464 episodes listed below
Right-wing rant comedy with sharp elbows.
Get Off My Lawn Podcast w/ Gavin McInnes turns politics, masculinity, culture-war arguments, music riffs, and personal irritation into a fast, abrasive rant format. It suits audiences who want confrontational comic commentary with little interest in restraint, polish, or institutional niceties.
PRESS PLAY
Get Off My Lawn Podcast w/ Gavin McInnes is a right-wing political comedy show with the shape of a rant and the texture of a live room that refuses to settle down. It moves fast. The named presence is Gavin McInnes, whose episodes swing between current events, cultural resentment, music cues, personal stories, sponsor business, and sudden moments of ceremony. One Memorial Day episode opens with a military song, veers into arguments about soldiers and political myths, then closes with a sober tribute to men who died in war. That kind of lurch is central to the show. It can be crude, comic, sentimental, accusatory, and reverent inside the same hour. The show’s politics are not subtle. Education policy, race, Israel, feminists, crime, media judgment, and party politics appear as targets for blunt right-wing grievance and ridicule. The comedy often comes from escalation rather than setup. A complaint about a song, a studio layout, a subscriber email, or an awkward public interaction can become a larger theory about men, institutions, families, or the collapse of ordinary conversation. Anthony Cumia appears in the Compound Censored episodes, where the dynamic becomes more obviously conversational. Those exchanges lean into shared irritation about media, radio, comedy, audience entitlement, and the social habits people have lost. Sean is heard in several moments, especially when clips, screens, or show mechanics intrude on the conversation. The interruptions matter. They give the show its rough live-wire pacing, where technical annoyances and side comments become part of the act instead of being edited away. The recurring fascination with masculinity is direct and repeated, from Be a Guy themes to jokes about male friendship, pain, fatherhood, and having children. There is also a recurring love of fringe music references, old comedy references, and deliberately ridiculous episode titles. The show is not trying to persuade cautious moderates. It is made for an audience that wants culture-war comedy delivered with confrontation, mockery, and emotional whiplash. Its defining feature is the collision between political anger and unruly club-room humor. The result is abrasive, often offensive, sometimes solemn, and almost never tidy.
Made for: For fans of confrontational political comedy, culture-war argument, and loose live-room banter. Best suited to audiences comfortable with abrasive humor and intentionally provocative commentary.
What sets it apart: The show stands apart through its whiplash structure: war memorial reverence, studio chaos, music riffs, masculinity bits, and political attack can all occupy the same segment. It feels less like a scripted monologue than a high-speed argument that keeps absorbing whatever interrupts it.
We tried their way. We tried apologies, capitulation, and shame. Now it's time for them to try something: GET OFF MY LAWN.531625
Based on 6 episodes we listened to · September 2026
Political grievance and low comedy collide through sharp pivots, argumentative riffing and Gavin McInnes's appetite for comic escalation.
Gavin McInnes builds episodes out of controlled derailment, moving from political grievance into personal anecdote, then swerving toward bodily embarrassment or an unexpectedly earnest reflection.
A paratrooper song becomes a political broadside; stay if sudden swerves are your kind of comedy.
Press play if you want
Short reviews from the PlayNext desk, based on the episodes we processed.
A Memorial Day episode that begins with a paratrooper song and ends in a somber account of the young lives war takes.
Memorial Day comes in through "Blood on the Risers," with the host using the paratrooper song to push back on the idea that soldiers go into battle unaware of its danger.
High-IQ empathy turns everyday human contact into the episode's sharpest running fight.
Anthony Cumia and Gavin McInnes turn ordinary social contact into the episode's main fight, with McInnes opening on the strange burden of having enough empathy to ruin the pleasure of watching enemies lose.
A newspaper rant swerves into ball-flick science and a micro mini tractor pull.
Education policy gives this unruly single episode its first hard turn, but it is not where the show stays. After opening with Hurula's "New York Drug," the conversation treats the order to dismantle the Department of Education as great news, then lets the target keep expanding.
A crooked webcam setup turns into a funny, prickly argument about radio, subscribers, and unsolicited career advice.
A crooked opening gives the episode its comic motor: Sean resizing Gavin, a black border popping up, a flag drifting into frame, and cropped hands becoming a running bit about Italian gestures.
A Scottish-sounding band gripe sends Gavin McInnes into air-guitar fallout, family talk, and a blunt defense of masculinity.
A Friday complaint about a Scottish-sounding band opens into a comic study of Gavin McInnes' irritation. First he learns the group is Australian, then the grievance expands into an air-guitar judging story, a clash with promoters and the Asian American Society, and a firing…
A loose live fundraiser turns from comic riffs into a striking police story before hitting the paywall.
Get Off My Lawn Live works best as a loose live-room collision: fundraiser, comedy hang, and running interruption all at once. Tim Dickman and Matty O'Dell join a conversation that jumps from Fancy Feast's Ye cover to a public-school library complaint, then into a Batman-villain…
A banked call-in episode turns punk trivia, Mets misery, and bleach-wipe confusion into scruffy comic momentum.
This banked Friday call-in episode works best as a loose comedy relay, moving from punk trivia into Mr. Show memories, Mets suffering, and bathroom hygiene without much concern for tidy transitions.
Franconian conversations that take their time.
Combative right-leaning reaction, served hot.
Gavin McInnes hosts a free portion of his podcast, blending chaotic monologues about hardcore bands and pre-taped shows.
A live comedy show featuring Gavin McInnes delivering provocative political satire and rants.
Gavin McInnes hosts a live episode with co-hosts Tim Dickman and Matty O'Dell, covering topics from Joe Biggs' January 6th case to a prison call about communism.
Gavin McInnes opens with Memorial Day, saying "enjoy your Memorial Day" while remembering "the men who died" and separating it from Veterans Day.
Gavin McInnes and Anthony Cumia engage in a comedic, irreverent conversation about intelligence, empathy, and outrage.
Gavin McInnes plays indie rock music and rants about a rude encounter after a show, blending music with provocative humor.
Anthony Cumia says his move to broadcast radio and then syndication followed a first show where he had to avoid "fuck" and "shit" on air.
Gavin McInnes opens by talking about "cancellations" involving Leonardo Joni, Lily Gaddis, Joe Biggs, and Michael Graves, then folds those examples into a free-speech defense.
Gavin McInnes rants about a crazy music video and tells a vulgar story about tree planting.
Gavin McInnes delivers a provocative, comedic monologue mocking political correctness and Jewish rappers, promoting his show's free speech ethos.
Gavin McInnes rants about a bizarre love song dedicated to Michelle Obama, mocking its lyrics and absurdity.
Gavin McInnes rants about 70s music and cultural decline with his signature provocative humor.
A live comedy show where Gavin McInnes delivers provocative political rants and satire.