Writer Craft Podcast · Valerie Ihsan

Favorite Writing Craft Books

·34 min·2 clips
George Saunders’s A Swim in a Pond in the Rain uses four Russian stories and actor narration to teach craft.
Valerie and Eric name episode 177. Recorded on February 12th, it takes its time getting to the official topic, with introductions, credentials, show notes, and a little recalibrating first. Craft books are the point, but the episode treats them more like well-used tools than a grand canon. These are the books Valerie keeps returning to when she teaches, builds resource lists, or sends writers toward help. They joke before they sort anything out. Eric pushes for an alternating format, Valerie starts toward her usual teaching recommendations, and that tiny negotiation gives the list some lift instead of slowing it down. The language bit wanders farther than expected. Rad, riz, Spanish slang, and Saved by the Bell references take over for a while, which makes the advice feel like it came out of an actual writer friendship. Poem Crazy gets real affection. The cold open catches the pleasure of trying an exercise and realizing the thing on the page has quietly become a poem. That is the episode's sweet spot. It likes craft books that make writers produce pages, notice surprise, and feel a little less stiff about what they made. Valerie speaks from teaching habits. She has a resource list, recommends books across classes, and clearly returns to certain titles often enough that they have become part of her kit. Eric keeps the rhythm conversational, asking questions and nudging the format so the list does not harden into a lecture. The episode stays useful without getting fussy. Show notes, a free story rubric, and listener support links sit beside the book talk, because craft lives inside the ordinary work of keeping a writing life going. The close turns to buying options, with Kobo offered as an alternative to Amazon and e-reader and audiobook mentions folded into the housekeeping. The strongest thread is not one winning book. It is how working writers keep certain books nearby because they reliably restart motion.
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