Fast banter with bite and heart.
Let Her Finish runs on sharp banter, messy life admin and opinions that arrive mid-laugh. Brodie Kane, Gracie Hitchcock and Tegan Yorreth move from celebrity gossip to burnout, dating, family, sport and workplace weirdness without pretending the conversation is tidier than it is.
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Let Her Finish is a talk-comedy show with the speed and texture of a conversation already in progress. It is led by Brodie Kane, Gracie Hitchcock and Tegan Yorreth, whose names recur across the episodes as the main voices in the room. The mood is warm, noisy and quick to turn. A casual check-in can become a report on burnout. A joke about yoghurt, periods or a studio prop can slide into a broader point about bodies, women and the strange rules people still carry around. The show is proudly local in cadence and reference, with kia ora greetings, whānau language and a comfort with local shorthand. It does not try to sand off the edges. That matters. The appeal is in the interruptions, the corrections, the half-formed takes that sharpen as the conversation goes, and the way a silly prompt can open into something more honest. Recent episodes move through celebrity discourse, Euphoria, The Idol, Spencer Pratt, Jacinda documentary watching, Laguna Beach nostalgia, workplace interview horror stories, love languages, golf, Formula One, sober kebabs and the risk of joining social sport. Pop culture is not treated like homework. It is treated like material for argument, memory and gossip. Everyday life gets the same treatment. Dating etiquette, compliments, cooking season, school holidays, streaming platforms, family conversations and friendship structures all become fair game. The show can be irreverent without turning cold. Its bluntness usually lands as familiarity, not cruelty. When it gets earnest, it tends to arrive sideways through a laugh, a mini-rant or someone admitting they are only just holding it together. For PlayNext users, Let Her Finish is strongest as a hit of fast female-led company: funny, candid, very online, very local, and far more emotionally alert than its chaos first suggests.
Made for: Best for listeners who like female-led chat shows that move quickly through pop culture, friendship, bodies, dating and everyday irritations. It suits people who enjoy local references, blunt warmth and conversations that can be silly and sincere in the same stretch.
What sets it apart: Let Her Finish stands out through its specific local rhythm and its refusal to tidy the conversation into glossy radio beats. The chemistry is the structure: interruptions, tangents, mini-rants and sudden honesty are the engine.
Trust us, only good things happen when you let her finish. New eps dropping weekly on Wednesdays 🎙️
Based on 6 episodes we listened to · September 2026
Three hosts turn pop culture, personal habits and everyday grievances into quick, affectionate arguments with plenty of comic momentum.
Let Her Finish turns the everyday exchange of opinions into a lively three-way contest. Brodie Kane, Gracie Hitchcock and Tegan Yorreth move between celebrity news, television, dating, work grievances and personal habits, with each subject providing fresh opportunities for…
Three friends turn celebrity news and workplace horror stories into the group chat you wish had microphones.
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Short reviews from the PlayNext desk, based on the episodes we processed.
Pop-culture reactions, live dating pitches, and workplace grievances keep the conversation bright and unpredictable.
Let Her Finish settles into an easy comic rhythm as Brodie Kane, Gracie Hitchcock, and Tegan Yorreth move from Euphoria reactions into The Idol, turning Sam Levinson, Zendaya, Lily-Rose, The Weeknd, and Madonna into a lively exchange of shared opinions.
Spencer Pratt, school holidays and smooth roads give this chat its loose comic charm.
Let Her Finish builds its comedy from the gap between celebrity legend and everyday drift. Brodie Kane, Tegan Yorreth and Gracie Hitchcock move from Spencer Pratt's Los Angeles mayoral run and his push to revive Heidi's 10-year-old music after the Palisade fires into The Hills…
A warm, tangent-rich comedy listen where awards chatter and personal chaos share the microphone.
Let Her Finish keeps its focus on the cheerful mess of Brodie Cain, Gracie Hitchcock and Tegan Yorreth working through the week in their own loose rhythm.
A loose, bawdy chat about streaming annoyances and the pull of Tell Me Lies season three.
A bawdy opening joke about the title's double meaning gives way to a sharper gripe about streaming services splitting seasons, spacing out episodes, and charging extra for movies.
A seven-year goodbye moves from family disagreements and eggnog to a giant bean and a final cheers.
The Girls Uninterrupted ends after seven years, the first two under the name Girls on Top. Brodie Kane, Caitlin Marrett and Gracie Hitchcock say they are going their separate ways, then spend time remembering what they have shared.
A contact-lens mishap leads to unruly banter, a serious film discussion and a toilet-break sign-off.
A contact-lens mishap nudges the episode into loose, unruly comedy, with the talk looping through running, poor eyesight and a closing dash for the toilet.
The hosts compare adult experiences of periods and contraception, including one host's account of stopping a contraceptive injection.
The hosts talk about how periods and contraception have figured differently in their adult lives. One describes using a contraceptive injection every three months for about 10 years. It stopped her bleeding, she says, and made sport and sex easier.
Fast friends, loud riffs, real media chaos.
Tiny discomforts, argued until they crack.
The Girls Uninterrupted Period Diaries episode "The Period Diaries: Ep3 - Living with a Period in Adulthood" opens with Caitlin Marrett describing heavy teenage bleeding, four different pills, the copper IUD, the Mirena, and a switch to subsidised Cerozet.
Why are the hosts defending an Olympic breakdancer who scored zero points?
Auckland's City Rail Link inspires a pub crawl, while the hosts list animal-named regional pubs such as The Mole and Chicken.
Let Her Finish opens with Cyclone Waianu in Aotearoa, and Brodie Kane, Gracie Hitchcock, and Tegan Yorreth push back on people mocking emergency warnings when a storm path shifts.
Brodie Kane, Tegan Yorreth, and Gracie Hitchcock open with Easter weekend stories, including hot cross buns, chocolate, and a listener tip that warming buns in an air fryer takes two minutes.
The hosts of Let Her Finish banter about yogurt on a lip, crying, and periods before diving into topics like yellow teeth, three friends, having a lover, and calling your mum hot.
The hosts of Let Her Finish discuss a new segment where they ask each other how they are genuinely feeling, with ads for Scotland travel and fashion retail.
The hosts discuss the concept of 'MENergy', struggling to accept compliments, and share personal anecdotes about burnout and self-care.
Brodie Kane comes to record Let Her Finish episode 2 while sick, having warned co-hosts Gracie Hitchcock and Tegan Yoroth at midnight, before launching into a detailed debrief of the Melbourne Formula One Grand Prix they attended with Red Bull New Zealand.
Brodie Kane, Gracie Hitchcock, and Tegan Yoroth record the first episode of 'Let Her Finish' from a new MediaWorks studio fitted out by Freedom Furniture, and open with intentions for the new year rather than resolutions.
Caitlin says the podcast is ending after seven years, and the hosts mark it with "the last show of The Girls Uninterrupted."
Mortgage expert Jenna Carruthers debunks common myths about buying a home, including the need for a large deposit or a partner.
The hosts celebrate their 300th episode with a discussion on defending pigeons, concert etiquette, and random topics.
The hosts discuss making toenail polish permanent like tattoos, among other casual topics.
Three women share their personal experiences of living with a period in adulthood, discussing different challenges and coping mechanisms.
The hosts discuss the return of Tinder and the practical benefits of using a bedpan for nighttime bathroom trips in winter.