Half Price Horror is a horror film criticism show with spoilers, patience, and a fondness for the movies that end up on the less polished side of the shelf. John does not just summarize what happens. He starts with how a film came to exist, then follows that history into the choices visible onscreen. A franchise sequel becomes a story about studio calculation, old comics, title confusion, or a producer's long-held idea. A low-budget alien-abduction movie becomes an occasion to talk about regional texture, winter shoots, shoestring production, and why small details can make disposable material feel lived in. The show is often funny. It is also exacting. John notices when The Mummy borrows Egyptian mythology carelessly, when AVP repeats a story beat too quickly, and when AVPR keeps interrupting its alien outbreak with human drama that cannot compete for attention. He gives movies room to be trashy, but not room to be incoherent. That balance matters. The show has affection for cult cinema, exploitation energy, franchise monster fights, gross practical excess, and the stubborn ambitions of horror filmmakers working with limited resources. It also takes wider context seriously, including production histories, industry trends, public controversies, and the cultural expectations placed on women in film. Recent episodes cover Predators, The Mummy, AVPR, Almost Human, AVP, Class of Nuke 'Em High, Alien: Resurrection, and The Substance. The range is broad, but the method is consistent. John moves through a film scene by scene, then keeps stepping back to ask why this choice, why this structure, why this reference, and why this failed or worked. The pacing is conversational, with room for stray observations about cooking shows, physical media, and the strange afterlives of genre franchises. The jokes land because the analysis is grounded. Half Price Horror suits listeners who want horror treated as craft, commerce, memory, and pulp pleasure all at once. It makes the bargain-rack premise feel less like a gimmick and more like a way of finding what culture leaves behind.