
A reading of Harlan Ellison's award-winning short story 'Repent, Harlequin!
A narrated science fiction story about a man investigating mysterious sounds in his garden shed.
A surreal sci-fi audio drama exploring speculative concepts and philosophical questions.
A sci-fi audio drama about a notorious criminal wanted across the galaxy.
A surreal sci-fi series exploring speculative concepts and philosophical questions through narrative storytelling.
A surreal sci-fi series presents a fictional short story by Fritz Leiber, exploring speculative concepts and philosophical what-ifs.
A surreal sci-fi series exploring speculative concepts and philosophical what-ifs through narrative stories.
A man climbs a vertical ladder on a gasometer, regretting his decision as fear and vertigo set in.
A reading of Kurt Vonnegut's short story 'Harrison Bergeron' set in a dystopian future where everyone is forced to be equal.
A surreal sci-fi narrative exploring forbidden territories and ancient rules in a post-apocalyptic world.
A surreal sci-fi series exploring speculative concepts and philosophical what-ifs through fictional narratives.
A sci-fi short story about astronauts stranded on a green world after rocket trouble.
A surreal sci-fi audio drama exploring speculative concepts and philosophical questions through narrative storytelling.
A surreal sci-fi story about a man trapped in a white cube, questioning reality and change.
This episode features a narrative reading of Robert Sheckley's science fiction story 'The Petrified World', beginning with a character named Flanagan waking from a disturbing dream.
This episode features an advertisement for debt relief services followed by the introduction to a story titled 'Running Around'.
Fritz Reis and Alma come upon a man who has been badly beaten in a riverfront park.
A person orders a specific arthroscopic eyepiece for their telescope from a scientific company.
This episode describes a character with remarkably strong forearms and hands, referencing a story from the book Infinity One edited by Robert Hoskins.