Penn's Sunday School

Aftermarket vs. Fake

·59 min·5 clips
Penn Jillette argues that 'aftermarket breasts' are real and attraction depends on how much the owner enjoys them, using bee dances and stamp collecting as analogies.
The episode opens with Penn Jillette sharing a personal anecdote about selling his car on Carvana, expressing suspicion over the smooth process. He and co-host Matt Donnelly then banter about Penn's recent visit to the Magic Castle, where he saw magicians like Norman Beck and Nick DePac. A listener from Australia asks for advice on learning bass in their 40s, prompting Penn to recommend hiring a teacher and practicing an hour daily, noting that upright bass can make fingers bleed. Another listener, Jim, questions whether straight men are attracted to symmetrical breast implants, leading Penn to deliver a monologue reframing them as 'aftermarket breasts' and arguing attraction depends on the owner's enjoyment, using analogies like bee dances and stamp collecting. Alexander, a listener from Germany, shares a connection to paper insect artist Tina Kraus, whom Penn admires. Winter, a trans professor, asks about bathroom and sports issues, with Penn explaining these controversies stem from a Colorado court case and political opposition to Title IX. Raymond asks about Penn's transition from a two-person magic act to relying on a crew, and Penn details how his crew's choreographed backstage movements and input are crucial to the show. The episode concludes with thanks to Patreon supporters and promotional mentions for MasterClass and GEICO.

As heard by us

A car sale, a superstition spiral, and an evolutionary detour into "aftermarket breasts."

Penn's Sunday School starts with a car-sale story that should be simple, then lets it slide into a comic spiral of superstition. From there, the episode shifts into a frank conversation about attraction to artificial breasts, with Penn Jillette and Matt Donnelly keeping the…

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Why you'd press play

Press play when a too-smooth Carvana sale has you waiting for the catch, then a biology detour steers the room into filthy territory.

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