Decades of Horror 1980s runs on a tidy premise. Each episode takes one film released between 1980 and 1989, and the host's intro allows that the pick may be a classic or not so classic. Doc Rotten hosts. Co-hosts including Crystal Cleveland, Bill and Chad fill out the conversation, and he sometimes greets them as his co-ghosts. The frame stays steady from episode to episode. Several open on a line of dialogue from the film, the intro gives the episode number and the date it was recorded, and the group signs off by saying good night. What changes is the film, and the range is wide: Hell Night, Excalibur, Predator, The Dead Next Door, Hello Mary Lou Prom Night II and Forbidden World. The talk is chatty and prone to wandering. On Predator, the group ranks the film with The Dirty Dozen, just with an alien, and runs through the five-man army trope: leader, second-in-command, muscle, wisecracker, explosives expert. From there it drifts to Johnny Carson and the idea that he was never funnier than when a joke bombed. The Hell Night conversation becomes a joint effort to pin down how old one actress was during filming, set against her age in The Exorcist. Hello Mary Lou Prom Night II brings a confession scene that gets called brilliant, a check on whether everyone saw the same version of a moment, and remarks on the ages of the actors playing high schoolers. Craig, the principal's son, takes some ribbing: he rides a motorcycle, yet the group finds him no rebel at all. Excalibur draws open admiration, both for a showman performance one host calls the spine of the movie and for magic that has to take from something rather than appear out of nothing. Forbidden World sends the talk toward programmable DNA, regenerated organs and algae that tastes like lamb chops. The Dead Next Door episode turns at one point to Ozone, with a quoted estimated budget of $3,500, and to Robot Ninja, described as work for hire. A cat interrupts along the way. Classics and oddities get the same attention here. The payoff is the company: a group that enjoys these films and lets the conversation go wherever it goes.