Mitch Ben turns old topical songs, Iran, and a Louvre theft into sharp musical deja vu.
Episode 54 finds Mitch Ben reaching back into three decades of satirical topical songs and discovering how neatly some of them still catch the present.

Mitch Benn
85 episodes listed below
Topical satire with a long musical memory.
This show treats the news cycle as a trigger for old songs that suddenly feel current again. Politics, war, elections, space missions, theatre jokes, and British public life all become setups for musical punchlines.
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We Know A Song About That, Don't We? is a topical comedy song archive with a news pulse. The premise is simple and unusually sturdy: when the world produces another familiar-looking absurdity, the show finds the song already written for the last time something like it happened. That gives the episodes a double rhythm. First comes the current irritation, then the musical receipt from the past. The result is part political monologue, part comedy-song showcase, and part running argument that public life has a habit of repeating its worst bits with new names attached. The show is especially alive around politics. Recent episodes move through Donald Trump and Iran, CPAC, Liz Truss, Boris Johnson, Keir Starmer, Reform, elections, polling-booth rules, and the strange theatre of politicians trying to look serious. It is not limited to Westminster or Washington. Artemis 2 leads to moon-landing conspiracy jokes, Easter becomes a setup for theological silliness, and a Louvre theft becomes an excuse for a West End musical parody aimed squarely at Andrew Lloyd Webber-style excess. The musical references matter. Songs are treated as crafted comic arguments, with attention to genre, structure, rhyme, key changes, repetition, and the peculiar habits of stage and broadcast satire. The show can be blunt. It can also be unexpectedly reflective, especially when a closing song shifts from mockery into memory or tribute. Its comic engine is exasperation, but not laziness. The jokes assume listeners can keep up with British politics, American right-wing media, old comedy broadcasts, theatre culture, and the news of the week. Short housekeeping notes about performances and Patreon extras give the episodes a working-comedian feel rather than a polished panel-show gloss. The best fit is for listeners who enjoy topical satire that carries a tune, remembers earlier scandals, and notices when history returns wearing a worse hat.
Made for: For listeners who like political comedy, topical songs, British satire, and sharp reactions to the week’s headlines. It especially suits people who enjoy hearing old comic material gain new relevance.
What sets it apart: The show’s hook is its archive: current events are paired with songs written during earlier versions of the same public absurdity. That turns each episode into both a news riff and a musical time capsule.
A new podcast in which I look at current news stories and then play the song that I wrote the LAST time something like this happened...To support Mitch Benn for as little as $1 a month, and get access to exclusive content, go to www.patreon.com/mitchbenn
Short reviews from the PlayNext desk, based on the episodes we processed.
Mitch Ben turns old topical songs, Iran, and a Louvre theft into sharp musical deja vu.
Episode 54 finds Mitch Ben reaching back into three decades of satirical topical songs and discovering how neatly some of them still catch the present.
Mitch Baird mixes topical satire with St Gertrude, Boris Johnson, and Red Nose in the Sunset.
Episode 51 shows Mitch Baird leaning into what the show does best: topical satire set against songs he has already written for the moment. It opens with the number 51, then moves through St Patrick's Day, St Gertrude, and the familiar joke that St Patrick gets all the attention.


Creative work, personal stories and affectionate interruptions.


Peter Sagal leads NPR's live news quiz, pairing celebrity guests with listener call-in games.

A stranger calls. Chris Gethard listens. Anything can surface.

On Episode 68, recorded after the Edinburgh Fringe on August 31, 2026, Mitch Benn performs topical comedy songs about celebrity deaths and current news.
Mitch Ben uses current events including the Artemis II mission, hydrogen clouds between galaxies, and a Louvre theft to revisit topical songs from his archive.
UK comedian and songwriter Mitch Baird presents episode 51 of his podcast 'We Know A Song About That, Don't We?', in which he connects current events to songs he has already written — sometimes decades earlier.
Mitch Benn introduces episode 50 of his podcast, where he plays songs he wrote about past news stories similar to current ones.
Mitch Benn examines why Andy Summers disputes Sting’s exclusive songwriting credit for The Police’s “Every Breath You Take” and Puff Daddy’s “I’ll Be Missing You.” He compares Judge Dredd’s fictional authority with ICE, arguing that real-world enforcement and claims of immunity create a more troubling example.
Mitch Benn revisits songs about current events, including "Nothing Awareness Week" from 2009 and a song about Somalia.
The unnamed host records between performances of A Christmas Carol while discussing Christmas traditions, NHS flu eligibility, and a possible 2025 doctor's strike.