Mountain Murders · Dead Air

Shirley and Russell Dermond

April 7, 2026·1 hr 23 min·7 clips
Heather reveals the Dermond case has haunted her for years, involving a decapitated man and a missing wife in a gated community.
It opens loose and sunny. Heather and Dylan start with springtime banter, and the easy rhythm makes the turn into the case feel sharper. Then the house starts telling on the burglary theory. Dylan says it straight: if stealing was the point, why leave so much sitting there? The violence is severe, but the obvious stuff is still in view. Shirley's eye-surgery note is marked on a calendar near a jewelry bag, and the necklace is still right on top. A laptop is there too, another detail the hosts treat as a problem for the robbery angle. Dylan gets worked up, in the way he does, and stops the case long enough to say home invasion gets talked about too casually even before the killing enters it. Heather lets him have the floor, then brings the scene back down to the kitchen counter, where the Netflix return envelope is just sitting there like regular household clutter. That is what sticks. The place still feels like a normal home, which makes the damage feel worse, not cleaner. The excerpt does not pretend to solve it. It keeps pressing the same ugly question: why skip the things worth taking and still leave that much violence behind? Heather and Dylan close by pulling listeners into the conversation, with Dylan's needy joke and Heather's teasing keeping the whole thing oddly neighborly.

As heard by us

A listen built around stubborn details and easy host chemistry.

Mountain Murders opens with spring banter between Heather and Dylan, then settles into a true-crime discussion that keeps coming back to a few details that do not sit right.

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Why you'd press play

When a burglary theory keeps falling apart under ordinary household details.

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