A vacated conviction brings relief, then the legal fight resumes.
CounterClock returns to the Nathaniel Jones case at a key point, after a superior court judge vacates the convictions of the five teenage boys once labeled as his killers.

Cold cases, reopened with patience.
CounterClock revisits older homicide cases through patient reporting, source tape, court records, and family memory. It favors timelines, documents, and unanswered procedural questions over spectacle, with each season building pressure around what still can be known.
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CounterClock is a season-based investigative true-crime series about old cases that still exert pressure on the present. It does not rush. The show builds its stories through timelines, interviews, legal developments, physical evidence, records, and the geography of where events unfolded. Recent episodes show that method clearly. A Season 7 update follows the aftermath of Judge Brody's ruling in a wrongful-conviction claim tied to the November 2002 murder of Nathaniel Jones in Winston-Salem, North Carolina. The relief is immediate. The legal fight is not. Another season returns to Williamston and the BB&T bank robbery saga, where a chain of deaths, police action, racial outrage, and unanswered questions keeps widening the frame. CounterClock is especially attentive to who gets remembered. In one episode, the reporting lingers on Tremaine Howell, Nikki Wilson, and Joyce Jean Wilson, three teenagers whose deaths could have remained flattened into case chronology. The show makes room for grief without turning grief into decoration. A bench at the Roanoke River becomes more than a memorial detail; it becomes a way of asking what the public is willing to sit with, and what a community has been asked to accept. The reporting voice is controlled, but it is not detached. When evidence is thin, the show says so. When a fact appears significant, it explains why without pretending every implication is proven. The series also uses bonus Q&A episodes to revisit listener questions, new developments, and the reporting process behind a season. That format brings Ashley Flowers into the booth while keeping the focus on the casework. CounterClock's strongest appeal is its patience with complexity. It is for listeners who want true crime that treats records, families, locations, and legal procedure as part of the same moral problem. The show can be heavy, and it often returns to homicide, wrongful convictions, institutional responsibility, and the cost of delayed answers. Its value is not shock. Its value is persistence.
Made for: For true-crime listeners who prefer reported cold-case work over fast retellings. It suits people drawn to timelines, court records, family persistence, and unresolved investigative questions.
What sets it apart: CounterClock stands apart through its season-long focus on procedural detail and emotional aftermath. It connects case files to real places, from Winston-Salem courtrooms to the Roanoke River, without losing sight of the people left behind.
In order to tell the story of a crime, you have to turn back time. Every season, Investigative journalist Delia D'Ambra digs deep into a mind-bending mystery with the hopes of reigniting interest in a decades old homicide case.
Based on 5 episodes we listened to · September 2026
CounterClock revisits disputed cases with patient reporting that keeps evidence, legal developments, and overlooked lives closely connected.
CounterClock gives old case files room to remain unsettled. Delia D'Ambra works in serialized true crime, tracking police decisions, phone records, court rulings, and the people whose lives can disappear beneath an official account.
A damaged memorial bench has you inspecting boat ramps like a detective.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A vacated conviction brings relief, then the legal fight resumes.
CounterClock returns to the Nathaniel Jones case at a key point, after a superior court judge vacates the convictions of the five teenage boys once labeled as his killers.
A careful true-crime launch that keeps the focus on the case, the town, and the people around it.
Dark Valley treats small-town crime with the same seriousness as any headline case, and that restraint helps. It starts with the idea that violence can happen anywhere, then settles into the Springfield, Vermont murder of Teresa Fenton and the local memory around it.
A weekly-show opener that quickly gives way to a records-driven murder investigation.
Park Predators Weekly begins with a promotional reset, then settles into a case built from phone records, warrants, and monitored calls. Delia D'Ambra keeps Henry Stange's story tethered to the trail from the 29 Palms Marine Base to his house and out into the Joshua Tree area,…
A measured update that keeps the case moving without pretending it is done.
CounterClock Season 6's bonus Q&A feels like a useful pause in a case that is still changing. Delia D'Ambra and Ashley Flowers are in the booth together, and that gives the conversation a more immediate edge as they revisit what has surfaced since the season aired and how the…
A case becomes a place to remember what still does not add up.
CounterClock goes back to the Williamston case by picking up the BB&T bank robbery thread and the deaths of Tremaine Howell, Nikki Wilson, and Joyce Jean Wilson, then letting the story widen into remembrance.

NHPR's Jason Moon investigates the Bear Brook barrel murders and a New Hampshire wrongful-conviction case.




A former cop's DNA, a dropped case, unreliable memories.

Delia D'Ambra revisits the Nathaniel Jones case.
CounterClock listeners get a handoff.
Delia D'Ambra frames Park Predators as a weekly show about the darker side of national parks, then centers this case on Joshua Tree National Park in June 2018.
CounterClock Season 6: BONUS Q&A centers on Delia D’Ambra and Ashley Flowers revisiting new reporting about Ezekiel Brown, the Big Ten, and the Martin County case.
CounterClock returns to Williamston and the deaths of Tremaine Howell, Nikki Wilson, and Joyce Jean Wilson.