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Join the Gyro Step Podcast Network crew for conversations about pop culture and everything else that isn't the Bucks, Brewers or Packers! Adam McGee and Andrew Snyder talk movies in weekly Captured on Celluloid episodes, while TV, music, other sports and a wide variety of other things are all also on the agenda in regular episodes.
Based on 6 episodes we listened to · September 2026
Adam McGee and Andrew Snyder turn movie reviews into candid arguments about craft, cultural context and the limits of their own reactions.
Adam McGee and Andrew Snyder treat each movie as a live argument, testing their reactions against questions of performance, structure, tone and cultural context.
Oscar night needs a Barbie song redo; Adam McGee and Andrew Snyder have your ballot ready.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A Megalopolis discussion that turns into a sharper look at how audiences decide what a movie is.
Adam McGee and Andrew Schneider spend the episode on Francis Ford Coppola's Megalopolis, and the discussion keeps returning to how a movie this large and strange lands with the people around it.
A relaxed Oscars reaction segment gives way to a 2024 anticipation chat.
Adam McGee and Andrew Snyder divide the episode between immediate reactions to the 96th Academy Award nominations and a look ahead to 2024 films.
Civil War's title collision and political withholding anchor a focused, speculative discussion.
Adam McGee and Andrew Snyder work through Civil War as both a film and a title collision, bringing in the Ken Burns series, an old high school history-class memory, and the practical annoyance of searching for one work while the other keeps surfacing.
United's summer reshaping gives this Premier League detour its sharpest edge.
Make Time For This turns the Premier League's return into a tidy football discussion that sits just outside the show's usual movies-and-TV lane.
A Scorsese ranking that keeps its case tied to specific scenes and choices.
Ranking Martin Scorsese's top ten films gives the conversation a clear frame, and it uses that frame to make a case for why The Departed sits so comfortably inside his broad appeal.
A loose catch-up that turns movie chatter, casting talk, and festival-season buzz into lively film talk.
Adam McGee and Andrew Snyder use this episode to catch up on a stack of movies, reset the show, and point toward festival season and the Oscars. The best part is the easy back-and-forth, where they test what each film is doing and why certain performances connect.
A breezy catch-up that still lands sharp, specific movie criticism.
The episode finds Caption Celluloid back with Adam McGee and Andrew Snyder after more than two months away, working through 15 movies in a summer roundup.
A loose, serious conversation that treats *Oppenheimer* as both spectacle and something heavier.
Adam McGee and Andrew Snyder use Christopher Nolan's Oppenheimer as a doorway into something larger than a single movie release: what happens when movies feel unusually central again, and how that charge brushes up against war, distance, and public feeling.
NPR critics Linda Holmes, Glenn Weldon, Stephen Thompson and Aisha Harris argue about this week's release.
The episode opens with a rare football turn.
Adam McGee and Andrew Schneider open Make Time For This by discussing Celine Song’s feature debut Past Lives, calling it one of the year’s best films and placing it in the Best Picture conversation alongside Barbie and Oppenheimer.
Adam McGee and Andrew Snyder frame Ferrari as a Michael Mann project about control, excellence, and a director returning after 2015’s Black Hat with his first feature in 8 years.
Adam McGee and Ken on Captain Celluloid frame Greta Gerwig’s Barbie as a cultural phenomenon, a huge box-office event, and a film that still has real flaws.
Adam McGee and Andrew Snyder use Caption Celluloid to catch up on roughly 15 movies after more than two months off, with Adam explaining a fall, arm surgery, and a stretch of painkillers that delayed the pod.
Adam McGee and Andrew Snyder open a two-episode Martin Scorsese stretch on MakeTimeForThis, starting with Killers of the Flower Moon and promising a later discussion of Scorsese more broadly.
Adam McGee and Andrew Snyder review Luca Guadagnino's Challengers, contrasting its intense online enthusiasm with a reported $29 million worldwide gross and competition from The Fall Guy.
Adam McGee and Andrew Snyder use the re-release of Stop Making Sense to argue that Jonathan Demme, David Byrne, Tina Weymouth, Chris Frantz, Jerry Harrison, Lynn Mabry, Ednah Holt, and Bernie Worrell made a concert film that feels like being at a gig.
Adam and Andrew make the ranking difficult.
Albert Brooks gets his overdue turn.
Adam McGee and Andrew Snyder discuss Alex Garland’s Civil War as a movie that triggered unusually polarized online reactions, especially over the fictional Texas-and-California alliance.
Adam McGee and Andrew Snyder of Make Time for This discuss Afire, the 2023 film from celebrated German filmmaker Christian Petzold, who also returns with his lead actress Paula Beer.
Forty years on, Paris, Texas still feels huge without needing a museum label.
Adam McGee and Andrew Snyder of Make Time for This react to the 96th Academy Award nominations and share their most anticipated films of 2024.
Film podcast Captured in Celluloid on Make Time for This has hosts Adam McGee and Andrew Snyder review Passages, the 2023 film by independent filmmaker Ira Sachs.
Adam and Andrew return to discuss the 2025 Oscar nominations, analyzing films like 'The Brutalist', 'Amelia Perez', and 'Nickel Boys'.
Big-screen regret comes first.
Adam McGee and Andrew Schneider open on Francis Ford Coppola's Megalopolis, with Andrew saying he is using this part of the year to catch up on movies now that baseball is no longer filling his evenings.
Adam McGee and Andrew Snyder look ahead to the 96th Academy Awards and treat Oscars week like a familiar annual checkpoint.
Adam and Andrew dive deep into Osgood Perkins' horror film Longlegs, analyzing its viral marketing campaign, cinematic style, and themes of parental secrets.
Adam and Andrew discuss Christopher Nolan's Oppenheimer, analyzing its cultural impact, the Barbenheimer phenomenon, and the film's historical and moral complexities.
Discussion on podcast topic with actionable insights
Adam McGee and Andrew Snyder are joined by guest Numak to discuss Coralie Fargeat's film The Substance and the body horror genre.
What if a hitman is just a gig worker in the great machine of capitalism?
Hosts Adam McGee and Andrew Snyder analyze Jonathan Glazer's film The Zone of Interest, discussing its portrayal of the Holocaust through the lens of Nazi family life.
Adam McGee and Andrew Snyder catch up on Venice, Telluride, TIFF, and the films shaping the rest of 2024, with specific attention to Brady Corbet’s The Brutalist, Mike Leigh’s Hard Truths, and Pedro Almodóvar’s The Room Next Door.
Adam McGee and Andrew Snyder discuss Wes Anderson's four Roald Dahl shorts on Netflix: The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher, and Poison.
Adam McGee and Andrew Snyder frame Mission: Impossible — Dead Reckoning Part One as a franchise built on Tom Cruise, Christopher McQuarrie, and a reliable “baseline of quality” that keeps pulling them back.