Alyssa Milano: Sorry Not Sorry has two distinct sides. One is political conversation between Alyssa Milano and her co-host, Ben Jackson, and it is openly partisan. The other is Story Not Sorry, a seasonal series that sets submitted writing beside interviews with the people who wrote it. The political episodes feel personal and move quickly. The redistricting conversation starts with small talk about summer slipping away and kids going back to school, then turns to Texas and California. There, the hosts enjoy watching Gavin Newsom turn Trump's tactics against him. They argue that 'when they go low, we go high' has run its course. The stakes, they say, go beyond elections to the erasure of history and of trans rights. Their own side does not escape criticism. In one exchange they call Democratic messaging robotic and say it belittles protesters, marchers and people showing up at ICE detention centers. A news roundup finds Alyssa Milano back from time with family at Lake Tahoe before the talk turns to religious freedom, doublethink and the normalization of abuse. Guests bring reporting and research. Alice Driver, author of The Life and Death of the American Worker, discusses meatpacking, where immigration, labor, and health and safety meet, through the stories of Tyson Food employees in Arkansas. The conversation covers the toll of repeating one motion over and over through a shift. It also covers the contrast she draws between corporate staff sent home during COVID and the workers in the plants. Ben Jackson can hold the floor alone as well. In 'Fascism and Trump's Own Words - Part 1' he explains that he once avoided the word fascist as rhetorically ineffective, and why he has since changed his mind. He signs off with 'class is dismissed'. Story Not Sorry takes the heat down. Writers submitted fiction and essays on the theme of finding meaning in a time of strife, and each piece is followed by a conversation with its author. Ben Jackson contributes a piece of his own, 'My Soul Doth Magnify The Lord'. Kate Tell, a writer and poet based in Hoboken, New Jersey, brings 'Cat Person', an essay written while her cat was very sick. With the hosts, she describes it as bracing for a loss she could not prevent and questions the anxious belief that enough preparation can stop what is coming. She has since lost that cat and her father, and she says working through the anticipation first helped her with what followed. The closing lines sum up the show's outlook: hope as a discipline that has to be practiced, and storytelling as the way the truth gets passed on. For the political side, start with 'Texas and California Redistricting'. For the quieter side, start with Kate Tell and 'Cat Person'.