Cult reviews with bruised knuckles.
Golan-Globus Theater turns action movies, crime shows, and genre oddities into long, unruly arguments between familiar voices. The reviews arrive through jokes, corrections, side stories, and sudden close reads of fight scenes, wardrobe, villains, and tough-guy mythology.
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Golan-Globus Theater is a loud, deeply referential review show built around cult action cinema, exploitation titles, crime television, and the strange dignity of disreputable entertainment. The show does not treat a movie like a museum piece. It gets in close, argues with it, laughs at it, defends it, and sometimes spends several minutes fighting over one gesture, one costume, one line delivery, or one bit of fake toughness. Episodes move through Army of Darkness, Hell Up in Harlem, Come Back Charleston Blue, Shaft's Big Score, Street Law, Walker Texas Ranger, Kojak, and Miami Vice. That range tells the story. This is a show where Bruce Campbell, Fred Williamson, Richard Roundtree, Franco Nero, Chuck Norris, Macho Man Randy Savage, David Carradine, Little Richard, David Strathairn, and Robert Redford can all pass through the conversation without making it feel carefully curated. The tone is messy on purpose. Cold opens often begin with a complaint, a political jab, a song fragment, a fake crisis, or an inside joke, then back into the review by sheer force of momentum. Short bits turn into longer arguments. Longer arguments suddenly become useful criticism. The hosts are not identified by formal biography in its episodes, but the on-mic dynamic is clearly familiar: Griff and Murray recur as named voices, interrupting, correcting, and setting each other up for another turn. The show likes genre craft, but it also likes nonsense. Fight choreography, villain entrances, turtlenecks, leather jackets, office lighting, theme songs, cartoon slapstick, public-domain martial arts, and the moral logic of television cops all get treated as material worth arguing over. Tippy-Taps episodes shift the frame toward television while keeping the same comic pressure. The politics can be blunt. The humor is often crude. The criticism, though, is not lazy. Under the jokes is a strong memory for old pop culture, a taste for grindhouse texture, and a willingness to say when a dumb thing works because it commits completely. Golan-Globus Theater is best for listeners who want film talk with sharp edges, shared history, and no patience for tasteful distance.
Made for: For fans of cult action, exploitation cinema, old crime television, and profane-leaning banter who prefer argumentative enthusiasm over tidy recap. It especially suits listeners who enjoy callbacks, running bits, and long detours that eventually become criticism.
What sets it apart: The show turns genre-review minutiae into comic set pieces without losing the thread of the movie or episode. Its edge comes from the familiar Griff-and-Murray rhythm: correction, escalation, mock authority, then a surprisingly specific read on why the scene works or fails.
Podcast by MurMan Productions
Based on 6 episodes we listened to · September 2026
Detailed recaps, argumentative humor and an eye for performance choices give cult movies and television episodes a lively second viewing.
Golan-Globus Theater turns cult cinema and television into a rowdy, scene-by-scene conversation. Bone Tomahawk, Hell Up In Harlem, Street Law and Army of Darkness receive close plot attention, with jokes and disagreements emerging from the hosts' attempts to reconstruct what…
A hitching post becomes a Michigan horsepower argument before the movie gets a word in: your ideal warm-up.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A loose, joke-heavy movie talk finds Raimi's slapstick inside the adventure machinery.
The episode frames the movie as adventure machinery running on cartoon logic, moving from Sam Raimi's Indiana Jones-style traps to Ash and Arthur wrestling through thick fog.
A staged prison fight, a hidden phone, and a Macho Man defense send one Walker scene into a sharp, chaotic riff.
Walker Texas Ranger arrives as a maximum-security ruse that keeps slipping out of control. Trent, with his hands tied behind his back, still manages to beat up Tractant, until Trivet cuts in with a shot across the back of Trent's shins.
Papa's red leather, a disputed dream, and a plot argument that refuses to stay settled.
The episode treats the movie as a stress test for how much plot a conversation can carry. Papa moves through the chaos in a red leather jacket and designer glasses, takes Helen's children, and appears to kill D'Angelo during a night at the opera.
Franco Nero's visible fear gives Street Law's barroom violence a nasty, human snap.
Street Law lands as a tense single-episode pick, with the barroom search for information giving the conversation its strongest charge. Franco Nero's character pays for a lead, gets boxed in, pushed around, and bolts, and the episode is sharpest when it notices how much fear Nero…
A relaxed Miami Vice rewatch where office lighting, David Strathairn, and Little Richard matter.
Miami Vice's "Out Where the Buses Don't Run" gets an affectionate rewatch that cares less about plot mechanics than about the odd details that give the episode its charge.
A grisly cannibal-western episode built on horse confusion, fry-bread tangents, and a bone-tomahawk set piece.
The weird-western episode opens on a wonderfully basic question, where exactly a horse gets parked, then follows that uncertainty into the month's next grisly turn: cannibalism.
Kinjo's blood-soaked reckoning gives The Hunted's final act its bitter center.
The final act of The Hunted lands on Kinjo's disgust as Nomura's sex-trafficking scheme leaves him with Junko slipping away, bloodshed spreading through the clan, and one last job that has destroyed the idea of a clean exit.
Marvel TV reviews with pub-quiz energy.
A podcast episode reviewing the sixth episode of the Japanese Spider-Man series, titled 'Shuddering Laboratory'.
The hosts discuss the fifth episode of the Japanese Spider-Man series Supaidaman, titled 'Crash Machine GP-7!
Hosts Griff and Murray of the Golan-Globus Theater podcast review the 2015 western-horror film 'Bone Tomahawk' starring Kurt Russell.
The hosts of Golan-Globus Theater conclude their two-part review of the 1995 action film 'The Hunted' starring Christopher Lambert.
Golan-Globus Theater's Army of Darkness review follows Bruce Campbell's Ash after Evil Dead 2 drops him into medieval England.
Golan-Globus Theater's "Tippy-Taps 78: Walker Texas Ranger (Macho Man Randy Savage)" centers on a 1999 Walker, Texas Ranger story about Copperhead Maximum Security Prison, a clandestine fight ring, and an undercover investigation.
["Golan-Globus Theater tackles Hell Up in Harlem, Fred Williamson's sequel to Black Caesar, and keeps returning to how much the movie owes its existence to a 10-month turnaround.", "Murray and Griff say Larry Cohen and Williamson were finishing scenes on weekends, which helps explain the obvious ADR, the street shooting, and the rough edges.", "The show also dwells on the discarded James Brown soundtrack that became The Payback, plus alternate titles like Black Caesar, the Payback and Black Caesar's Sweet Revenge.", "Their plot recap follows Tommy Gibbs, Helen, Papa Gibbs, and the corrupt D.A.
A comedic rant about how everything sucks, leading into a review of a Kojak episode.
A podcast episode reviewing the blaxploitation film 'Come Back Charleston Blue,' the sequel to 'Cotton Comes to Harlem.'
The hosts discuss the end of blaxploitation month and joke about renaming February to Trumpuary, while mocking Trump's cameo appearances.
A simple bank deposit in Genoa turns into a hostage situation for Franco Nero’s Carlo.
Little Richard opens the Miami Vice case from an El Camino, while Manuel skates through Miami in feather earrings and a tiny purple outfit.
The hosts discuss a BIM meter from Canon Films and their weekly live show at Wembley Stadium.
A podcast review of the 1992 sci-fi action film Nemesis starring Olivier Gruner, discussing its blend of Terminator, Robocop, and Blade Runner influences.