350 episodes listed below
Hollywood business, argued in real time.
Joe Escalante, Live From Hollywood treats entertainment news like a live argument with receipts nearby. Films, legal issues, Oscar positioning, studio disputes, ticketing fights, and celebrity incidents all get pulled into the same brisk, sideways conversation.
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Joe Escalante, Live From Hollywood is a Hollywood-business talk show with the shape of live radio and the temperament of a barbed running commentary. It moves fast. The show treats movies as entertainment, commerce, legal exposure, public ritual, and cultural argument all at once. A review of Project Hail Mary can become a riff on science, family viewing, Andy Weir, Lord and Miller, and the marketability of an alien sidekick. An Oscar segment can turn from nominee rankings into a personal case for Train Dreams and a wider thought about history, religion, and why certain stories linger. The show is not tidy. It circles, interrupts itself, and lets Sam's responses redirect the momentum without slowing it down. That looseness is part of the product. The program can jump from box office talk to Live Nation and Ticketmaster, from a Netflix and Warner Brothers dispute to the legal risk around fair use, or from Bad Bunny and a house image dispute to public-space photography and privacy limits. The appeal is the collision. Film opinions arrive next to legal anxiety, celebrity news, ticket fees, studio strategy, and a recurring suspicion that the business side explains more than the publicity side ever admits. The language is blunt but accessible. It does not require trade-paper fluency, though it clearly enjoys the backstage mechanics of show business. Recent excerpts also show a taste for odd local color, from Burbank and Seal Beach studio chatter to Catalina digressions and travel anecdotes. The result is entertainment-industry coverage with elbows: funny, cranky, specific, and willing to make a verdict before the dust has fully settled. It is best for listeners who want Hollywood discussed as a living argument, not as a press cycle polished into bullet points.
Made for: For moviegoers, entertainment-news followers, and industry-curious listeners who like sharp opinions with their box office and legal context. It especially suits people who enjoy radio-style banter more than scripted recap shows.
What sets it apart: The show stands out by treating reviews, legal issues, corporate disputes, ticketing fights, and celebrity incidents as one connected Hollywood ecosystem. Its loose live-radio rhythm gives the business analysis a scrappy immediacy most polished film podcasts avoid.
Movies! Disneyland! and the business side of Hollywood from Entertainment Business Affairs Expert and TV Showrunner Joe Escalante.
Based on 6 episodes we listened to · September 2026
Movie judgments meet practical explanations of copyright, privacy and Hollywood business, delivered with firm opinions and loose live-radio conversation.
Joe Escalante treats a movie review as the start of a larger argument about how Hollywood works. His verdicts are emphatic, but he usually supplies the reasoning: Project Hail Mary prompts attention to effects, storytelling, science and family appeal, while Hamnet and the Best…
A movie verdict comes with a copyright risk assessment, in case your popcorn needed counsel.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A travel debrief pairs a pointed inclusion critique with one painfully wrong Sydney IMAX booking.
Travel stories soon turn into an argument about culture and inclusion, then drift toward the Sydney box office. The best stretch comes during a church service conducted partly in Maori.
A brisk, enthusiastic movie conversation makes Project Hail Mary sound like an easy family pick.
Project Hail Mary gets a brisk, upbeat turn on Joe Escalante, Live From Hollywood, with the conversation built around why the movie could land widely.
Oscar rankings, a personal favorite and a timely turn toward the Live Nation-Ticketmaster antitrust fight.
Joe Escalante ranks the Best Picture nominees as the Oscars unfold, using the live broadcast to ask why certain films linger. His three-way tie between Train Dreams, Marty Supreme and One Battle After Another anchors the episode.
A sharp detour through copyright risk and the tender machinery of a wild comedy.
Copyright law gets a lively, uneasy workout in this single-episode review of Nirvana the Band the Show the Movie, where fair use, precedent, and the threat of huge legal bills sit beside a story about two friends chasing an adventure.
A Bad Bunny house dispute becomes a practical, lightly winding look at privacy, publicity, and legal limits.
Bad Bunny's house gives the episode a clear way into privacy, copyright, trademarks, and the blurry question of what can be photographed from a public place.
A loose Hollywood dispatch where box-office math, movie fatigue, and a strange Disneyland sky ring share the bill.
Joe Escalante, Live From Hollywood turns a busy movie week into an easy Burbank dispatch, led by Wicked for Good at the box office and Zootopia opening with $96 million.
A Bad Bunny house dispute turns into a practical look at privacy law and publicity strategy.
Joe Escalante uses the Bad Bunny house dispute as a lively way into privacy, commercial photography, trademark, endorsement, and defamation. The strongest thread is the difference between a shaky legal claim and a savvy publicity play: a big payment could still make sense if it…
Josh Clark and Chuck Bryant explain one topic per episode, from the bicameral mind to Boeing's MCAS.
Multi-part dramatized retellings of scandals like OceanGate's Titan and the Lehman Brothers collapse.
Sean Fennessey and Amanda Dobbins dissect Oscar races, new releases, and Hollywood news.
Adam Kempenaar and Josh Larsen debate new releases, classics, and their own film rankings.
Joe Escalante discusses obesity genetics, his band's travels, and box office predictions for '28 Years Later' and 'Elio'.
Joe Escalante interviews documentary director Michael Fowlkes about his series 'The History of Sportfishing' and discusses recent show business news.
Joe Escalante discusses Hollywood's current box office, with 'Zootopia 2' debuting at $96 million and 'Wicked for Good' holding strong.
Joe Escalante discusses the business and cultural impact of Bad Bunny's Super Bowl halftime show, which was entirely in Spanish and polarized audiences.
Joe Escalante turns a preempted Live From Hollywood into a flight-movie recap that moves from Australia with Sublime to New Zealand's rule-heavy service culture.
Joe Escalante and Sam open from the Planet of the Tapes studio in Seal Beach while Joe frames KPIB 1150 AM as 'the business end of show business' from Burbank.
Joe Escalante turns Oscar night into a Burbank radio show, jokes about the Wiener Schnitzel across the street, and frames the program as "the business end of show business" on KEIB 1150.
Joe Escalante discusses breaking news of gunfire at Rihanna's Beverly Hills mansion during his show about the business side of Hollywood.
This episode is a compilation of advertisements for lawn care, a social casino, the NFL Draft, and radio advertising services.
Entertainment lawyer and band manager Joe Escalante broadcasts live from Phoenix during the Innings Festival and Dodgers spring training, covering box office results, Hollywood legal news, and celebrity arrests.
Joe Escalante broadcasts Joe Escalante Live from Hollywood on Valentine's Day weekend 2026, covering the Bad Bunny Super Bowl controversy, the 'la casita' lawsuit against Bad Bunny from Puerto Rican homeowner Roman Carasco Delgado, Valentine's Day box office (Wuthering Heights at $34.8 million), and reviews of Send Help, Testament of Ann Lee, and Luke Besson's new Dracula film.
A Hollywood business news show discussing box office numbers, Oscar positioning, and a Netflix-Warner Brothers dispute.
A podcast episode discussing Hollywood news, including sequels, dramas, A.I., and copyright battles, with sponsor ads for cannabis and clothing.
Joe Escalante discusses his thoughts on making a Charlie Kirk biopic, interspersed with updates on Sublime and a review of the Spinal Tap sequel.