Deforme Semanal Ideal Total · Deforme Semanal

LA POSESIÓN

March 29, 2026·1 hr 22 min·7 clips
Isa and Lucía welcome you to a hostile Madrid while telling fans not to write to them.
Madrid opens as both home and trap. The city is hostile, ugly, anxious, and somehow still home, which sets the mood fast. The room is already charged. A hello to the crowd turns into a fight over whose show it is, who talks more, and why strangers expect replies. Nobody stays neatly on topic. The pair make interruption part of the sport, correcting each other while also turning the correction into the joke. Then the episode tightens. Possession becomes a way to talk about the pressure around women's autonomy, individuality, and control. They trip over the year. A mistaken 2006 becomes 2026, and the fix turns into a small self-roast about being useless with documents, photos, and buttons. The politics are blunt, but the tone keeps its warmth. Autonomy is treated as something women have fought for, even while equality is still nowhere near finished. The domestic bits get a better deal than usual. Plants, cups, spices, baked potatoes, and kitchen life become chosen pleasures instead of proof that someone has surrendered to old expectations. Then the targets spread out. Individualism on the networks, macho thinking, fascist reflexes, and neat little hypocrisies all get pulled into the same quick, messy argument. The jokes keep the pressure from getting stiff. Even when the thought turns angry, the rhythm snaps back through teasing, correction, and a very committed attempt to defend a half-polished thesis. The ending refuses to behave. A final reflection is promised, interrupted, defended, and almost dropped, so it feels more like a curtain fall than a clean conclusion. The point still lands through the chaos. Possession means the fight over who gets to direct a woman's life, and the answer is loud, imperfect, and theirs.

As heard by us

Isabel Calderon and Lucia make autonomy, anxiety, and interruptions feel like one unruly comic argument.

Isabel Calderon and Lucia turn LA POSESION into a loose, combative comedy spiral about autonomy: Madrid anxiety, strangers demanding replies online, feminist self-rule, mental health, fascists, and the humiliating admin of being an adult.

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Why you'd press play

For when Madrid feels like a migraine and you still want a sharp laugh.

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