TruStory FM
50 episodes listed below
One minute, infinite tangents.
Every Minute of Everything Everywhere All At Once studies the film one tiny stretch at a time, treating fight choreography, staging, props, scripts, and visual grammar as fair game. The analysis is real, but it arrives through running jokes about bagels, jump pads, restaurant theatrics, superhero trivia, and extremely specific screen details.
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Every Minute of Everything Everywhere All At Once is a minute-by-minute comedy companion to Everything Everywhere All At Once. Each episode takes one narrow stretch of the film and worries it from every angle. The show is funny first, but not careless. It tracks camera movement, fight geography, prop business, script alternatives, performance beats, color, lighting, and the way a scene teaches the audience what to understand next. A moment of Evelyn collapsing after a fight becomes a discussion of dust, debris, lens flares, emergency lights, and whether the shot feels like the start of a new sequence. That is the basic rhythm. A tiny observation opens a door. A theory walks through it. Then a joke runs in carrying a bagel. The recent run spends a lot of time in the film’s action-heavy IRS and Teppanyaki material, where Evelyn, Waymond, Joy, Alpha Gong Gong, Andy Lee, Debbie Dog Mom, Chad, and Harry Shum Jr. give the show plenty to chew on. It is especially good at comparing what the finished movie does against what another version might have done. The hosts consider whether a more emotional Gong Gong beat could have worked, then recognize why the stranger comic version serves the sequence better. That kind of practical story sense keeps the riffing anchored. The show also loves detours. Street Fighter staging leads to reading direction across cultures. Teppanyaki scenes turn into a rant about restaurant tricks and first-date energy. Harry Shum Jr. brings in dance-world context, Glee recognition, and Crazy Rich Asians cameo logic. The title gimmick is goofy, the banter is restless, and the humor can get crude. Underneath that, though, the show is a patient act of attention. It is for viewers who want the movie slowed down until every cut, joke, stunt, and stray nameplate has had its day in court.
Made for: Best for Everything Everywhere All At Once fans who enjoy close film reading with a chaotic comedy engine. It also suits movie nerds who like production choices, script hypotheticals, and digressions that somehow circle back.
What sets it apart: Most movie recap shows move scene by scene; this one lingers until a single minute becomes choreography lesson, script seminar, and running bit. Its strength is the collision between precise visual analysis and gleefully absurd overthinking.
Lester and Kynan attempt to explain, evaluate, enlighten and elucidate the Academy Award-winning film, Everything Everywhere All At Once, minute by multiversal minute! Now, you may only see a couple of chuckleheads trying to talk about a movie and getting distracted by all the cool references and easter eggs…but we see a story! Follow us through the multiverse as we explore each individual minute of this amazing film!
Based on 5 episodes we listened to · September 2026
Close film analysis keeps turning into playful disputes, improvised scenes, and sharply observed comedy about how images create meaning.
Every Minute of Everything Everywhere All At Once turns tiny stretches of one film into springboards for close observation and comic drift. Lester Ryan Clark and Keenan Diaz track the action shot by shot, then follow whatever catches: screen direction, camera movement,…
One movie minute becomes a portal where you chase visual choices straight into gloriously unnecessary tangents.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A fight beat that opens into a funny close read of collapse, framing, and relief.
The minute lands as a hinge between victory and collapse: Evelyn finishes the fight, Waymond catches her, and the hosts keep returning to the sense that the scene is ending even as it opens into something else.
A small gesture turns into a sharp comic argument about timing, tenderness, and movie weirdness.
Minute 82 zeroes in on a small but lively argument: Evelyn is watching the Wong Kar Wai version of herself while Gong Gong barrels through the frame, and the hosts ask whether the moment might have landed harder as a cleaner emotional beat instead of the stranger joke the film…
A bruised fight minute that drifts through film grammar, reading direction, and a bagel joke.
The minute starts with a bruised fight beat and then slides into movie grammar without losing its footing. Evelyn is on the floor under a tarp, and that image opens the door to a Wong Kar Wai-world apology beat, then into a close look at left-to-right movement, reading…
A bagel gag that opens into a sharper look at why Harry Shum Jr. lands so strongly.
This segment turns a Harry Shum Jr. bagel joke into something broader and a little more useful, showing why the credit lands for listeners who know him from Glee and the dance world.
Orange soda, a trapped dog, and Chad turn one minute into a comic detour that still keeps the movie's stakes in view.
Orange soda, a trapped dog, and a name like Chad push this minute into comic overdrive, and the hosts keep the chaos on a short leash. The recap stays clear enough to keep the movie in frame, then drifts into Benihana talk, shrimp tosses, onion volcanoes, and the odd social…
The minute starts with nope and ends with hope.
This minute is a hinge.
Evelyn starts this minute on the floor after Alpha Brian knocks her down.
This episode humorously analyzes a minute from the film Everything Everywhere All at Once, focusing on a scene where Evelyn rolls on the floor and characters discuss a butt plug-related plot point.
This episode analyzes a specific minute from the film Everything Everywhere All at Once, focusing on parallel fight scenes and character connections.
This minute starts with Evelyn’s jump into the Teppanyaki universe and the odd spillover that seems to follow her between worlds.
Evelyn runs out of the kitchen with orange soda in hand.
Minute 76 of Everything Everywhere All at Once opens with Evelyn tossing a SWAT shield in a "perfect circular arc" and closes as Jenny Slate's Debbie the dog mom swings her dog like a lasso.
Minute 75 of Every Minute of Everything Everywhere All at Once follows Evelyn swallowing a wooden frog figurine to trigger a verse jump while Andy Lee attacks her with an American flag.
Minute 48 of Everything Everywhere All at Once runs from Evelyn's kung fu pose after Deirdre tumbles down the stairs to her line "I saw my life without you," and Lester and Keenan work through it beat by beat.
This episode analyzes a minute from the film Everything Everywhere All at Once, focusing on Alpha Wayman's speech that accidentally includes lyrics from the Nine Days song 'Story of a Girl' and discussing its significance as an Easter egg.
This episode humorously analyzes a minute from the film Everything Everywhere All at Once, featuring a parody of gangster dialogue with references to murder, Shakespeare, and the Beatles.
This episode analyzes a specific minute from the film Everything Everywhere All at Once, focusing on Alpha Waymond teaching Evelyn about verse jumping and exploring themes of life, death, and multiverse possibilities.
This comedic episode parodies breaking news coverage by absurdly putting news on a bagel, featuring exaggerated news segments and a fictional team analyzing the film Everything Everywhere All at Once.