A raw notebook on work, AI, and taboo culture.
Work to Live follows a recurring voice as he thinks aloud in English about technology, online writing, workplace change, and everyday life in Japan. The result is loose, personal, and often digressive, with topics moving from crypto and AI tools to apartment buildings, population change, and adult-media language.
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Work to Live operates like a public notebook recorded into a microphone. It is direct, uneven, and unusually transparent about the act of speaking. A recurring voice works through topics in English while openly commenting on fluency, phrasing, health, fatigue, and distractions. The episodes rarely hide their seams. False starts, repeated clauses, mid-sentence repairs, and title checks become part of the show’s texture. At its center is a practical curiosity about work, technology, language, and survival. Recent episodes consider cryptocurrency as one financial tool among many, not simply another word for Bitcoin. They also discuss AI in the workplace, AI in job hunting, and the use of AI tools for checking writing. The show regularly connects these topics to personal workload, side hustles, family obligations, and the ordinary need to get through life. It can also move abruptly into edgier internet territory. Several episodes discuss adult-media creation, AI-generated adult content, taboo vocabulary, and sexual-language study, usually as examples of online publishing, translation, or platform limits. Other entries are more observational. One episode points listeners toward a video view of an old apartment complex in Japan, while another reflects on population change, fertility, class, and the possibility that future social survival may favor people who can follow community rules. The show’s roughness is central to its identity. It is not a tightly produced technology briefing or a neat self-improvement program. It is a long-running record of one person thinking aloud about modern work, digital platforms, aging, money, language, and uncomfortable cultural subjects. Listeners who enjoy strange, candid, unsmoothed audio will find its value in the pauses, repetitions, and unpredictable turns.
Made for: For listeners interested in unpolished creator diaries, non-native English speech, Japanese everyday context, AI culture, online writing, and unconventional language topics. It is best for people comfortable with digression and adult subject matter.
What sets it apart: Work to Live keeps the thinking process visible: corrections, hesitations, repeated phrasing, and sudden topic changes are part of the finished object. Few shows mix workplace AI, crypto, fertility, Japan, online writing, and taboo-language commentary with this level of raw self-documentation.
I create contents about works, operational efficiency and manners for enjoying lives. Please enjoy my contents :)To listen to the introduction of this podcast, please check out the following.Note 254 Introduction of Work to Live: https://anchor.fm/richard-gong9/episodes/Note-254-Introduction-of-Work-to-Live-e1grsbe
This is the show that can take you from artificial erotic audio to fertility theory without changing lanes.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A late-night monologue linking fertility decline to survival through rule-following.
The piece follows Richard Gon as he records late at night in early 2026, after noting that he has recently been making adult-content images online, and uses that setting to work through a rambling case about population and fertility change.
A wavering monologue about stopping a series, with repetition, aging, and explicit talk giving it an uneasy pull.
Walk to Live's 32nd episode follows Richard Gon as he weighs whether to stop the Appreciation of the Sounds of Blowjob series after it has not drawn listeners or plays.
Big ideas under real-world pressure.
Fast takes for messy mornings.
Westeros adaptation talk with book-reader nerves.
Musicians talking through the work beneath the songs.
This episode features the host, who is extremely drunk, playing a poem video to appreciate the sounds of blowjob, including voices of girls or ladies.
The host introduces the topic of using AI-generated images, termed 'AI beauties', for adult content.
The host discusses protecting their wealth through shares in enterprises across developed and developing countries while casually preparing for the recording.
This episode is part of a series appreciating artificially created blowjob sounds, recorded late at night by the host.
The host discusses his worsening health condition and introduces an episode focused on analyzing cryptocurrency price movements in early February.
This episode explores the inevitability of AI-generated adult content through a personal case study about creating captioned images on Medium.
The host discusses the shift in human population cohorts and the continued growth of artificial intelligence in early 2026.
The host discusses how artificial intelligence, particularly GPT, is a helpful tool in job hunting and workplace applications, based on personal experiences and changes in workload.
The host, Richard Gonoff, introduces a video-based episode about an old apartment complex in Japan from the 1970s, shared by a friend.
Richard Gon opens the 32nd 'Appreciation of the Sounds of Blowjob' installment by saying the series has not collected listeners or plays and may end.
Richard Gon records the 31st "Appreciation of the Sounds of Blowjob" episode at midnight while exhausted from holiday eating and drinking.
Richard Gon’s February 2025 Work to Live update combines Donald Trump and Gaza news with “artificially created” sexual sounds.
Richard Gon’s "Appreciation of the Sounds of Blowjob, 29th" combines artificially created sexual sounds with advice about suicide prevention.
Note 580 of Work to Live opens with the host's disclaimer that the sounds are "artificially created ones, they are not real ones." The host, a native Japanese speaker, plays Japanese adult videos and translates their dialogue into English, including the term "frenulum" and a video with a countdown.
A 24-year-old nursery teacher in the video says the job is tough but meaningful, prompting the host's remarks on low pay in Japan.
The host, who is drunk and confused, advertises a new online article on Medium about how to say 'blowjob' in major languages.
The host introduces a trial episode of their podcast, discussing technical changes in recording, their Japanese background, and use of a pseudonym.