Linoleum Knife is a film criticism podcast with the texture of a long-running conversation. Dave White and Alonzo Duraldi identify themselves as film critics, and the show’s center of gravity is clear: movies, the people who write about them, and the strange pressure of trying to keep up with everything. It is not a polished review desk. It is more like two sharp critics arriving at the table with tea, illness, family obligations, old music, deadline guilt, and a stack of screeners. The digressions matter. They set the mood before the criticism begins, and they make the opinions feel attached to actual days rather than floating above them. Recent episodes move through Oscar catch-up, animated releases, documentaries, horror sequels, international titles, and films around the pressure of keeping up. The range includes Project Hail Mary, Ready or Not 2: Here I Come, Sirat, Late Shift, KPop Demon Hunters, The Perfect Neighbor, Elio, Zootopia 2, Scream 7, The Voice of Hind Rajab, and Mr. Nobody Against Putin. The show can be funny in a dry, self-deflating way. It can also turn bleak quickly, especially when a film opens questions about cults, politics, apocalypse, grief, or institutional collapse. A conversation about 28 Years Later: The Bone Temple becomes a discussion of superstition, science, religion, and the sadness of people organizing around destructive belief. A special critics roundtable broadens the lens to arts journalism itself, including layoffs and the shrinking space for film criticism. That professional context gives the show weight. Linoleum Knife is at its best when casual rhythm and serious judgment overlap: a joke lands, then a real critical point follows. It suits listeners who want movie talk that is opinionated, literate, and unafraid of weary honesty. The show has been around long enough to turn its own limitations into part of its charm, including jokes about early audio and fifteen years of barely improved process. Its authority comes less from ceremony than from continuity. These are critics who keep watching, keep arguing, and keep noticing what movies reveal about the culture around them.