Hidden Among Us is built from two very different kinds of talk. The first is the warm-up, where Kris and Honda wander wherever the moment goes: whether anyone really likes white mugs, a Starbucks 50-year anniversary cup used for coffee drunk cold, mid-semester deadlines, a Christmas song nobody can quite get right. News drifts in as well, with one warm-up turning to Joe Biden being sworn in, caught as breaking news in the small hours. Some of the most revealing moments are about the show itself, like Kris texting Honda late at night to say a case write-up had run to seven pages, then correcting it to nine. Honda points out that Kris calls every case interesting. Then the second kind of talk starts. The excerpts range from Delphi, Indiana, where the bodies of Abigail Williams and Liberty German were found near the Monon High Bridge Trail, to a quiet Luton street where Sameena Iman's car turned up with no fingerprints in it and the driver's seat pushed too far back for her height. Another case follows Jennifer Pan, who kept up the appearance of studying at Ryerson University and later the University of Toronto, down to buying textbooks and taking notes on pharmacology videos. A New Year's special turns to John Edwards Robinson, who posed as a wealthy businessman and philanthropist and kept cashing a missing woman's pension checks for seven years. The narration is heavy on dates, ages and places. The reactions are anything but formal. Told of a woman who used ripped-up curtains and plastic bags as diapers, the conversation stops to walk through what a baby's changing routine should involve, from wet wipes to lotion. Robinson's scheme draws a plain question about why no social worker caught it. Jennifer Pan's charade gets a flat verdict: tiring and excessive. Slip-ups stay on the recording, as when a tangent about star signs derails the Delphi case details and ends in the admission that the episode is 'full of dumb dumb moments'. In the excerpts, the paranormal side shows up in the holiday specials, which carry two subjects in a single title: '70: Christmas Special (The Murder of Sameena Iman & The Huldufólk of Iceland)' and '71: New Year’s Special (John Edwards Robinson & The Demon Cat of D.C.)'. Elsewhere the titles read like a case list, from '74: The Kidnapping of Shannon Matthews' and '73: The Delphi Murders' to '33: Gary Heidnik'. For a first listen, '72: The Case of Jennifer Pan' shows the format clearly, pairing a detailed account of an elaborate lie with blunt, everyday reactions. Sign-offs invite listeners to send in stories of their own, which fits a show that sounds more like a conversation than a broadcast.